Content: 1. Allegro 2. Adagio 3. Allegro Largo

Harald Heilmann (1924–2018) was a German composer who studied in Leipzig and Berlin after the Second World War and later continued his education in the Federal Republic of Germany. He worked as a lecturer, conductor, pianist and professor at the music academies in Stuttgart and Karlsruhe. He worked as a freelance composer from 1958 onwards and was awarded the Johann Wenzel Stamitz Prize and the Federal Cross of Merit. His work Fantasie for Violoncello and Organ is an outstanding example of his creative power and is suitable for concert performances. Content: 1. Allegro 2. Adagio 3. Allegro

Siegfried Borris (1906–1987) has long been one of the most prominent figures in Berlin's musical life: alert, versatile and with a keen sense of tonal communication. His compositional oeuvre includes symphonies, concertos, ballets, radio operas, cantatas, masses, chamber music, etc. His musical language is characterised by lucid structures, vital élan and rich expressive intensity. This edition is a treasure for anyone who appreciates the special beauty of handwritten musical notation and the musical expressiveness of Borris' Canzona op. 110 . Content: 1. Largo 2. Andante 3. Allegretto 4. Allegro moderato 5. Andante sostenuto

Siegfried Borris (1906–1987) has long been one of the most prominent figures in Berlin's musical life: alert, versatile and with a keen sense of tonal communication. His compositional oeuvre includes symphonies, concertos, ballets, radio operas, cantatas, masses, chamber music, etc. His musical language is characterised by lucid structures, vital élan and rich expressive intensity. The title Lauda (Italian for “praise” or ‘praise’) refers to the inspiration behind the work and is suitable for concert performances and liturgical occasions. This edition of Lauda op. 110 for flute and organ is of medium difficulty and is suitable for both advanced musicians and ambitious students who wish to further develop their technique and expressiveness. The edition is a treasure for anyone who appreciates the special beauty of handwritten musical notation. Content: 1. Andante 2. Allegro

The Lord is my Shepherd Harald Heilmann (1946–2018) was a German composer and music teacher who was best known for his church music and choral works. As a composer for choir and organ, he gained particular renown in the field of sacred music and liturgical compositions. Psalm 23 , also known as ‘ The Lord is my Shepherd ’, is one of the best-known and most frequently quoted biblical texts in the Christian faith. Heilmann's Psalm 23 is valued in many churches and choirs for its accessibility and depth of expression, and has established itself as a popular repertoire for liturgical occasions and as a moving concert piece. Content: Andantino

Arie für Gesangsstimme (Sopran) und Orgel

The composer and music teacher Harald Heilmann (1924–2018) studied composition first at the Leipzig University of Music (1946–1950) and then with Hanns Eisler at the Academy of Arts in East Berlin. After moving to West Germany in 1952, he continued his studies with Frank Martin at the Cologne University of Music. In addition to working as an editor for various music publishers, Heilmann worked as a freelance composer from 1958 onwards. His work has been honoured with numerous awards, including the Stamitz Prize, the Federal Cross of Merit and a scholarship from the Cité Internationale des Arts in Paris. This work is scored for trombone (alternatively viola or English horn) and organ.

Lotte Backes (1901–1990), recipient of the Federal Cross of Merit, was a German pianist, organist and composer. She studied composition at the Prussian Academy of Arts and lost much of her early work during the Second World War. The present work, episodio per tomba e organo , dates from her post-war period and is available as a facsimile edition.

Throughout church history, the Te Deum and the Gloria , both of which are early Christian hymns, have been set to music many times. In this handwritten score, Siegfried Borris (1906-1987) has arranged the Te Deum for oboe and organ – alternatively, it can also be performed with trumpet (D) or piano.

Joseph Gabriel Rheinberger (1839-1901) was highly regarded as a church musician, counterpoint teacher and organ composer. The Cantilène in F major, originally composed for organ in 1887, is presented here in an arrangement for trumpet (oboe/violin) and organ. An arrangement of this composition for trumpet (oboe) and strings (publisher's number N 3866 ) is also available. This BRASS-TOTAL edition contains both a C and a Bb part for practical use. Content: Andante