Organ music in Benedictine monasteries - Augsburg | Garsten | St. Lambrecht | Mariazell The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are organised according to musical aspects. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are historically based and can be played entirely without pedalling. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music in Benedictine monasteries - Augsburg | Garsten | St. Lambrecht | Mariazell and is supplied in ring binding. Content: 1.Gregor Aichinger (1564-1628): Ricercar (I) - Primi toni / A4 2.Gregor Aichinger (1564-1628): Ricercar (II) - Per sonare et cantare 3.Gregor Aichinger (1564-1628): Ricercar (III) - Per sonare et cantare / A4 4.Gregor Aichinger (1564-1628): Ricercar (IV) - Quarti toni 5.Gregor Aichinger (1564-1628): Ricercar (V) - Secundi toni 6.Gregor Aichinger (1564-1628): Ricercar (VI) - Primi toni 7.Gregor Aichinger (1564-1628) / Bernhard Schmid the Younger (* 1584): Gaudeamus et exultemus - Motet for five voices 8.Gregor Aichinger (1564-1628): Adoro te supplex, latens deitas - motet for four voices 9.Gregor Aichinger (1564-1628): Duo Seraphim clamabant - motet for eight voices 10.Gregor Aichinger (1564-1628) / Johann Woltz (around 1600): Suscepimus Deus - motet for six voices 11.P. Sebastian Ertel (†1618): Cadenzas in the eight church tones 12.P. Sebastian Ertel († 1618): Tota pulchra es amica mea - Motet for eight voices

Organ music of the Carmelite Order The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the organ music of the Carmelite Order and is supplied in ring binding. Content: 1.P. Justinus a Desponsatione B. M. V. (1675-1747): Toccata (G major) 2nd P. Justinus a Desponsatione B. M. V. (1675-1747): Fuga (F major) 3.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria septima 4.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria undecima 5.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria sexta 6.P. Justinus a Desponsatione B. M. V. (1675-1747): Toccata (D major) 7.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria Pastorella (A major) 8.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria Pastorella (B flat major) 9.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria Pastorella (C major) 10.P. Justinus a Desponsatione B. M. V. (1675-1747): Toccata (G minor) 11.P. Justinus a Desponsatione B. M. V. (1675-1747): Fugue (E minor) 12.P. Justinus a Desponsatione B. M. V. (1675-1747): Toccata (D minor) 13.P. Justinus a Desponsatione B. M. V. (1675-1747): Aria secunda con Varizioni (D major) 14.P. Fr. Pedro Carrera y Lanchares (around 1790): Versos de 5 tono (Clasícos) 15.P. Fr. Pedro Carrera y Lanchares (around 1790): Versos de 5 tono 16.P. Pedro Carrera y Lanchares (c. 1790): Versos de 4 tono (Clasícos) 17.P. Fr. Pedro Carrera y Lanchares (c. 1790): Versos de 1 tono 18.P. Pedro Carrera y Lanchares (c. 1790): Versos de 8 tono (Clasícos)

Old Bavarian organ music II, Upper Palatinate II The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are, for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music from old Bavaria and Upper Palatinate. Content: 1.Oberpfälzer Orgelbuch (18. Jh.): Suite sexti toni 2.Sebastian Prixner (1744-1799): Versetten A-Dur 3.Theodor Grünberger (1756-1820): Pastorell – Orgelstücke 4.Simon Mayr (1763-1845): Preaeludium As-Dur 5.Simon Mayr (1763-1845): Preaeludium Es-Dur 6.Joseph Hanisch (1812-1892): Magnificat Initium II. et VIII. Toni 7.Michael Haller (1840-1915): Offertorium „Sacerdotes Domini“ 8.Joseph Renner (1868-1934): „Asperges me“ 9.Joseph Renner (1868-1934): „Ite missa est“. In Festis Solemnibus

Organ music for German hymns II, Christmas festive season I The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the festive season of Christmas,including an insert with hymn texts. Content: Gelobet seist du, Jesu Christ (GL 130 ö, EL 23, EKG 15) 1. Balthasar Resinarius (1486-1544), song movement 2. Joachim Decker (†1611), song movement 3. Johann Sebastian Bach (1685-1750), song movement 4. Johann Georg Herzog (1822-1909), song composition 5 Caspar Othmayr (1515-1553), chorale bicinium 6 Elias Nikolaus Ammerbach (around 1530-1597), chorale arrangement 7th Lüneburg organ tablature (17th century), 2 chorale arrangements 8. Johann Friedrich Alberti (1642-1710), chorale prelude 9.Johann Sebastian Bach (1685-1750), chorale prelude 10.Gottfried August Homilius (1714-1785), chorale trio 11.Johann Christian Kittel (1732-1809), chorale prelude 12.Johann Georg Herzog (1822-1909), chorale prelude Es ist ein Ros entsprungen (GL 132, EL 21, EKG 23) 13.Michael Praetorius (1571-1621), song movement 14.Peter Piel (1835-1904), song movement 15.Johannes Brahms (1833-1897), chorale prelude 16.Peter Piel (1835-1904), chorale intonations 17.Emanuel Adler (1843-?), chorale prelude 18.Vinzenz Goller (1873-1953), chorale intonations Praise God, all ye Christians alike (GL 134 ö, EKG 21) 19.Johann Pachelbel (1653-1706), song movement 20.Johann Sebastian Bach (1685-1750), song movement 21.Johannes Zahn (1817-1895), song movement 22.Dietrich Buxtehude (1637-1707), chorale prelude 23.Andreas Nicolaus Vetter (1666-1734), Choral fughette 24.Johann Christoph Oley (1738-1789), chorale prelude 25.Johann Samuel Harsow (18th century), chorale trio 26.Hieronymus Florentinus Quehl (18th century), Fugue and chorale 27.Wilhelm Volckmar (1812-1887), chorale prelude

Old Bavarian organ music I - Upper Palatinate I The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music from the old Bavarian and Upper Palatinate. Content: 1.Hermann Erdelauer (before 1450): Three organ pieces 2.Urbanus Kungsprung (before 1450): Kyrie magnae Deus potnetiae 3.Sebastian Virdung (around 1465-around 1511): O heilge, unbefleckte, zart innige Jungfrau Maria. Song of Mary 4.Georg Forster (around 1510-1568): Timete Dominum omnes Sancti eius. Fuga in Omophonia 5.Georg Forster (around 1510-1568): O weh der Zeit. Bizinium 6.Caspar Othmayr (1515-1553): Vater unser im Himmelreich. Choralbizinium 7.Caspar Othmayr (1515-1553): Ach Gott, vom Himmel sieh darein. Choralbizinium 8.Caspar Othmayr (1515-1553): Wo Gott zum Haus nicht gibt sein Gunst. Choralbizinium 9.Caspar Othmayr (1515-1553): Nun freut euch, lieben Christen g'mein. Choralbizinium 10.Caspar Othmayr (1515-1553): Mit Fried und Freud fahr ich dahin. Choralbizinium 11.Caspar Othmayr (1515-1553): Wo Gott der Herr nit bei uns wär. Choralbizinium 12.Jobst vom Brandt (1517-1570): Oppressit reducem. Motet 13.Mathias Gastritz (†1596): Non es bonum, hominem esse solum.Motet for five voices 14.Paul Homberger (1560-1634): Wenn mich Sünd, Schmerz und Tod. Eight-part motet for double choir 15.Andreas Raselius (um 1562-1602): Christum wir sollen loben schon. Hymn setting 16.Andreas Raselius (um 1562-1602): Jesus Christus unser Heiland, der den Tod überwand. Hymn setting 17.Andreas Raselius (um 1562-1602): Nun freut euch lieben Christen g'mein. Hymn setting 18.Gregor Aichinger (1564-1628): Praesul Sancte Dei Udalrice. Fünfstimmige Motette 19.Marianus Königsperger (1708-1769): Praeambulum und Versetten vierter Ton 20.Marianus Königsperger (1708-1769): Aria quarti toni 21.Marianus Königsperger (1708-1769): Praeambulum et Fuga quarti toni

The organ in the church year IV - Marian feasts The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music for Marian feasts. Content: 1. Buxheim Organ Book (15th century): Rorate coeli desuper. Introit: Marian mass Advent season 2. Philip ap Rhys (16th century): Felix namque es. Offertory: Marian Mass Christmas and Lent 3. Neresheim Organ Book (16th century): Salve sancta Parens. Introit: Marian Mass 4. Tablature by Fridolin Sicher (16th century): Ave Maria gratia plena. Offertory: Marian Mass 5. Hermann Erdelauer (15th century): Beata viscera Mariae. Communio: Marian Mass 6. Codex Nikolaus Apel (15th century): Quem terra pontus - Ave maris stella. Hymn: Matins on Marian feasts - Hymn: Vespers on Marian feasts 7. Buxheim Organ Book (15th century): O gloriosa Domina. Hymn: Lauds on Marian feasts 8. Manuel Rodrigues Coelho (before 1583-after 1623): Ave maris stella. Hymn: Vespers on Marian feasts 9. Christian Erbach (1570-1635): Ave maris stella 10. Jean François Dandrieu (1682-1738): Ave maris stella 11. Codex Nikolaus Apel (15th century): Alma redemptoris mater. Marian antiphon: Advent/Christmas 12. Tablature by Fridolin Sicher (16th century): Ave regina coelorum. Marian antiphon: Lent 13. Codex of St Emmeram (14th/15th century): Regina coeli. Marian antiphon: Easter/Pentecost 14. Giovanni Battista Fasolo (17th century): Salve Regina. Marian antiphon: Rest of the year 15. Buxheim Organ Book (15th century): Salve regina16th Neresheim Organ Book (16th century): Tota pulchra es amica. Alleluia verse: Immaculate Conception of Mary (8 December) 17 Codex Nikolaus Apel (15th century): Quod chorus vatum. Hymn: Maria Lichtmeß (2 February) 18 Glogau Songbook (15th century): Ecce concipes. Responsory: Annunciation of Mary (25 March) 19 Codex Nikolaus Apel (15th century): Assunt festa iubilae. Hymn: Visitation of Mary (2 July) 20.Hans Buchner (1483-1538): Quae est ista, quae ascendit. Responsorium: Assumption of Mary (15 August) 21. Glogau Songbook (15th century): Regina regnatium. Cantio: Mary Queen (22 August) 22. Adam of Fulda (around 1445-1505): Regali ex progenie. Antiphon: Birth of Mary (8 September) 23. Tablature by Fridolin Sicher (16th century): Virgo Dei Genitrix: Gradual verse: Seven Sorrows of Mary (15 September) 24. Buxheim Organ Book (15th century): O florens rosa. Antiphon: Feast of the Rosary (7 October)

Organ music of the Franciscans II The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the organ music of the Franciscans. Content: 1 P. Girolamo Diruta (* 1561): Toccata del XI. et XII. tuono 2. p. Girolamo Diruta (* 1561): Ricercare undecimo tuono 3. p. Girolamo Diruta (* 1561): Ricercare del duodecimo tuono 4. p. Girolamo Diruta (* 1561): Christe redemptor omnium (Christmas hymn) 5. p. Girolamo Diruta (* 1561): Ad coenam agni providi (Easter hymn) 6th P. Girolamo Diruta (* 1561): Contrapuncti (12 transposed church modes) 7. p. Girolamo Diruta (* 1561): Toccata di grado del primo tuono 8th P. Girolamo Diruta (* 1561): Toccata di salto buono del secondo tuono 9. p. Girolamo Diruta (* 1561): Toccata di salto cattivo del sesto tuono 10. p. Antonio Mortaro († 1620): Canzona detta l'Albergona 11. p. Antonio Mortaro († 1620) / p. Girolamo Diruta (* 1561): Canzona detta l'Albergona, Intavolatura diminuita 12. p. Antonio Mortaro († 1620): Fuga (I) a 4 13. p. Antonio Mortaro († 1620): Fuga (II) a 4 14. p. Antonio Mortaro († 1620): Fuga (III) a 4 15. p. Antonio Mortaro († 1620): Isti sunt qui venerunt ex magna tribulatione (motet for eight voices)

Organ music at the Habsburg courts - Vienna at the time of Emperor Leopold I The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music at the Habsburg courts in Vienna at the time of Emperor Leopold I. Content: 1.Johann Jakob Froberger (1616-1667): Toccata 2.Johann Jakob Froberger (1616-1667): Ricercar 3.Johann Jakob Froberger (1616-1667): Capriccio 4.Johann Jakob Froberger (1616-1667): Ricercar 5.Johann Jakob Froberger (1616-1667): Capriccio 6.Johann Kaspar Kerll (1627-1693): Toccata tutta de salti 7.Johann Kaspar Kerll (1627-1693): Canzona 8.Ferdinand Tobias Richter (um 1649-1711): Toccata und Versette im 1. Ton 9.Wolfgang Ebner (1612-1665): Fuge 10.Johann Joseph Fux (1660-1741): Sonata seconda 11.Johann Joseph Fux (1660-1741): Sonata sexta 12.Franz Mathias Techelmann (um 1649-1714): Toccata 13.Franz Mathias Techelmann (um 1649-1714): Canzona 14.Franz Mathias Techelmann (um 1649-1714): Ricercare 15.Alessandro Poglietti (†1683): Praeludium, Cadenza e Fuga primi toni 16.Alessandro Poglietti (†1683): Praeludium, Cadenza e Fuga secundi toni 17.Alessandro Poglietti (†1683): Toccatina, Cadenza e Fuga terzii toni 18.Alessandro Poglietti (†1683): Toccatina, Cadenza e Fuga quarti toni 19.Alessandro Poglietti (†1683): Toccatina, Cadenza e Fuga quinti toni 20.Alessandro Poglietti (†1683): Toccatina, Cadenza e Fuga sexti toni 21.Alessandro Poglietti (†1683): Toccatina, Cadenza e Fuga septimi toni 22.Alessandro Poglietti (†1683): Toccatina, Cadenza e Fuga oktavi toni 23.Georg Reutter d.Ä. (1656-1738): Canzone „Christ ist erstanden“

The organ in the church year III - between Christmas and Easter The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. Content: 1.Christian Erbach (1570-1635): Lucis creator optime. Hymn: Sundays 2.John Redford (um 1485-1545): Primo dierum. Hymn: Sundays 3.Codex Nikolaus Apel (15. Jh.): Alma redemptoris mater. Marian antiphon 4.William Blithman (†1591): Jesu redemptor omnium. Hymn: Christmastide 5.Jean Titelouze (1563-1633): A solis ortus cardine / Crudelis Herodes. Hymn: Christmas / Epiphany season 6.Fridolin Sicher (1490-1546): Ecce Maria genuit nobis Salvatorem. Antiphon: Circumcision of the Lord 7.Sebastian Hasenknopf (um 1545-nach 1597): Domine Dominus noster. Introit psalm: Name of Jesus 8.Thomas Preston (16. Jh.): Reges Tharsis. Offertory: Epiphany 9.Girolamo Diruta (16. Jh.): Hostis Herodes impie. Hymn: Epiphany 10.Hans Leo Haßler (1564-1612): Verbum caro factum est. Antiphon: Holy Family / Responsorial: Christmas 11.Orgelbuch von Str. Ulrich und Afra (Neresheim) (16. Jh.): Deus qui sedes. Responsorial: 2nd Sunday after Epiphany 12.Anonym (Englisch, 16. Jh.): Ex more docti mystico. Hymn: Lent 13.John Redford (um 1484-1545): Ex more docti mystico. Hymn: Lent 14.Buxheimer Orgelbuch (1465-1475): Ave Regina caelorum. Marian antiphon 15.Nicholas Carleton (16. Jh.): Audi benigne conditor. Hymn: Lent 16.Clemens non Papa (um 1510-um 1556) / Valentin Bakfarc (1507-1576): Circumederunt me. Introit: Septuagesima 17.Tibertio Massaino (vor 1550-nach 1609) / Bernhard Schmid d. J. (16./17.Jh.): Laetare Jerusalem. Introit: 4th Sunday of Lent 18.Nicolas le Bègue (1630-1702): Stabat mater. Hymn: Seven Sorrows of Mary 19.Simon Boyleau (16. Jh.) / Estevan Daca (16. Jh.): Deus Deus meus. Introit psalm: Palm Sunday 20.Guillaume Dufay (um 1400-1474): Vexilla regis. Hymn: Passiontide 21.Ludwig Senfl (um 1490-1550) / Sebastian Ochsenkhun (1521-1574): Vita in ligno. Passion motet 22.Giulio Cesare Arresti (1617-1692): Pange lingua. Processional hymn: Maunday Thursday 23.John Dunstable (um 1380-1453): Crux fidelis. Antiphon: Procession of the cross on Good Friday 24.Pierre Attaingnant (†1553): O vos omnes. Responsory: Holy Saturday

Organ music in European cathedrals III - Bergamo | Passau The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music in European cathedrals - Bergamo | Passau. Content: 1.Antonio Scandello (1517-1580) / Elias Nikolaus Ammerbach (c. 1530-1597): Ich weiß mir ein fest gebautes Haus 2.Pietro Ponzio (1532-1595): 15 cadenzas in the eight church tones 3.Pietro Vinci (1540-circa 1584): Ricercar quinto 4.Pietro Vinci (1540-c.1584): Ricercar ottava 5.Pietro Vinci (1540-um1584): Fa mi la mi sol la 6.Giovanni Cavaccio (around 1556-1626): Ricercar secondo à 4 7.Giovanni Cavaccio (c. 1556-1626): Toccata prima à 4 8.Giovanni Cavaccio (c. 1556-1626): Ricercar primo à 3 9.Giovanni Cavaccio (c. 1556-1626): Ricercar secondo à 3 10.Giovanni Cavaccio (c. 1556-1626): Prima Canzon Francese à 4 11.Giovanni Cavaccio (c. 1556-1626): Octava Canzon Francese 12.Giacomo Brignoli (around 1600): Fuga 13.Pietro Andrea Ziani (around 1620-1684): Capriccio 14.Giovanni Battista Bassani (around 1657-1716): Sonata 15.Simon Mayr (1763-1845): Trio 16.Simon Mayr (1763-1845): Praeludium in D minor 17.Simon Mayr (1763-1845): Praeludium in D major 18.Simon Mayr (1763-1845): Praeludium in D major 19.Simon Mayr (1763-1845): Praeludium in E flat major 20.Simon Mayr (1763-1845): Gran Preludio 21.Franz Anton Hugl (18th century): Prelude et Fugae quarti toni 22.Franz Anton Hugl (18th century): Exercitium per ligaturas 23.Franz Anton Hugl (18th century): Fuga in C minor 24.Paul Hofhaimer (1459-1537) / Elias Nikolaus Ammerbach (ca. 1530-1597): Ach edler Hort 25.Paul Hofhaimer (1459-1537) / Elias Nikolaus Ammerbach (c. 1530-1597): Tröstlicher Lieb stets ich mich üb 26.Paul Hofhaimer (1459-1537) / Elias Nikolaus Ammerbach (c. 1530-1597): Herzliebstes Bild

Organ music of the Franciscans The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the organ music of the Franciscans. Content: 1.P. Giovanni Battista Fasolo (17. Jh.): Ricercata prima – Primo tono 2.P. Giovanni Battista Fasolo (17. Jh.): Ricercata seconda – Secondo tono ecclesiastico 3.P. Giovanni Battista Fasolo (17. Jh.): Ricercata terza – Terza tono 4.P. Giovanni Battista Fasolo (17. Jh.): Ricercata quarta – Quarto tono 5.P. Giovanni Battista Fasolo (17. Jh.): Ricercata quinta – Quinto tono 6.P. Giovanni Battista Fasolo (17. Jh.): Ricercata sesta – Sesto tono 7.P. Giovanni Battista Fasolo (17. Jh.): Ricercata settima – Settimo tono 8.P. Giovanni Battista Fasolo (17. Jh.): Ricercata ottava – Ottavo tono 9.P. Giovanni Battista Fasolo (17. Jh.): Canzon prima – Primo tono accidentale 10.P. Giovanni Battista Fasolo (17. Jh.): Canzon seconda – Secondo tono trasprtato alla quarta alta 11.P. Giovanni Battista Fasolo (17. Jh.): Canzon terza – Tono misto di quarto sol diesis, et di Terzo per Secondo parte, con la cadenza naturale 12.P. Giovanni Battista Fasolo (17. Jh.): Canzon quarta – Quarto tono naturale 13.P. Giovanni Battista Fasolo (17. Jh.): Canzon quinta – Quinto tono trasportato alla quarta 14.P. Giovanni Battista Fasolo (17. Jh.): Canzon sesta – Sesto tono naturale 15.P. Giovanni Battista Fasolo (17. Jh.): Canzon settima – Settimo tono 16.P. Giovanni Battista Fasolo (17. Jh.): Canzon ottava – Ottavo tono 17.P. Giulio Belli (um 1560-1613): Quem vidistis pastores 18.P. Giulio Belli (um 1560-1613): Salve Sancte Parens Patriae – De Sancto Francisco 19.P. Giulio Belli (um 1560-1613): O bone Jesu 20.P. Giulio Belli (um 1560-1613): O sacrum convivium

Organ music in Benedictine monasteries - Irsee | Milan | Neresheim The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music in Benedictine monasteries - Irsee | Milan | Neresheim. Content: 1.Organ book of St Ulrich and Afra (Neresheim) (16th century): Jeprens angre 2.Organ book of St Ulrich and Afra (Neresheim) (16th century): Preambulum octavi toni 3.Organ book of St Ulrich and Afra (Neresheim) (16th century): Preambulum in D et A 4.Organ book of St Ulrich and Afra (Neresheim) (16th century): Preambulum in Fa 5.Organ book of St Ulrich and Afra (Neresheim) (16th century): Introitus in festo Nativitatis Jesu Christi 6.Organ book of St Ulrich and Afra (Neresheim) (16th century): De beata virgine Maria (Kyrie and Gloria) 7.Organ book of St Ulrich and Afra (Neresheim) (16th century): Christe redemptor omnium. Hymn for Vespers at Christmas 8.Organ book of St Ulrich and Afra (Neresheim) (16th century): Gaude. Hymn for the feast of St Ulrich and St Afra 9.Organ book of St Ulrich and Afra (Neresheim) (16th century): Magnificat. Octavi toni 10.Organ book of St Ulrich and Afra (Neresheim) (16th century): Preambulum in G 11.Organ book of St Ulrich and Afra (Neresheim) (16th century): Preambulum 12.Organ book of St Ulrich and Afra (Neresheim) (16th century):Preambulum 13. Organ book of St Ulrich and Afra (Neresheim) (16th century):Preambulum 14. Organ book of St Ulrich and Afra (Neresheim) (16th century):Preambulum 15.Organ book of St Ulrich and Afra (Neresheim) (16th century):Preambulum 16.P. Carolus Andreae (16th/17th century):Domine Dominus noster 17.P. Carolus Andreae (16th/17th century):Falsibordoni tertii toni 18.P. Carolus Andreae (16th/17th century): Magnificat 19.P. Serafino Cantone (16th/17th century):Concerto (I)20.P. Serafino Cantone (16th/17th century):Concerto (II) 21.P. Serafino Cantone (16th/17th cent.): Canzone ‘La Serafina’ 22.P. Serafino Cantone (16th/17th cent.): Ave Maria ancilla sanctae trinitas