Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed. Content: - Ou sèn vont ces guays bergers H.534 - Laissez paistre vos bestes H.531 - Vous qui desirez sans fin H.531 - A la venue de Noël H.534 - O Createur H.531 - Les Bourgeois de Chastre H.534 - Joseph est bien mariè H.534 - Or nous dites Marie H.534 - Une jeune pucelle H.534 - A minuit fut fait un resvail H.9

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed. Content: - Ou sèn vont ces guays bergers H.534 - Laissez paistre vos bestes H.531 - Vous qui desirez sans fin H.531 - A la venue de Noël H.534 - O Createur H.531 - Les Bourgeois de Chastre H.534 - Joseph est bien mariè H.534 - Or nous dites Marie H.534 - Une jeune pucelle H.534 - A minuit fut fait un resvail H.9

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed. Content: Ou sèn vont ces guays bergers H.534 Laissez paistre vos bestes H.531 Vous qui desirez sans fin H.531 A la venue de Noël H.534 O Createur H.531 Les Bourgeois de Chastre H.534 Joseph est bien mariè H.534 Or nous dites Marie H.534 Une jeune pucelle H.534 A minuit fut fait un resvail H.9

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed. Content: - Ou sèn vont ces guays bergers H.534 - Laissez paistre vos bestes H.531 - Vous qui desirez sans fin H.531 - A la venue de Noël H.534 - O Createur H.531 - Les Bourgeois de Chastre H.534 - Joseph est bien mariè H.534 - Or nous dites Marie H.534 - Une jeune pucelle H.534 - A minuit fut fait un resvail H.9

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed. Content: Ou sèn vont ces guays bergers H.534 Laissez paistre vos bestes H.531 Vous qui desirez sans fin H.531 A la venue de Noël H.534 O Createur H.531 Les Bourgeois de Chastre H.534 Joseph est bien mariè H.534 Or nous dites Marie H.534 Une jeune pucelle H.534 A minuit fut fait un resvail H.9

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed. Content: - Ou sèn vont ces guays bergers H.534 - Laissez paistre vos bestes H.531 - Vous qui desirez sans fin H.531 - A la venue de Noël H.534 - O Createur H.531 - Les Bourgeois de Chastre H.534 - Joseph est bien mariè H.534 - Or nous dites Marie H.534 - Une jeune pucelle H.534 - A minuit fut fait un resvail H.9

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed. Content: - Ou sèn vont ces guays bergers H.534 - Laissez paistre vos bestes H.531 - Vous qui desirez sans fin H.531 - A la venue de Noël H.534 - O Createur H.531 - Les Bourgeois de Chastre H.534 - Joseph est bien mariè H.534 - Or nous dites Marie H.534 - Une jeune pucelle H.534 - A minuit fut fait un resvail H.9

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed. Content: - Ou sèn vont ces guays bergers H.534 - Laissez paistre vos bestes H.531 - Vous qui desirez sans fin H.531 - A la venue de Noël H.534 - O Createur H.531 - Les Bourgeois de Chastre H.534 - Joseph est bien mariè H.534 - Or nous dites Marie H.534 - Une jeune pucelle H.534 - A minuit fut fait un resvail H.9

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed. Content: - Ou sèn vont ces guays bergers H.534 - Laissez paistre vos bestes H.531 - Vous qui desirez sans fin H.531 - A la venue de Noël H.534 - O Createur H.531 - Les Bourgeois de Chastre H.534 - Joseph est bien mariè H.534 - Or nous dites Marie H.534 - Une jeune pucelle H.534 - A minuit fut fait un resvail H.9

The large Christmas carol collection for 4 recorders. The 65 best-known and most popular Christmas carols are grouped thematically according to occasion and are easily arranged for different combinations of soprano, alto, tenor or bass recorders. - For St. Nicholas Day - For Advent - Advent Marian hymns - Klöpfellieder (carols sung while knocking on doors) - With the shepherds - At the manger - For Christmas joy - For Epiphany

Inhalt: A. Die Zeit der Renaissance 1. Moderato - Giovanni Pierluigi Palestrina (1525-1594) 2. Deutscher Tanz - Valentin Haußmann (um 1560-1611/14) 3. Bransle simple - Michael Praetorius (1571/72-1621) 4. Courante - Michael Praetorius (1571/72-1621) 5. Moderato - Orlando di Lasso (1532-1594) 6. Rundtanz und Saltarello - Tilmann Susato (um 1500-1551/64) B. Die Zeit des Barock 7. Allemande - Johann Hermann Schein (1586-1630) 8. Bist du bei mir - Johann Sebastian Bach (1685-1750) 9. Adagio - Arcangelo Corelli (1653-1713) 10. Fuga - Johann Kaspar Ferdinand Fischer (um 1654-1746) 11. Präludium - Arcangelo Corelli (1653-1713) 12. Aufzug - Johann Staden (1581-1634) 13. Intrade - Georg Vintz (1629-30) 14. Fuga - Gottfried Reiche (1667-1734) 15. Air (aus "Abdelazer") - Henry Purcell (1658-1695) 16. Allemande - Samuel Scheidt (1587-1654) 17. Ricercar - Johann Krieger (1652-1735) 18. Polonaise - Georg Philipp Telemann (1681-1767) 19. Allemande und Tripla - Johann Hermann Schein (1586- 1630) 20. Interludium - Georg Friedrich Händel (1685-1759) 21. Laraghetto - Georg Friedrich Händel (1685-1759) 22. Allemande - Melchior Franck (1573-1639) 23. Allemande - Melchior Franck (1573-1639) 24. Fabotte - Georg Friedrich Händel (1685-1759) 25. Gagliarda - Melchior Franck (1573-1639) 26. Gagliarda - Melchior Franck (1573-1639) 27. Gagliarda - Melchior Franck (1573-1639) 28. Sonatina - Gottfried Reiche (1667-1734) 29. Pavana - Melchior Franck (1573-1639) 30. Menuett - Johann Sebastian Bach (1685-1750) 31. Turm-Menuett - Gottfried Reiche (1667-1734) 32. Kontratanz - Anonymus (um 1710) C. Die Zeit der Klassik 33. Marcia - Ludwig van Beethoven (1770-1827) 34. Rigaudon - Louis-Claude Daquin (1694-1772) 35. Marsch - Anonymus (18. Jh.) 36. Menuett - Melodie: W. A. Mozart (1756-1791) 37. Lustig - Ludwig van Beethoven (1770-1827) 38. Andantino - Ludwig van Beethoven (1770-1827) 39. Komm, holder Lenz (aus den "Jahreszeiten") - Joseph Haydn (1732-1809) 40. Mailied - Ludwig van Beethoven (1770-1827) 41. Allegretto - Ludwig van Beethoven (1770-1827) 42. Menuett - W. A. Mozart (1756-1791) 43. Allegro moderato, 1. Teil ("Die Himmel erzählen" aus der" Schöpfung") - Joseph Haydn (1732-1809) 44. Deutscher Tanz - Joseph Haydn (1732-1809) 45. Allegro moderato, 2. Teil (Die Himmel erzählen" aus der "Schöpfung") - Joseph Haydn (1732-1809) 46. Moderato - Johann Wilhelm Hässler (1747-1822) 47. Allegretto - Johann Christian Kittel (1732-1809) 48. Menuetto (Violinsonate F-Moll) - W. A. Mozart (1756-1791) 49. Allegro moderato (aus dem "Te Deum") - W. A. Mozart (1756-1791) 50. Menuett (aus "Don Juan") - W. A. Mozart (1756-1791) 51. Menuett - W. A. Mozart (1756-1791) 52. Andante (aus der Sonate A-Dur) - W. A. Mozart (1756-1791) D. Die Zeit der Romantik 53. Walzer - Johannes Brahms (1833-1897) 54. Pomp and Circumstance- Edward Elgar (1857-1934) 55. Albumblatt - Franz Schubert (1979-1828) 56. An den Sonnenschein (op. 36 Nr. 4) - Robert Schumann (1810-1856) 57. Impromptu - Franz Schubert (1979-1828) 58. Stückchen - Robert Schumann (1810-1856) 59. Sonatine - Robert Schumann (1810-1856) 60. Deutscher Tanz - Franz Schubert (1797-1828) 61. Andante cantabile - Antonio Diabelli (1781-1858)