Eine Transkription der 6 Violoncellosuiten für Querflöte steht im Einklang mit der auch von Bach ausgeübten Praxis, eigene und fremde Kompositionen für verschiedene Instrumente umzuschreiben. Veilhans textkritische Edition berücksichtigt die Quellenlage und belässt alle Suiten in den Originaltonarten, so dass die Authentizität des Werkes gewahrt bleibt

This volume from the B series is intended to provide beginners with a rich collection of easy dances from folklore and folk music for two-part playing on the soprano and alto recorder (transverse flute). As the first part begins in the practice range c‘-d’'and is methodically structured, this volume is suitable for early ensemble playing. The dances can be made more attractive by adding a small percussion instrument. Volume 1: Practice section A from c‘-d’' (soprano recorder) Practice section B from c‘-e’' (soprano recorder) Practice range C from c‘-f’' (soprano recorder) Practice range A from f‘-c’‘’ (alto recorder | flute) Volume 2: Practice range A from c‘-g’' (soprano recorder) Practice range B from c‘-a’' (soprano recorder) Practice range from f‘-d’‘’ (alto recorder | flute) Further playing literature for soprano and alto recorders can be found in the tab ‘’ Similar articles ‘’: From series A ‘’The Music of the Old Masters‘’ and series B ‘’Folklore / Folk Music‘’ 2 booklets each available. (series A: booklet 1 - N 3766, booklet 2 - N 3767; series B: booklet 1 - N 3802, booklet 2 - N 3803) The following series are available for soprano recorders : There are also 4 consecutive volumes available from series A ‘The Music of the Old Masters’. (volume 1 - N 3657, volume 2 - N 3661, volume 3 - N 3664, volume 4 - N 3665) There are 2 volumes available from the series ‘The Great Christmas Carol Collection’. The duets can be extended with a harmony instrument and vocals. (volume 1 - N 3715, volume 2 - N 3716) From series A ‘The Music of the Old Masters’ and series B ‘Folklore / Folk Music’ 2 volumes each are available. (series A: volume 1 - N 3766, volume 2 - N 3767; series B: volume 1 - N 3802, volume 2 - N 3803) The following series are available for alto recorders : From series A ‘The Music of the Old Masters’ and series B ‘Folklore / Folk Music’ 4 and 2 volumes respectively are available. (series A: volume 1 - N 3717, volume 2 - N 3718, volume 3 - N 3719, volume 4 - N 3720; series B: volume 1 - N 3773, volume 2 - N 3774)

These duos are ideal for various occasions such as lessons, parties, street music and more. The didactic aim is to recognise and implement the typical stylistic characteristics of these four genres: tango, blues, ragtime and ballad. Content: 1. Shopping Blues 2. Tango Santiago 3. Cappuccino Rag 4. Loneliness - Einsamkeit 5. No Smoking - Rauchen verboten 6. Mexiko 7. Cola Rag 8. Melanie's Melancholy - Melanies Melancholie 9. Coffeetime Blues 10. Salsa Cuba 11. Limo Rag 12. At The Bazaar - Auf dem Basar 13. No Exchange _ Kein Umtausch 14. Sold Out - Ausverkauft 15. Café au lait Rag 16. My First Bicycle - Mein erstes Fahrrad 17. I Love Fried Potatoes - Ich liebe Bratkartoffeln 18. Samba Rio 19. Desire For Fortune - Wunsch nach Glück 20. Pizza Rag 21. Tango Latino 22. Smile A While - Lächle doch ein wenig

Telemann bringt in seinen "36 Fantaisies" je ein Dutzend "Fantasien" in deutscher, französischer und italienischer Manier. Die lose Folge durch einige Tonarten wurde von Christa Sokoll methodisch ausgebaut und führt bei progressiver Reihung und Aufteilung in vier Bände systematisch durch den Quintenzirkel.

Für die Ausführung dieser gekonnt gearbeiteten und hervorragend klingenden Duette sind nicht unbedingt zwei gleiche Bassinstrumente erforderlich. Sehr gut eignen sich auch die Besetzungen Fagott/Violoncello und Fagott/Viola da gamba.

Johann Ludwig Krebs (1713–1780) is one of the most important German composers and organists of the late Baroque period. His musical education began under the guidance of his father, Johann Tobias Krebs, who was also an organist. From 1726, Krebs was a pupil of Johann Sebastian Bach at St. Thomas School in Leipzig, which had a lasting influence on his compositional style. The close relationship between teacher and student is reflected, among other things, in a playful remark by Bach, who referred to Krebs as his ‘only Krebs in my Bach’. Krebs' compositional oeuvre comprises around 230 works, with his organ compositions in particular still attracting considerable attention today. This edition brings together eight simple and stylistically expressive chorales by Johann Ludwig Krebs in an arrangement for organ and melody instrument (oboe or trumpet in C), edited by August Gottfried Ritter . The chorales are suitable for both liturgical use and concert performances. Ritter's edition makes these works accessible to a wide circle of organists and combines historical substance with practical playability. Content: 1. Es ist gewißlich an der Zeit (It is surely time) 2. Was mein Gott will, das gescheh allzeit (What my God wants, may it always happen) 3. Gott der Vater wohn' ns bei (God the Father dwells with us) 4. Herzlein lieb hab ich dich, oh Herr (I love you dearly, oh Lord) 5. Komm heiliger Geist, Herre Gott (Come Holy Spirit, Lord God) 6. O Gott, du frommer Gott (O God, you pious God) 7. Liebster Jesu, wir sind hier (Dearest Jesus, we are here) 8. Wachet auf, ruft uns die Stimme (Awake, the voice calls us)

"Seckingers Kompositionen verraten ein fundiertes handwerkliches Können, Einfallsreichtum und stilistische Eigenständigkeit". Mit diesen Worten charakterisiert Monika Decker das Schaffen des Musikers in der wissenschaftlichen Abhandlung "Konrad Seckinger - ein zeitgenössischer Komponist".

Das vorliegende Werk wurde 1987 für die Sonntäglichen Orgelstunden im Museum der Stadt Regensburg geschrieben. Für die Bearbeitung wurden originale Querflötenpartien aus dem reichen Kantatenschaffen J. B. Bachs ausgewählt. Inhalt: - Das Blut, das meine Schuld durchstreicht - Jesus, der ins Fleisch gekommen - Was Gott tut, das ist wohlgetan - Herzlich tut mich verlangen

Inhalt: 1. Zieh an die Macht, du Arm des Herrn 2. Die helle Sonn' leucht jetzt herfür 3. Schönster Herr Jesu 4. Wachet auf, ruft uns die Stimme 5. Freu dich sehr o meine Seele 6. In dieser Nacht 7. Lobe den Herren, den mächtigen König

Siegfried Borris (1906–1987) has long been one of the most prominent figures in Berlin's musical life: alert, versatile and with a keen sense of tonal communication. His compositional oeuvre includes symphonies, concertos, ballets, radio operas, cantatas, masses, chamber music, etc. His musical language is characterised by lucid structures, vital élan and rich expressive intensity. The title Lauda (Italian for “praise” or ‘praise’) refers to the inspiration behind the work and is suitable for concert performances and liturgical occasions. This edition of Lauda op. 110 for flute and organ is of medium difficulty and is suitable for both advanced musicians and ambitious students who wish to further develop their technique and expressiveness. The edition is a treasure for anyone who appreciates the special beauty of handwritten musical notation. Content: 1. Andante 2. Allegro

The composer and music teacher Harald Heilmann (1924–2018) studied composition first at the Leipzig University of Music (1946–1950) and then with Hanns Eisler at the Academy of Arts in East Berlin. After moving to West Germany in 1952, he continued his studies with Frank Martin at the Cologne University of Music. In addition to working as an editor for various music publishers, Heilmann worked as a freelance composer from 1958 onwards. His work has been honoured with numerous awards, including the Stamitz Prize, the Federal Cross of Merit and a scholarship from the Cité Internationale des Arts in Paris. This work is scored for trombone (alternatively viola or English horn) and organ.

Throughout church history, the Te Deum and the Gloria , both of which are early Christian hymns, have been set to music many times. In this handwritten score, Siegfried Borris (1906-1987) has arranged the Te Deum for oboe and organ – alternatively, it can also be performed with trumpet (D) or piano.