From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc. Max Bruch is one of the composers of the Romantic period. The Romance is one of three works he wrote for viola - an instrument that only played a minor role in the concert repertoire at the time. Bruch created these compositions in the last years of his life. The original scoring of the Romance op. 85 was for viola and piano. The version presented here is an arrangement for clarinet and piano. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

About this edition The difficulty level of this simplified piano accompaniment is very high. The piano part by the composing pianist Clara Schumann is highly complex, and the possibilities for reduction are limited. Philip Lehmann achieves, with this arrangement, the possibility of an accompaniment even without prior piano study.In the third movement, the present notation format has been chosen to provide as manageable options as possible, depending on the performer‘s abilities: accompaniment with just the bass note, chordally on the downbeat, or with tremolo in the specified rhythm. To preserve this rhythmic specific feature (quintuplets, sixteenth-note rests) of the accompaniment in the right hand, the rhythmic structure is notated from the first measure. Despite this, the greatest simplifications should still be quickly recognizable. Level of difficulty 4 : Compared to the original, the piano movement has been greatly simplified, but can still be practised by amateurs The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends, etc. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends, etc. Salut d'amour was composed for Elgar's piano student, Caroline Alice Roberts, with whom he later became engaged and soon married. The original versions, considered authentic because they were transmitted in autograph form, are for piano, violin and piano, as well as cello and piano. The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’ Level of difficulty 3: Fingerings may have to be entered and practised

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends, etc. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends and so on. Salut d'amour was written for Elgar's piano student Caroline Alice Roberts, with whom he subsequently became engaged and soon married. The original versions, which have survived in autograph form, are for piano, violin and piano as well as violoncello and piano. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments by Philip Lehmann to standard works for various instruments, which also offer pianists without a degree the opportunity to accompany their pupils, children, friends etc. ‘Le Cygne’ (The Swan) comes from the cycle “Le Carnaval des animaux” (The Carnival of the Animals), in which 14 small works for various instrumentations are summarised. The original instrumentation of the piece is violoncello and two pianos. The edition contains QR codes to playalongs in various tempi with the original piano setting. Difficulty level 1 : beginner, can be sight-read The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

Simplified piano accompaniments by Philip Lehmann from practice for practice. ‘Dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer pianists without a degree the opportunity to accompany their pupils, children, friends etc. Johann Sebastian Bach originally composed this arioso for voice, choir and chamber ensemble. Difficulty level 1* : Beginner, can be played at sight *for the most part it is sufficient to play the left hand in class The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments by Philip Lehmann to standard works for various instruments, which also offer piano players without studies the opportunity to accompany their pupils, children, friends etc. Saint-Saëns composed this work for violoncello and piano. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

Die mitreißenden Songs des Zyklus 'Zirkus' für Alt-/Bariton­saxophon sind perfekt für fortgeschrittene Anfänger*innen geeignet. Die Stücke beinhalten einfache, ausnotierte Soli und fördern das „Swingfeeling“ im 6/8- und 12/8-Takt. Sie motivieren junge Schüler*innen durch charaktervolle Melodien, die sich je auf ein Zirkus­thema ­beziehen. Gemeinsam mit der Klavierbegleitung eignen sie sich ideal für den Unterricht, aber auch für Auftritte bei Konzerten oder Vorspielen. Die Ausgabe enthält Audio-Dateien, die es erleichtern, die Stücke kennenzulernen. Hier taucht man ein in die Zirkuswelt mit Artist*innen und Fantasiewesen – ein musikalisches Abenteuer voller Kreativität und Spielfreude! Inhalt: - Eröffnung - Bärentanz - Seiltanz - Der Pferdeartist - Radelnde Affen - Tigertatzen - Schlangenkönigin - Der Musikclown - Elfenballett

Die Ausgabe dieses Flötenkonzertes D-Dur erfolgt nach dem Erstdruck im Urtext.

Jiddisch - die Sprache der osteuropäischen Juden - steht auch für Texte, die dem soziokulturellen Erleben eines entwurzelten Volkes eine Plattform geben. Sie erzählen selten von romantischen Gefühlen als vielmehr von realen Gedanken, Sorgen, Hoffnungen und Erlebnissen. So sind den Liedern viele Aspekte bezüglich der Rollenverteilung und Lebenswirklichkeit derer zu entnehmen, die sie damals sangen. Diese von Hans Joachim Teschner für Querflöte und Gitarre bearbeiteten Stücke eignen sich gleichermaßen für das Vorspiel wie auch für das häusliche Musizieren.