Content: 1. Allegro 2. Danza Pastorale 3. Adagio molto 4. Allegro The parts are also available individually at a price of €3.00 each. Please contact us for orders. The complete part material is available under the order number N3710A .

Content: 24. Kein schöner Land 25. Der Mond ist aufgegangen 26. Guten Abend, gut' Nacht 27. Guter Mond, du gehst so stille 28. Die Blümelein, sie schlafen 29. Weißt du wieviel Sternlein stehen 30. Es dunkelt schon in der Heide 31. Schlaf, Kindchen schlaf 32. Stehn zwei Stern am hohen Himmel 33. Ade zur guten Nacht 34. Guten Abend, guten abend, euch allen 35. Rosenstock, Holderblüt 36. Gestern Abend war Vetter Michel hier 37. Beim Kronenwirt, da ist heut Jubel und Tanz 38. A's Buerlala geburen wier 39. Hopsa Schwabenliesel 40. O, du lieber Augustin 41. Mädel, wasch dich 42. Im tiefen Keller sitz'ich hier 43. Ein Vogel wollte Hochzeit machen 44. Herr Schmidt, Herr Schmidt, was kriegt das Julchen mit? 45. Im schönsten Wiesengrunde 46. Drunten im Unterland 47. An der Saale hellem Strande 48. Ein Jäger aus Kurpfalz 49. Lorelei (Ich weiß nicht, was solll es bedeuten) 50. Bald gras ich am Neckar 51. Es klappert die Mühle 52. O Täler weit, o Höhen

The most beautiful German folk songs have been rearranged in thematically related movements - each song is a small concert piece in itself, but can also be categorised in thematic cycles. Under headings such as “Liebeslieder” or “Scherzlieder”, several songs are combined into concert blocks with a playing time of around 8 to 20 minutes. However, a free arrangement of individual songs is also possible. Content: 53. Prolog: Der Winter ist vergangen 54. Alle Vögel sind schln da 55. Im Märzen der Bauer 56. Komm lieber Mai und mach 57. Der Mai ist gekommen 58. Im Frühtau zu Berge 59. Geh aus mein Herz und suche Freud 60. Sum, sum, sum 61. ein Männlein steht im Walde 62. Im Wald und auf der Heide 63. Das Laub fällt von den Bäumen 64. Bunt sind schon die Wälder 65. O wie ist es kalt geworden 66. Schneeflöckchen 67. O Tannenbaum du trägst ein. gr. Zweig 68. Winter ade 69. Epilog: Der Winter ist vergangen 70. Eine Seefahrt die ist lustig 71. Auf einem Baum ein Kuckuck 72. Drauß'n auf der grünen Au 73. Bolle reiste jüngst zu Pfingsten 74. Sabinchen war ein Frauenzimmer 75. In einem Harung jung und stramm 76. Hab mein Wage vollgelade 77. Kennt ji al dat nege Leed (Pastuurn sin Kauh) 78. Prolog: Freut euch des Lebens 79. Schön ist ein Zylinderhut 80. Mein Hut, der hat drei Ecken 81. Auf der Mauer, auf der Lauer 82. Heut kommt der Hans zu mir 83. Auf de schwäb' sche Eisebahne 84. Wenn der Topp aber nu en Loch hat 85. Drei Chinesen mit den Kontrabass 86. Epilog: Freut euch des Lebens

The five pieces compiled here as a suite were originally from Robert Schumann's Album für die Jugend and were composed by him for piano. Content: 1. Servant Ruprecht 2. Wintertime 3. Echoes from the theatre 4. Folk song 5. Sicilian

Content: 1. Präludium 2. Cantus 3. Scherzando 4. Passacaglia The parts can be ordered separately under the order number N3792a.

Content: 1. Präludium 2. Cantus 3. Scherzando 4. Passacaglia

Content: 1. Präludium 2. Cantus 3. Scherzando 4. Passacaglia

Content: 1. Präludium 2. Cantus 3. Scherzando 4. Passacaglia

Which trumpet players are not familiar with the ‘Tunes’ and ‘Voluntaries’ by Henry Purcell, Jeremiah Clarke, John Stanley or William Boyce? These works, which are generally performed in the standard Baroque instrumentation for solo trumpet and basso continuo, are presented in the three-volume collection Tunes, Voluntaries ... from the Baroque period (BRASS TOTAL series). The arrangements for trumpet quartet fundamentally change the tonal structure: instead of the traditional soloistic leadership and the harmonic foundation provided by the continuo, a homogeneous body of sound characterised by chamber music is created. This concept not only opens up new ways of interpreting baroque trumpet music, but also lends the well-known pieces a fresh, transparent lustre - an attractive alternative to historically informed performance practice. Content : 1. “Eine kleine Ostermusik” on the chorale 'Christ ist erstanden' 2. “Air de trompette” (Georg Philipp Telemann) 3. Prince of Denmark's March (Jeremiah Clarke) 4. Sonata (Daniel Speer) 5. Great God we praise you (Choral) 6. Trumpet Voluntary (William Boyce)

Which trumpet players are not familiar with the ‘Tunes’ and ‘Voluntaries’ by Henry Purcell, Jeremiah Clarke, John Stanley or William Boyce? These works, which are generally performed in the standard Baroque instrumentation for solo trumpet and basso continuo, are presented in the three-volume collection Tunes, Voluntaries ... from the Baroque period (BRASS TOTAL series). The arrangements for trumpet quartet fundamentally change the tonal structure: instead of the traditional soloistic leadership and the harmonic foundation provided by the continuo, a homogeneous body of sound characterised by chamber music is created. This concept not only opens up new ways of interpreting baroque trumpet music, but also lends the well-known pieces a fresh, transparent lustre - an attractive alternative to historically informed performance practice. Content: 1. Voluntary (John Stanley) 2. La Grace (Georg Philipp Telemann) 3. Nun danket alle Gott (after Johann Sebastian Bach ) - 3 movements 4. Canzona à 4 (Uwe Heger) 5. Voluntary (John Barrett)

Which trumpet players are not familiar with the ‘Tunes’ and ‘Voluntaries’ by Henry Purcell, Jeremiah Clarke, John Stanley or William Boyce? These works, which are generally performed in the standard Baroque instrumentation for solo trumpet and basso continuo, are presented in the three-volume collection Tunes, Voluntaries ... from the Baroque period (BRASS TOTAL series). The arrangements for trumpet quartet fundamentally change the tonal structure: instead of the traditional soloistic leadership and the harmonic foundation provided by the continuo, a homogeneous body of sound characterised by chamber music is created. This concept not only opens up new ways of interpreting baroque trumpet music, but also lends the well-known pieces a fresh, transparent lustre - an attractive alternative to historically informed performance practice. Content: 1. Dona nobis pacem (canon & upper part) 2. Prelude (Marc Antoine Charpentier) 3. Marvellous king (Johann Christoph Oley) 4. Voluntary (Simon Stubley) 5. Allemande (Claude Gervaise) 6. Trumpet Tune (Henry Purcell)

These duets are addressed to trumpet students who have already mastered the basics and are looking for new musical challenges. The compositions are structured in such a way that they enable a gradual introduction to more complex keys and differentiated tonal combinations, thus promoting both intonational and tonal development.