Organ Music in Benedictine Monasteries IV - Montecassino / Ottobeuren / Regensburg St. Emmeram The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive cycles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music in the Benedictine monasteries of Montecassino / Ottobeuren / Regensburg St Emmeram. Content: 1.P. Sebastian Prixner (1744-1799): Praeludium C-Dur 2.P. Sebastian Prixner (1744-1799): Praeludium G-Dur 3.P. Sebastian Prixner (1744-1799): Versetten E-Dur 4.P. Sebastian Prixner (1744-1799): Phantasie C-Dur 5.P. Sebastian Prixner (1744-1799): Fughette d-Moll 6.P.D. Michele Giustiniani (17. Jh.): Sonata 7.P. Franz Schnizer (1740-1785): Sonata (D-Dur) 8.P. Franz Schnizer (1740-1785): Intermezzo (a-Moll) 9.P. Franz Schnizer (1740-1785): Sonata (F-Dur)

Organ music for German hymns - Holy Spirit | Pentecost The Cantatibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music for the German hymn for Holy Spirit | Pentecost. Content: Komm, Heilger Geist, o Schöpfer du (EL 41), Komm, Heilger Geist, der Leben schafft (EGB 897), Komm, Gott Schöpfer, Heiliger Geist (EKG 97) 1. Sethus Calvisius (1556-1615), song movement 2. Melchior Vulpius (1570-1615), song movement 3.Johann Sebastian Bach (1685-1750), song movement 4.Johannes Zahn (1817-1895), song composition 5. Adam von Fulda (around 1445-1505), chorale arrangements 6. Friedrich Wilhelm Zachau (1663-1712), chorale prelude 7. Johann Gottfried Walther (1684-1748), chorale preludes 8. Michael Gotthard Fischer (1773-1829), chorale prelude 9. Wilhelm Valentin Volckmar (1812-1887), chorale prelude 10. Moritz Brosig (1815-1887), chorale prelude Komm, o Geist der Heiligkeit (EL 42), Komm herab, o Heilger Geist (EGB 902) 11.Johann Georg Mettenleiter (1812-1858), song movement 12.Joseph Hanisch (1812-1892), song movement 13.Codex St. Emmeram (14th century), chorale arrangement 14.Glogauer Liederbuch (15th century), chorale arrangement Nun bitten wir den Heiligen Geist (EL 43, EGB 898, EKG 99) 15.Michael Praetorius (1571-1621), hymn setting 16.Joachim Decker (†1611), hymn setting 17.Johannes Zahn (1817-1895), song composition 18.Peter Piel (1835-1904), song composition 19.Glogauer Liederbuch (15th century), chorale arrangement 20.Caspar Othmayr (1515-1553), chorale bicinium 21.Christian Hollander (†1568/1569), chorale motet 22.Heinrich Scheidemann (1596-1663), Choral fantasia 23.Georg Böhm (1661-1733), chorale prelude 24.Johann Gottfried Walther (1684-1748), chorale prelude 25.Peter Piel (1835-1904), chorale preludes Komm, Schöpfer Geist, kehr bei uns ein (EL 44, EGB 905) 26. Peter Piel (1835-1904), song movement 27. Johann Singenberger (1848-1924), song movement 28. Bernhard Mettenleiter (1822-1901), chorale prelude 29. Peter Piel (1835-1904), chorale preludes

Old English organ music The Cantantibus Organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to Early English organ music. Content: 1.William Byrd (um 1543 od. 1544-1623): Preludium 2.William Byrd (um 1543 od. 1544-1623): Preludium 3.John Bull (um 1562-1628): Preludium 4.Orlando Gibbons (1583-1625): Fantazia of foure parts 5.Orlando Gibbons (1583-1625): Preludium 6.Thomas Tomkins (1572-1656): A short verse 7.Alfonso Ferrabosco (um 1572-1628): Fantasia Ut re mi fa sol la La sol fa mi re ut 8.Arthur Philips (1605-1695): On a Ground 9.Nicholas Carleton (16./17. Jh.): Praeludium 10.Nicholas Carleton (16./17. Jh.): A verse of four parts 11.William Byrd (um 1543 od. 1544-1623): Fantazia 6 Voc. 12.William Byrd (um 1543 od. 1544-1623): Another Fantazia 6 Voc. 13.William Byrd (um 1543 od. 1544-1623): A Fancy of three parts

Die Sinfonia d-Moll ist eine Bearbeitung des einleitenden rein instrumentalen Eingangssatzes der Kantate "Geist und Seele wird verwirret" BWV 35 von J. S. Bach, die 1726 erstmals zur Aufführung gelangte. Bach selbst nannte diesen Satz Concerto. Sollte kein Tasteninstrument zur Verfügung stehen, so ist es auch sehr reizvoll, das Werk mit einem reinen Blockflötenquintett (SSATB) zu spielen.

Melodic tone piece

Lyrical sound piece

Christmas idyll without octave tension ( Oh du fröhliche | Stille Nacht, heilige Nacht)

Content: - Ihr Hirten erwacht - O Kinderlein hold - Wir folgen dem Stern - Und steht er nicht still

Christmas fantasy piece using the Christmas carols ‘Oh you merry' and ' Silent night, holy night'.

Christmas fantasy piece using the Christmas carols ‘Oh you merry' and ' Silent night, holy night'.