Content: I. Canon II. Aria I III. Invention IV. Aria II V. Toccata

Introduction Chorale and Passacaglia

Contents: I. Introduction II. Passacaglia

Contents: I. Toccata II. Song III. Passacaglia

Contents: I. Prelude II. Organ chorale III. Bizinium IIII. Ostinato V. Postlude

Content: I. Lament II. Meditation III. Epilogue

Fantasy for organ in five parts Contents: I. Introduction II. Canon III. Toccata IV. Chorale V. Fugue

In the Contrapuncti dodecaphonici, melodies from Gregorian chants and hymns in the local language are arranged in the following sequence of twelve tones, inversion, inversion of the inversion, in all possible transpositions. The individual pieces are suitable for liturgy as well as for a coherent concert performance. All pieces can be played on a single-manual organ and most pieces can be easily played on a two-manual organ. Contents: 7 chorale preludes for organ 1. O we poor sinners (Passion · 14th century) 2. With tender joy (Easter · 15th century) 3. Ascended into heaven (Ascension · M. Franck 1627) 4. Now we pray to the Holy Spirit (Pentecost · 13th century) 5. Praise be to God the Father (Trinity · Munich 1586) 6. Tell us who this is (Mary · J. Khuen 1638) 7. Praise and bless God (Corpus Christi · 15th century)