Die festliche Jahreszeit ist eine wunderbare Gelegenheit, die zeitlose Schönheit klassischer Musik zu genießen. In dieser Sammlung finden Sie ausgewählte Werke von Meisterkomponisten wie J. S. Bach, A. Corelli, W. A. Mozart, Fr. X.A. Murschhauser, R. Schumann und P. I. Tschaikowsky. Diese Stücke fangen den Geist der Weihnacht ein und laden dazu ein, die festliche Stimmung durch das Spiel auf dem Klavier zu verbreiten. J.S. Bach - Siciliano Der Siciliano aus Bachs Werk strahlt eine sanfte, beruhigende Melodie aus, die die Vorfreude auf das Weihnachtsfest widerspiegelt. Die geschmeidigen Linien und der elegante Rhythmus laden dazu ein, in die besinnliche Stimmung der Feiertage einzutauchen. A. Corelli - Pastorale aus dem Concerto grosso Nr. 8 Corellis Pastorale ist ein wunderschönes Stück, das die ländliche Idylle und die Freude der Weihnachtszeit einfängt. Die harmonischen Klänge und der fließende Charakter machen es zu einem idealen Stück für festliche Anlässe. W.A. Mozart - KV 265 Variationen über "Morgen kommt der Weihnachtsmann" Mozarts Variationen bringen eine fröhliche und lebendige Note in die Weihnachtsmusik. Die spielerische Interpretation des bekannten Weihnachtsliedes sorgt für gute Laune und lädt zum Mitsingen ein. Fr.X.A. Murschhauser - Aria pastoralis variata Diese Arie von Murschhauser ist eine wunderbare Hommage an die Weihnachtszeit. Mit ihren lyrischen Melodien und der warmen Harmonik schafft sie eine einladende Atmosphäre, die zum Träumen anregt. R. Schumann - op. 68 Nr. 12 Knecht Ruprecht Schumanns "Knecht Ruprecht" ist ein lebhaftes und ausdrucksstarkes Stück, das die Vorfreude und den Zauber der Weihnachtszeit verkörpert. Die dynamischen Kontraste und die gefühlvollen Passagen machen es zu einem Höhepunkt jeder Aufführung. P.I. Tschaikowsky - op. 37 Nr. 12 Weihnachten Dieses Stück aus Tschaikowskys "Der Nussknacker" fängt die zauberhafte Atmosphäre der Weihnachtszeit ein. Die sanften Melodien und harmonischen Klänge laden dazu ein, in die festliche Stimmung einzutauchen und die Freude des Weihnachtsfestes zu erleben.

First edition This edition is based on a manuscript from the Staatsbibliothek Berlin, Preußischer Kulturbesitz, Musikabteilung. It comes from the estate of Telemann, who gave it to his grandson Georg Michael Telemann (1748-1831). G. Poelchau acquired the manuscript in 1834 with a pack of music stored in a church tower in Riga. From Poelchau's estate († 1836) the sonata work came to the Royal Library in Berlin. The sonatas are dedicated to the brothers Rudolf, Hieronymus and Johannes Wilhelm Burmester of a Hamburg patrician family dated 1 March 1734, with the note that they follow the ‘12 methodical sonatas’, which were also dedicated to the first two brothers. The close connection between the two large sonata works can be found in their valuable musical content, in the sequence of movements (slow, fast, slow, fast), and in the succession of keys (C-a-D-h-E-F-d-G-e-A-f sharp-g). The bass lines are often involved in the theme. Occasionally we are reminded of J.S. Bach's inventions. In the title, the violin is named as the solo instrument before the flute, as several sonatas are unmistakably written “violinistically” without this hindering their playability for flute. The present edition adheres strictly to the manuscript. Suggestions for dynamics are indicated as such by brackets, as are those for articulation (by dotted lines), which may differ for violinists from those intended for flute. Experienced players should use the original figured bass for their own interpretation. The 12 sonatas made available to the public here for the first time are among the best compositions of this kind by Telemann, who dedicated them to 'connoisseurs and lovers' with the wish '...faire une bonne partie de Vos amusements'. The sonatas will fulfill this purpose today just as they did at that time.

First edition This edition is based on a manuscript from the Staatsbibliothek Berlin, Preußischer Kulturbesitz, Musikabteilung. It comes from the estate of Telemann, who gave it to his grandson Georg Michael Telemann (1748-1831). G. Poelchau acquired the manuscript in 1834 with a pack of music stored in a church tower in Riga. From Poelchau's estate († 1836) the sonata work came to the Royal Library in Berlin. The sonatas are dedicated to the brothers of a Hamburg patrician family (Rudolf, Hieronymus and Johannes Wilhelm Burmester) dated 1 March 1734, with the note that they follow the ‘12 methodical sonatas’, which were also dedicated to the first two brothers. The close connection between the two large sonata works can be found in their valuable musical content, in the sequence of movements (slow, fast, slow, fast), and in the succession of keys (C-a-D-h-E-F-d-G-e-A-f sharp-g). The bass lines are often involved in the theme. Occasionally we are reminded of J.S. Bach's inventions. In the title, the violin is named as the solo instrument before the flute, as several sonatas are unmistakably written “violinistically” without this hindering their playability for flute. The present edition adheres strictly to the manuscript. Suggestions for dynamics are indicated as such by brackets, as are those for articulation (by dotted lines), which may differ for violinists from those intended for flute. Experienced players should use the original figured bass for their own interpretation. The 12 sonatas made available to the public here for the first time are among the best compositions of this kind by Telemann, who dedicated them to ' connoisseurs and lovers' with the wish '. ..faire une bonne partie de Vos amusements' . The sonatas will fulfill this purpose today just as they did at that time. Content: IV. Largo Allegro Andante Vivace V. Largo Allegro Grave Vivace VI. Andante Presto Cantabile Vivace

First edition This edition is based on a manuscript from the Staatsbibliothek Berlin, Preußischer Kulturbesitz, Musikabteilung. It comes from the estate of Telemann, who gave it to his grandson Georg Michael Telemann (1748-1831). G. Poelchau acquired the manuscript in 1834 with a pack of music stored in a church tower in Riga. From Poelchau's estate († 1836) the sonata work came to the Royal Library in Berlin. The sonatas are dedicated to the brothers Rudolf, Hieronymus and Johannes Wilhelm Burmester of a Hamburg patrician family dated 1 March 1734, with the note that they follow the ‘12 methodical sonatas’, which were also dedicated to the first two brothers. The close connection between the two large sonata works can be found in their valuable musical content, in the sequence of movements (slow, fast, slow, fast), and in the succession of keys (C-a-D-h-E-F-d-G-e-A-f sharp-g). The bass lines are often involved in the theme. Occasionally we are reminded of J.S. Bach's inventions. In the title, the violin is named as the solo instrument before the flute, as several sonatas are unmistakably written “violinistically” without this hindering their playability for flute. The present edition adheres strictly to the manuscript. Suggestions for dynamics are indicated as such by brackets, as are those for articulation (by dotted lines), which may differ for violinists from those intended for flute. Experienced players should use the original figured bass for their own interpretation. The 12 sonatas made available to the public here for the first time are among the best compositions of this kind by Telemann, who dedicated them to 'connoisseurs and lovers' with the wish '...faire une bonne partie de Vos amusements'. The sonatas will fulfill this purpose today just as they did at that time.

Partitur: N 1239-P Stimmen komplett: N 1239-SS

Partitur: N 1239-P Stimmen komplett: N 1249-SS

Partitur: N 1239-P Stimmen komplett: N 1239-SS

Partitur: N 1239-P Stimmen komplett: N 1239-SS

Partitur: N 1239-P Stimmen komplett: N 1239-SS

When Johann Sebastian Bach was in Berlin in 1718 and 1719, he met Margrave Christian Ludwig of Brandenburg. He dedicated six concertos to him under the title ‘Concerts avec plusieurs instruments’. Today, these works are known as the Brandenburg Concertos and are considered as important masterpieces of music history. The present work was arranged for brass. The score is available under the number N 3673. The parts are also available separately (€3.00 each). Please contact us for orders.

André Herteux worked with the now internationally successful ukulele artist Elisabeth Pfeiffer back when he was a student. This contact inspired him to write music for ukulele. Herteux is known for using his compositions to showcase the tonal characteristics and possibilities of the respective instruments, creating unique sound spaces and harmonic clouds. With these three pieces, Herteux takes players and listeners to enchanted places and gives the ukulele new, original pieces of its very own. Content: - Druids' Gro(o)ve - Magic Garden - Sugar Loaf The pieces are also available individually as sheet music or as tablature in PDF format for download. Click on the drop-down menu under ‘ISSUE (please select)’ Pieces played by Elisabeth Pfeiffer in the video (Youtube): - Druids' Gro(o)ve - https://www.youtube.com/watch?v=WBQUjEBu0qg - Magic Garden - https://www.youtube.com/watch?v=M8zUhfebI8A - Sugar Loaf - https://www.youtube.com/watch?v=iQwD4cYErQg

The most beautiful German folk songs have been rearranged in thematically related movements - each song is a small concert piece in itself, but can also be categorised in thematic cycles. Under headings such as “Liebeslieder” or “Scherzlieder”, several songs are combined into concert blocks with a playing time of around 8 to 20 minutes. However, a free arrangement of individual songs is also possible. Content: 53. Prolog: Der Winter ist vergangen 54. Alle Vögel sind schln da 55. Im Märzen der Bauer 56. Komm lieber Mai und mach 57. Der Mai ist gekommen 58. Im Frühtau zu Berge 59. Geh aus mein Herz und suche Freud 60. Sum, sum, sum 61. ein Männlein steht im Walde 62. Im Wald und auf der Heide 63. Das Laub fällt von den Bäumen 64. Bunt sind schon die Wälder 65. O wie ist es kalt geworden 66. Schneeflöckchen 67. O Tannenbaum du trägst ein. gr. Zweig 68. Winter ade 69. Epilog: Der Winter ist vergangen 70. Eine Seefahrt die ist lustig 71. Auf einem Baum ein Kuckuck 72. Drauß'n auf der grünen Au 73. Bolle reiste jüngst zu Pfingsten 74. Sabinchen war ein Frauenzimmer 75. In einem Harung jung und stramm 76. Hab mein Wage vollgelade 77. Kennt ji al dat nege Leed (Pastuurn sin Kauh) 78. Prolog: Freut euch des Lebens 79. Schön ist ein Zylinderhut 80. Mein Hut, der hat drei Ecken 81. Auf der Mauer, auf der Lauer 82. Heut kommt der Hans zu mir 83. Auf de schwäb' sche Eisebahne 84. Wenn der Topp aber nu en Loch hat 85. Drei Chinesen mit den Kontrabass 86. Epilog: Freut euch des Lebens