Throughout church history, the Te Deum and the Gloria , both of which are early Christian hymns, have been set to music many times. In this handwritten score, Siegfried Borris (1906-1987) has arranged the Te Deum for oboe and organ – alternatively, it can also be performed with trumpet (D) or piano.

Siegfried Borris (1906–1987) has long been one of the most prominent figures in Berlin's musical life: alert, versatile and with a keen sense of tonal communication. His compositional oeuvre includes symphonies, concertos, ballets, radio operas, cantatas, masses, chamber music, etc. His musical language is characterised by lucid structures, vital élan and rich expressive intensity. This edition is a treasure for anyone who appreciates the special beauty of handwritten musical notation and the musical expressiveness of Borris' Canzona op. 110 . Content: 1. Largo 2. Andante 3. Allegretto 4. Allegro moderato 5. Andante sostenuto

Content: I. Lament II. Meditation III. Epilogue

Contents: I. Prelude II. Organ chorale III. Bizinium IIII. Ostinato V. Postlude

Contents: I. Toccata II. Song III. Passacaglia

Contents: I. Introduction II. Passacaglia

Introduction Chorale and Passacaglia

Harald Heilmann (1924–2018) was a German composer who studied in Leipzig and Berlin after the Second World War and later continued his education in the Federal Republic of Germany. He worked as a lecturer, conductor, pianist and professor at the music academies in Stuttgart and Karlsruhe. He worked as a freelance composer from 1958 onwards and was awarded the Johann Wenzel Stamitz Prize and the Federal Cross of Merit. His work Fantasie for Violoncello and Organ is an outstanding example of his creative power and is suitable for concert performances. Content: 1. Allegro 2. Adagio 3. Allegro

Fantasy for organ in five parts Contents: I. Introduction II. Canon III. Toccata IV. Chorale V. Fugue

Johann Christoph Kellner was born on 15 August 1736 in Gräfenroda (Thuringia). He was the son of Johann Peter Kellner (1705–1772), a prominent organist and composer of his time. In his youth, he received lessons from his father, and later, in 1754, from Georg Benda in Gotha. After spending time in Amsterdam and The Hague between 1762 and 1763, he settled in Kassel in 1764. In 1772, he was appointed court organist and cantor at the local Lutheran church. He died in Kassel in 1803. His compositional oeuvre is characterised above all by piano/harpsichord and organ works, cantatas, concertos and a theoretical work on thorough bass. His organ works follow the Baroque tradition, as do the present chorale preludes. Contents: 1. Jesus, my confidence 2. Dearest Jesus, we are here 3. O Lamb of God, innocent 4. Lord Jesus Christ, turn to us 5. Rejoice greatly, O my soul 6. Whoever lets the dear God rule