Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

Raphael Meyer nimmt 5 Blockflöten und 1 Cembalo mit auf eine unterhaltsame Reise von Wien über Paris nach Konstantinopel auf den Spuren des legendären Orient-Expresses. Abfahrt und Halt des Zuges werden auf den Instrumenten ebenso nachempfunden wie die typischen Eindrücke der Haltepunkte. Ein absolut hinreißendes Stück, das dazu einlädt, auch mal gemeinsam mit einem Blockflötenorchester auf die Reise zu gehen. Inhalt: - Abfahrt / Departure - Wien / Vienna - Paris - Konstantinopel Die Stimmen sind einzeln erhältlich.

Raphael Meyer nimmt 5 Blockflöten und 1 Cembalo mit auf eine unterhaltsame Reise von Wien über Paris nach Konstantinopel auf den Spuren des legendären Orient-Expresses. Abfahrt und Halt des Zuges werden auf den Instrumenten ebenso nachempfunden wie die typischen Eindrücke der Haltepunkte. Ein absolut hinreißendes Stück, das dazu einlädt, auch mal gemeinsam mit einem Blockflötenorchester auf die Reise zu gehen. Inhalt: - Abfahrt / Departure - Wien / Vienna - Paris - Konstantinopel Die Stimmen sind einzeln erhältlich.

Raphael Meyer nimmt 5 Blockflöten und 1 Cembalo mit auf eine unterhaltsame Reise von Wien über Paris nach Konstantinopel auf den Spuren des legendären Orient-Expresses. Abfahrt und Halt des Zuges werden auf den Instrumenten ebenso nachempfunden wie die typischen Eindrücke der Haltepunkte. Ein absolut hinreißendes Stück, das dazu einlädt, auch mal gemeinsam mit einem Blockflötenorchester auf die Reise zu gehen. Inhalt: - Abfahrt / Departure - Wien / Vienna - Paris - Konstantinopel Die Stimmen sind einzeln erhältlich.

Raphael Meyer nimmt 5 Blockflöten und 1 Cembalo mit auf eine unterhaltsame Reise von Wien über Paris nach Konstantinopel auf den Spuren des legendären Orient-Expresses. Abfahrt und Halt des Zuges werden auf den Instrumenten ebenso nachempfunden wie die typischen Eindrücke der Haltepunkte. Ein absolut hinreißendes Stück, das dazu einlädt, auch mal gemeinsam mit einem Blockflötenorchester auf die Reise zu gehen. Inhalt: - Abfahrt / Departure - Wien / Vienna - Paris - Konstantinopel Die Stimmen sind einzeln erhältlich.

Raphael Meyer nimmt 5 Blockflöten und 1 Cembalo mit auf eine unterhaltsame Reise von Wien über Paris nach Konstantinopel auf den Spuren des legendären Orient-Expresses. Abfahrt und Halt des Zuges werden auf den Instrumenten ebenso nachempfunden wie die typischen Eindrücke der Haltepunkte. Ein absolut hinreißendes Stück, das dazu einlädt, auch mal gemeinsam mit einem Blockflötenorchester auf die Reise zu gehen. Inhalt: - Abfahrt / Departure - Wien / Vienna - Paris - Konstantinopel Die Stimmen sind einzeln erhältlich.

Partitur: N 3867