The organ in the church year II - Easter The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are organised according to musical aspects. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are historically based and can be played entirely without pedalling. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music for Easter in the church year. Content: 1.Gottlieb Muffat (1690-1770): Il Alleluia per la resurrectione. Fuga a quatro 2.Thomas Preston (16th century): Organ Mass for Easter Sunday 3.Jean Titelouze (1563-1633): Ad coenam agni providi. Hymn for Vespers at Easter 4.Giovanni Battista Fasolo (17th century): Ad coenam agni providi. Hymn for Vespers at Easter 5. organ book of St Ulrich and Afra (Neresheim) (16th century): Resurrexi. Introit of the Easter feast 6.Josquin Desprez (around 1450-1521) / Fridolin Sicher (1490-1546?): Victimae paschali laudes. Easter sequence 7.Christian Erbach (1570-1635): Victimae paschali. Easter sequence 8.Matteo Asola (†1609): Victimae paschali laudes. Easter sequence 9.Orlando di Lasso (1532-1594) / Bernhard Schmid the Elder (1520-1592): Surrexit pastor bonus. 2nd sorium of Matins on Easter Monday 10.Heinrich Finck (1444-1527): Vita sactorum. Easter hymn 11.Codex Nikolaus Apel (15th century): Salve festa dies. Easter hymn 12.Jean François Dandrieu (1684-1740): O filii et filiae. Easter hymn 13.Buxheim Organ Book (15th century): Christ ist erstanden 14.Glogau songbook (15th century): Christ ist erstanden 15.Vasurto (16th century) / Estevan Daça (16th century): Angelus Domini. Offertory on Easter Monday 16 Codex Nikolaus Apel (15th century): Salve festa dies - In die resurrectionis. Easter hymn - Alleluia verse on White Sunday

Organ music in European cathedrals II - St Peter's in Rome The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are organised according to musical aspects. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are historically based and can be played entirely without pedalling. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music in European cathedrals - St Peter's | Rome. Content: 1. Guillaume Dufay (c. 1400-1474): Kyrie 2. Guillaume Dufay (c. 1400-1474): Kyrie 3. Guillaume Dufay (c. 1400-1474): Kyrie 4. Josquin Desprez (c. 1450-1521) / Francisco Fernandez Palero (16th century): Cum Sancto Spiritu - From the Missa de beata Virgine 5. Josquin Desprez (c. 1450-1521): Virgo prudentissima 6. Marbriano de Orto (15th century): Canzon - Se je perdu mon amy 7. Cristóbal de Morales (c. 1500-1553) / F.F. Palero: Un verso del quinto tono. 8. Jacob Arcadelt (c. 1514 - before 1572) / Valentin Bakfarc (Greffus) (1507-1576): Exaltabo te Domine. 9. G. Pierluigi da Palestrina (1525-1594) / Jacob Paix (1550-1617): Cantantibus organis 10. Orlando di Lasso (1532-1594): Christ ist erstanden 11. Orlando di Lasso (1532-1594): Amen dico vobis 12. Tomás Luis de Victoria (c. 1540-1611): Gaude Maria Virgo 13. Domenico Maria Ferrabosco (16th century) / B. Schmid d. Ä. (1520-1592): Madrigal - Io mi son giovantetta 14. Luca Marenzio (1553-1599) / B. Schmid. Schmid the Younger (* 1584): Madrigal - Madonna sua 15. Ruggiero Giovanelli (c. 1560-1625) / B. Schmid. Schmid d. Ä. (1520-1592): Madrigal - Bella d'amor 16. Girolamo Frescobaldi (1583-1643): Canzon 17. Girolamo Frescobaldi (1583-1643): Canzon 18. Girolamo Frescobaldi (1583-1643): Canzon 19. Domenico Scarlatti (1685-1757): Sonata 20. Domenico Scarlatti (1685-1757): Sonata 21. Domenico Scarlatti (1685-1757): Sonata per Organo 22. Domenico Scarlatti (1685-1757): Sonata Fuga

Organ music in Benedictine monasteries I - Kremsmünster | Prüfening | Rott am Inn The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are organised according to musical aspects. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are historically based and can be played entirely without pedalling. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music in Benedictine monasteries - Kremsmünster | Prüfening | Rott am Inn. Content: 1. P. Georg Pasterwitz (1730-1803): Fugue in E major 2. P. Georg Pasterwitz (1730-1803): 6 versets in F minor 3. P. Georg Pasterwitz (1730-1803): Fugue F minor 4. P. Georg Pasterwitz (1730-1803): 7 versets in G minor 5. P. Georg Pasterwitz (1730-1803): Fugue A major 6. Fr Marianus Königsperger (1708-1769): Praeambulum et Fuga Septimi toni (D major) 7. Marianus Königsperger (1708-1769): Praeambulum und Versetten quinti toni (C major) 8. Fr Marianus Königsperger (1708-1769): Praeambulum et Fuga tertii toni 9. Marianus Königsperger (1708-1769): Fingerstreit or piano exercise - Praeambulum and fugue 10. Friar Marianus Königsperger (1708-1769): Aria secundi toni 11. Fr Marianus Königsperger (1708-1769): Aria septimi toni 12 Fr Placidus Metsch (1700-1778): Praeambulum et Fuga (IV. Toni) 13 P. Placidus Metsch (1700-1778): Praeambulum et Fuga (G major) 14 P. Placidus Metsch (1700-1778): Praeambulum et Fuga (D minor)

The organ in the Choral Office IX. Mass-Cum Jubilo The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are organised according to musical aspects. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are historically based and can be played entirely without pedalling. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the organ music in the Choral Office - IX Mass - Cum Jubilo. Content: 1.Giovanni Battista Fasolo (17th century): Missa Beatae Mariae Virginis 2.Girolamo Cavazzoni (* around 1500): Missa De Beata Virgine 3.Buxheim Organ Book (1465-1475): Kyrie and Gloria ‘De S. Maria V.’ 4.Christian Erbach (1570-1635): Kyrie B. Virginis 5.Gilles Binchois (around 1400-1460): Kyrie; 2 Kyrie of the Missa Beata Virgine 6.Josquin Desprez: Kyrie of the Missa de Beata Virgine 7.Erbach and Fasolo: The most important verses of the Missa B. Mariae Virginis transposed into the most common keys (Kyrie and Ite missa est, Gloria, Sanctus, Agnus dei)

Organ music in the Bavarian region The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are organised according to musical aspects. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are historically based and can be played entirely without pedalling. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music in the Bavarian region. Content: 1. Anonymous Bavarian mesiter (18th century): Praeambulum quinti toni (C major) 2. Gottfried Muffat (1690-1770): Toccata nona with 6 verses in C minor 3. Johann Ernst Eberlin (1702-1762): Praeludium, Versettas and Finale in D major 4. Franz Xaver Anton Murschhauser (1663-1738): Praeambulum in D minor 5. Abbé Georg Joseph Vogler (1749-1814): Prélude in E flat major 6. Johann Caspar Ett (1788-1847) / Joseph Grätz (1760-1826): Praeludium and Versettas in E major 7. Franz Anton Hugl (18th century): Prélude et Fugae sexti toni 8. Karlmann Kolb (1703-1765): Praeludium, Versi, Cadenza octavi toni 9. Anonymous Bavarian master (18th century): Préambulum secondi toni (G minor) 10. Johann Ernst Eberlin (1702-1762): Praeludium, Versetten and Finale in A minor 11. Franz Anton Hugl (18th century): Fuga ex B flat 12. Abbé Georg Joseph Vogler (1749-1814): Prelude in B minor

Organ music in European cathedrals I - Venice | Munich | Augsburg The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are organised according to musical aspects. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are historically based and can be played entirely without pedalling. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music in European cathedrals - Venice | Munich | Augsburg. Content: - Claudio Merula (1533-1604): Toccata sesta terza tuono - Andrea Gabrieli (1510-1586): Praeludium sexti toni - Giovanni Gabrieli (1557-1612): Ricercar - Giovanni Gabrieli (1557-1612): Modus Sextus tranpositus per Quartam superiorem - Giovanni Gabrieli (1557-1612): Modus Decimus Tonus - Gioseffo Guammi (1540-1611): Canzon - Christian Erbach (1570-1635): Toccata primo tuono - Christian Erbach (1570-1635): Fantasiae primorum tonorum - Hans Leo Haßler (1564-1612): Canzona - Orlando di Lasso (1532-1594)/Jacob Prix (1550-1617): Da pacem Domine - Johann Kaspar Kerll (1627-1693): Toccata per li pedali - Franz Xaver Anton Muschhauser (1663-1738): Finale et Fuga septimi toni

Organ Music in Benedictine Monasteries IV - Montecassino / Ottobeuren / Regensburg St. Emmeram The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music in the Benedictine monasteries of Montecassino / Ottobeuren / Regensburg St Emmeram. Content: 1.P. Sebastian Prixner (1744-1799): Praeludium C-Dur 2.P. Sebastian Prixner (1744-1799): Praeludium G-Dur 3.P. Sebastian Prixner (1744-1799): Versetten E-Dur 4.P. Sebastian Prixner (1744-1799): Phantasie C-Dur 5.P. Sebastian Prixner (1744-1799): Fughette d-Moll 6.P.D. Michele Giustiniani (17. Jh.): Sonata 7.P. Franz Schnizer (1740-1785): Sonata (D-Dur) 8.P. Franz Schnizer (1740-1785): Intermezzo (a-Moll) 9.P. Franz Schnizer (1740-1785): Sonata (F-Dur)

Organ music for German hymns - Holy Spirit | Pentecost The Cantatibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music for the German hymn for Holy Spirit | Pentecost. Content: Komm, Heilger Geist, o Schöpfer du (EL 41), Komm, Heilger Geist, der Leben schafft (EGB 897), Komm, Gott Schöpfer, Heiliger Geist (EKG 97) 1. Sethus Calvisius (1556-1615), song movement 2. Melchior Vulpius (1570-1615), song movement 3.Johann Sebastian Bach (1685-1750), song movement 4.Johannes Zahn (1817-1895), song composition 5. Adam von Fulda (around 1445-1505), chorale arrangements 6. Friedrich Wilhelm Zachau (1663-1712), chorale prelude 7. Johann Gottfried Walther (1684-1748), chorale preludes 8. Michael Gotthard Fischer (1773-1829), chorale prelude 9. Wilhelm Valentin Volckmar (1812-1887), chorale prelude 10. Moritz Brosig (1815-1887), chorale prelude Komm, o Geist der Heiligkeit (EL 42), Komm herab, o Heilger Geist (EGB 902) 11.Johann Georg Mettenleiter (1812-1858), song movement 12.Joseph Hanisch (1812-1892), song movement 13.Codex St. Emmeram (14th century), chorale arrangement 14.Glogauer Liederbuch (15th century), chorale arrangement Nun bitten wir den Heiligen Geist (EL 43, EGB 898, EKG 99) 15.Michael Praetorius (1571-1621), hymn setting 16.Joachim Decker (†1611), hymn setting 17.Johannes Zahn (1817-1895), song composition 18.Peter Piel (1835-1904), song composition 19.Glogauer Liederbuch (15th century), chorale arrangement 20.Caspar Othmayr (1515-1553), chorale bicinium 21.Christian Hollander (†1568/1569), chorale motet 22.Heinrich Scheidemann (1596-1663), Choral fantasia 23.Georg Böhm (1661-1733), chorale prelude 24.Johann Gottfried Walther (1684-1748), chorale prelude 25.Peter Piel (1835-1904), chorale preludes Komm, Schöpfer Geist, kehr bei uns ein (EL 44, EGB 905) 26. Peter Piel (1835-1904), song movement 27. Johann Singenberger (1848-1924), song movement 28. Bernhard Mettenleiter (1822-1901), chorale prelude 29. Peter Piel (1835-1904), chorale preludes

Old English organ music The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to Early English organ music. Content: 1.William Byrd (um 1543 od. 1544-1623): Preludium 2.William Byrd (um 1543 od. 1544-1623): Preludium 3.John Bull (um 1562-1628): Preludium 4.Orlando Gibbons (1583-1625): Fantazia of foure parts 5.Orlando Gibbons (1583-1625): Preludium 6.Thomas Tomkins (1572-1656): A short verse 7.Alfonso Ferrabosco (um 1572-1628): Fantasia Ut re mi fa sol la La sol fa mi re ut 8.Arthur Philips (1605-1695): On a Ground 9.Nicholas Carleton (16./17. Jh.): Praeludium 10.Nicholas Carleton (16./17. Jh.): A verse of four parts 11.William Byrd (um 1543 od. 1544-1623): Fantazia 6 Voc. 12.William Byrd (um 1543 od. 1544-1623): Another Fantazia 6 Voc. 13.William Byrd (um 1543 od. 1544-1623): A Fancy of three parts

Die Sinfonia d-Moll ist eine Bearbeitung des einleitenden rein instrumentalen Eingangssatzes der Kantate "Geist und Seele wird verwirret" BWV 35 von J. S. Bach, die 1726 erstmals zur Aufführung gelangte. Bach selbst nannte diesen Satz Concerto. Sollte kein Tasteninstrument zur Verfügung stehen, so ist es auch sehr reizvoll, das Werk mit einem reinen Blockflötenquintett (SSATB) zu spielen.

Melodic tone piece

Lyrical sound piece