The first volume of the “Musik im Team” series contains chamber music for the beginning (lower level) of piano lessons. The piano parts of the familiar children's songs and popular folk songs are designed so that they can be played by pupils after the first year of lessons for the most part, but also earlier in some cases. The melody parts can be played in single and multiple instrumentation. The second part does not have an accompanying function, but is on a par with the first. The bass and percussion parts are to be used ad libitum. Both can be omitted without detracting from the musical meaning. Two verses of all the songs have been composed. The melody distribution and the instrumentation have been varied in the 2nd verse. “Music in a team” is continued in ascending levels of difficulty. Content: 1. Auf unsrer Wiese gehet was 2. Ein Vogel wollte Hochzeit machen 3. Sur le pont d'Avignon 4. O du lieber Augustin 5. Swing Low, Sweet Chariot 6. My Bonnie Is Over The Ocean 7. Der Mai ist gekommen 8. Es klappert die Mühle am rauschenden Bach 9. Oh, When The Saints Go Marchin' In

Making music together in an ensemble gives all instrumental students great pleasure and is an important part of their musical education. The series ‘Music in a Team’ takes up the recommendations of the VdM's expert commission ‘Piano players as music-making partners’ and offers the opportunity to gain chamber music experience. This volume contains works from the Baroque and Classical periods arranged for 2 identical or different melody instruments, piano, bass and percussion. Multiple instrumentation is also possible. The first and second parts are equal and alternate melodically together with the piano. The bass part has gained in expressiveness and, together with the percussion, complements the sound in a marvellous way. Both parts can be omitted without detracting from the musical sense. The pianistic level of difficulty corresponds predominantly to the original composition. Content: 1. Sarabande und Variation ( Georg Friedrich Händel) 2. Menuett (Johann Sebastian Bach) 3. Musette (Johann Sebastian Bach) 4. Musette (Leopold Mozart) 5. Kontretanz (Wolfgang Amadeus Mozart) 6. L. Mozart: Schwabentanz (Leopold Mozart) 7. W.A. Mozart: Menuett (Wolfgang Amadeus Mozart) 8. L. Mozart: Polonaise (Leopold Mozart) 9. Deutscher Tanz, WoO 13, 6 (Ludwig van Beethoven) 10. Deutscher Tanz, WoO 13, 11 (Ludwig van Beethoven) 11. Menuett (Ludwig van Beethoven)

After children's songs, folkloristic compositions and works from the Baroque and Classical periods were arranged in the first two volumes of this series (N 2344 and N 2369), this third volume contains Advent and Christmas carols. The instrumentation - two identical or different melody instruments (recorders, violins, oboes, flutes etc.), piano, bass (cello or bassoon) and percussion - has not changed compared to the other two volumes; multiple instrumentation of the parts is also possible in this volume. The level of difficulty is roughly the same as in volume 2 and thus forms a transition to volume 4, which deals with works from the Romantic period; the first and second parts are on an equal footing and alternate - together with the piano - in the melodic direction. The bass part has gained in independence compared to volume 1; the bass and percussion can be omitted without detracting from the musical sense, but they do enrich the sound. Content: - Macht hoch die Tür - Morgen kommt der Weihnachtsmann - O du fröhliche - Fröhliche Weihnacht überall - Kommet, ihr Hirten - Leise rieselt der Schnee - Tochter Zion - Angels We Have Heard In High - Joy To The World - Hark, The Herald's Angels Sing - Jingle Bells

After children's songs, folkloristic compositions and works from the Baroque and Classical periods were arranged in the first two volumes of this series (N 2344 and N 2369), this third volume contains Advent and Christmas carols. The instrumentation - two identical or different melody instruments (recorders, violins, oboes, flutes etc.), piano, bass (cello or bassoon) and percussion - has not changed compared to the other two volumes; multiple instrumentation of the parts is also possible in this volume. The level of difficulty is roughly based on volume 2 and thus forms a transition to volume 4, which deals with works from the Romantic period.first and second parts are on an equal footing and alternate - together with the piano - in the melodic lead. The bass part has gained in independence compared to the first volume; the bass and percussion can be omitted without detracting from the musical sense, but nevertheless enrich the sound. Content: - Macht hoch die Tür - Morgen kommt der Weihnachtsmann - O du fröhliche - Fröhliche Weihnacht überall - Kommet, ihr Hirten - Leise rieselt der Schnee - Tochter Zion - Angels We Have Heard In High (Hört der Engel helle Lieder) - Joy To The World - Hark, The Herald's Angels Sing - Jingle Bells

After children's songs, folkloristic compositions and works from the Baroque and Classical periods were arranged in the first two volumes of this series (N 2344 and N 2369), this third volume contains Advent and Christmas carols. The instrumentation - two identical or different melody instruments (recorders, violins, oboes, flutes etc.), piano, bass (cello or bassoon) and percussion - has not changed compared to the other two volumes; multiple instrumentation of the parts is also possible in this volume. The level of difficulty is roughly based on volume 2 and thus forms a transition to volume 4, which deals with works from the Romantic period.first and second parts are on an equal footing and alternate - together with the piano - in the melodic lead. The bass part has gained in independence compared to the first volume; the bass and percussion can be omitted without detracting from the musical sense, but nevertheless enrich the sound. Content: - Macht hoch die Tür - Morgen kommt der Weihnachtsmann - O du fröhliche - Fröhliche Weihnacht überall - Kommet, ihr Hirten - Leise rieselt der Schnee - Tochter Zion - Angels We Have Heard In High (Hört der Engel helle Lieder) - Joy To The World - Hark, The Herald's Angels Sing - Jingle Bells

After children's songs, folkloristic compositions and works from the Baroque and Classical periods were arranged in the first two volumes of this series (N 2344 and N 2369), this third volume contains Advent and Christmas carols. The instrumentation - two identical or different melody instruments (recorders, violins, oboes, flutes etc.), piano, bass (cello or bassoon) and percussion - has not changed compared to the other two volumes; multiple instrumentation of the parts is also possible in this volume. The level of difficulty is roughly based on volume 2 and thus forms a transition to volume 4, which deals with works from the Romantic period.first and second parts are on an equal footing and alternate - together with the piano - in the melodic lead. The bass part has gained in independence compared to the first volume; the bass and percussion can be omitted without detracting from the musical sense, but nevertheless enrich the sound. Content: - Macht hoch die Tür - Morgen kommt der Weihnachtsmann - O du fröhliche - Fröhliche Weihnacht überall - Kommet, ihr Hirten - Leise rieselt der Schnee - Tochter Zion - Angels We Have Heard In High (Hört der Engel helle Lieder) - Joy To The World - Hark, The Herald's Angels Sing - Jingle Bells

After children's songs, folkloristic compositions and works from the Baroque and Classical periods were arranged in the first two volumes of this series (N 2344 and N 2369), this third volume contains Advent and Christmas carols. The instrumentation - two identical or different melody instruments (recorders, violins, oboes, flutes etc.), piano, bass (cello or bassoon) and percussion - has not changed compared to the other two volumes; multiple instrumentation of the parts is also possible in this volume. The level of difficulty is roughly the same as in volume 2 and thus forms a transition to volume 4, which deals with works from the Romantic period; the first and second parts are on an equal footing and alternate - together with the piano - in the melodic direction. The bass part has gained in independence compared to the first volume; the bass and percussion can be omitted without detracting from the musical sense, but nevertheless enrich the sound. Content: - Macht hoch die Tür - Morgen kommt der Weihnachtsmann - O du fröhliche - Fröhliche Weihnacht überall - Kommet, ihr Hirten - Leise rieselt der Schnee - Tochter Zion - Angels We Have Heard In High (Hört der Engel helle Lieder) - Joy To The World - Hark, The Herald's Angels Sing - Jingle Bells

The 4th volume of the series is dedicated to compositions from the Romantic period, including both popular works and little-known, interesting pieces. The level of difficulty in the 4th volume is somewhat higher than in the previous volumes. The piano part is based roughly on the level of difficulty of the respective original. Both melody parts have equal rights and alternate - together with the piano - in the melodic direction. The bass part has gained independence compared to volume 1. The bass and percussion enrich the sound and can be omitted without detracting from the musical sense. This piece of music, which treats piano and melody parts equally, also makes the same demands on them and offers an excellent opportunity to gain chamber music experience. Content: 1. Wilder Reiter (Robert Schumann) 2. Fröhlicher Landmann (Robert Schumann) 3. Nach dem Balle (Alexander Gretschaninoff) 4. Schnitterliedchen (Robert Schumann) 5. Ländler (Heinrich Hoffmann) 6. Deutsches Lied (Pjotr Iljitsch Tschaikowsky) 7. Die Zigeuner (Friedrich Burgmüller) 8. Tänzchen im Freien (Theodor Kullak) 9. Elfentanz (Edvard Grieg)

The 4th volume of the series is dedicated to compositions from the Romantic period, including both popular works and little-known, interesting pieces. The level of difficulty in the 4th volume is somewhat higher than in the previous volumes. The piano part is based roughly on the level of difficulty of the respective original. Both melody parts have equal rights and alternate - together with the piano - in the melodic direction. The bass part has gained independence compared to volume 1. The bass and percussion enrich the sound and can be omitted without detracting from the musical sense. This piece of music, which treats piano and melody parts equally, also makes the same demands on them and offers an excellent opportunity to gain chamber music experience. Content: 1. Wilder Reiter (Robert Schumann) 2. Fröhlicher Landmann (Robert Schumann) 3. Nach dem Balle (Alexander Gretschaninoff) 4. Schnitterliedchen (Robert Schumann) 5. Ländler (Heinrich Hoffmann) 6. Deutsches Lied (Pjotr Iljitsch Tschaikowsky) 7. Die Zigeuner (Friedrich Burgmüller) 8. Tänzchen im Freien (Theodor Kullak) 9. Elfentanz (Edvard Grieg)

The 4th volume of the series is dedicated to compositions from the Romantic period, including both popular works and little-known, interesting pieces. The level of difficulty in the 4th volume is somewhat higher than in the previous volumes. The piano part is based roughly on the level of difficulty of the respective original. Both melody parts have equal rights and alternate - together with the piano - in the melodic direction. The bass part has gained independence compared to volume 1. The bass and percussion enrich the sound and can be omitted without detracting from the musical sense. This piece of music, which treats piano and melody parts equally, also makes the same demands on them and offers an excellent opportunity to gain chamber music experience. Content: 1. Wilder Reiter (Robert Schumann) 2. Fröhlicher Landmann (Robert Schumann) 3. Nach dem Balle (Alexander Gretschaninoff) 4. Schnitterliedchen (Robert Schumann) 5. Ländler (Heinrich Hoffmann) 6. Deutsches Lied (Pjotr Iljitsch Tschaikowsky) 7. Die Zigeuner (Friedrich Burgmüller) 8. Tänzchen im Freien (Theodor Kullak) 9. Elfentanz (Edvard Grieg)

The 4th volume of the series is dedicated to compositions from the Romantic period, including both popular works and little-known, interesting pieces. The level of difficulty in the 4th volume is somewhat higher than in the previous volumes. The piano part is based roughly on the level of difficulty of the respective original. Both melody parts have equal rights and alternate - together with the piano - in the melodic direction. The bass part has gained independence compared to volume 1. The bass and percussion enrich the sound and can be omitted without detracting from the musical sense. This piece of music, which treats piano and melody parts equally, also makes the same demands on them and offers an excellent opportunity to gain chamber music experience. Content: 1. Wilder Reiter (Robert Schumann) 2. Fröhlicher Landmann (Robert Schumann) 3. Nach dem Balle (Alexander Gretschaninoff) 4. Schnitterliedchen (Robert Schumann) 5. Ländler (Heinrich Hoffmann) 6. Deutsches Lied (Pjotr Iljitsch Tschaikowsky) 7. Die Zigeuner (Friedrich Burgmüller) 8. Tänzchen im Freien (Theodor Kullak) 9. Elfentanz (Edvard Grieg)

The 4th volume of the series is dedicated to compositions from the Romantic period, including both popular works and little-known, interesting pieces. The level of difficulty in the 4th volume is somewhat higher than in the previous volumes. The piano part is based roughly on the level of difficulty of the respective original. Both melody parts have equal rights and alternate - together with the piano - in the melodic direction. The bass part has gained independence compared to volume 1. The bass and percussion enrich the sound and can be omitted without detracting from the musical sense. This piece of music, which treats piano and melody parts equally, also makes the same demands on them and offers an excellent opportunity to gain chamber music experience. Content: 1. Wilder Reiter (Robert Schumann) 2. Fröhlicher Landmann (Robert Schumann) 3. Nach dem Balle (Alexander Gretschaninoff) 4. Schnitterliedchen (Robert Schumann) 5. Ländler (Heinrich Hoffmann) 6. Deutsches Lied (Pjotr Iljitsch Tschaikowsky) 7. Die Zigeuner (Friedrich Burgmüller) 8. Tänzchen im Freien (Theodor Kullak) 9. Elfentanz (Edvard Grieg)