Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Twelve chorales from the Christmas Oratorio by Johann Sebastian Bach, edited for recorder quartet (SATB). The voices are also available separately. Contents: - Ach mein herzliebes Jesulein - Brich an, o schönes Morgenlicht - Schaut hin dort liegt im finstern Stall - Wir singen dir in deinem Heer - Dies hat er alles uns getan - Seid froh dieweil - Ich will dich mit Fließ bewahren - Jesus richte mein Beginnen - Dein Glanz all Finsternis verzehrt - Zwar ist solche Herzensstube - Ich steh an deiner Krippen hier - Nun seid ihr wohlgerochen

Content: - Alle Jahre wieder - Als ich bei meinen Schafen wacht‘ - Die heiligen Drei Könige - Es ist ein Ros‘ entsprungen - Ihr Hirten erwacht - Ihr Kinderlein kommet - Inmitten der Nacht - Kommet, ihr Hirten - Lasst uns das Kindlein wiegen - Lasst uns froh und munter sein - O du fröhliche - O laufet, ihr Hirten - O Tannenbaum - Pille, Palle, Polle - Sankt Niklaus hat ein Eselchen - Stille Nacht, Heilige Nacht - Still, still, still - Vom Himmel hoch

The Great Christmas Carols Collection , Volume II contains over 90 two-part Christmas carols for two soprano recorders. The songs include lyrics and chord symbols, making it possible to add vocals and a harmony instrument—such as a guitar or piano—to the ensemble.

The two volumes of ‘Die große Weihnachtslieder-Collection’ contain over 200 two-part Christmas carols for 2 soprano recorders. The songs are provided with lyrics and chord symbols, so that it is possible to expand the circle of musicians by adding vocals and harmony instruments such as guitar or piano. The songs are also available individually as pdf files. Click on the drop-down menu under ‘ISSUE (please select)’.

19 European and American carols for the Christmas season,arranged for 3 guitars