Often a common thread is missing in a student concert, one piece is strung together incoherently with the next. Ute Bihler does things differently: she ties all of her piano students' pieces into a story that makes the student concert an exciting and entertaining experience for little pianists and their listeners. Adventures Under Water tells in 17 short chapters how Felix and Sonja attend a diving course during their summer vacation and experience exciting adventures. The piano pieces in the album are offered in different difficulty levels. There are two- and four-hand, works, some with optional teacher accompaniment. Thus, the book can be used in individual lessons or by several students who can then perform a concert together. A list of alternative pieces from the classical piano repertoire offers the opportunity to incorporate other pieces into the story, so that current lesson content can be easily integrated into the story. With many color illustrations.

The festive season is a wonderful opportunity to enjoy the timeless beauty of classical music. This collection features selected works by master composers such as J. S. Bach, A. Corelli, W. A. Mozart, Fr. X.A. Murschhauser, R. Schumann and P. I. Tchaikovsky. These pieces capture the spirit of Christmas and invite you to spread the festive cheer by playing them on the piano.

In the copy by Johannes Sperger, which must serve as the source today, the double bass is in D major, but the parts are in E flat major. In the meantime, D major has established itself as the key for the double bass part. Accordingly, the key was chosen for the tuning of the double bass used. Dynamic and articulation indications are taken from the first edition by Franz Tischer-Zeitz (B. Schott's Söhne, Mainz 1938), but should only be understood as suggestions. The playalongs offered only contain the respective main parts of the solo: 1st movement T17 - T106 2nd movement T13 with upbeat - T53 3rd movement T29 with upbeat - ending Level of difficulty 3 : Fingerings may need to be entered and practised. The edition is also available as a pdf file. Click on the drop-down menu under ‘ISSUE (please select)’.

Die mitreißenden Songs des Zyklus 'Zirkus' für Alt-/Bariton­saxophon sind perfekt für fortgeschrittene Anfänger*innen geeignet. Die Stücke beinhalten einfache, ausnotierte Soli und fördern das „Swingfeeling“ im 6/8- und 12/8-Takt. Sie motivieren junge Schüler*innen durch charaktervolle Melodien, die sich je auf ein Zirkus­thema ­beziehen. Gemeinsam mit der Klavierbegleitung eignen sie sich ideal für den Unterricht, aber auch für Auftritte bei Konzerten oder Vorspielen. Die Ausgabe enthält Audio-Dateien, die es erleichtern, die Stücke kennenzulernen. Hier taucht man ein in die Zirkuswelt mit Artist*innen und Fantasiewesen – ein musikalisches Abenteuer voller Kreativität und Spielfreude! Inhalt: - Eröffnung - Bärentanz - Seiltanz - Der Pferdeartist - Radelnde Affen - Tigertatzen - Schlangenkönigin - Der Musikclown - Elfenballett

The series ‘dumb it down’ offers simplified piano accompaniments to works for violin, viola, violoncello, flute, clarinet and other instruments. The original is arranged for violin and piano. Level of difficulty 2: must be looked at before the lesson, practised before the concert The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

The ‘dumb it down’ series offers simplified piano accompaniments to works for violin, viola, violoncello, flute, clarinet and other instruments. This bourrée is from the Sonata op. 1, no. 5 for flute, violin (or oboe) and basso continuo. The original key is G major. Level of difficulty 2*: must be looked at before the lesson, practised before the concert * For the most part, it is sufficient to play the left hand (during lessons) The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

About this edition The difficulty level of this simplified piano accompaniment is very high. The piano part by the composing pianist Clara Schumann is highly complex, and the possibilities for reduction are limited. Philip Lehmann achieves, with this arrangement, the possibility of an accompaniment even without prior piano study.In the third movement, the present notation format has been chosen to provide as manageable options as possible, depending on the performer‘s abilities: accompaniment with just the bass note, chordally on the downbeat, or with tremolo in the specified rhythm. To preserve this rhythmic specific feature (quintuplets, sixteenth-note rests) of the accompaniment in the right hand, the rhythmic structure is notated from the first measure. Despite this, the greatest simplifications should still be quickly recognizable. Level of difficulty 4 : Compared to the original, the piano movement has been greatly simplified, but can still be practised by amateurs The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’