Eine weihnachtliche Spielmusik in sechs kurzen Sätzen, originell und auf der Grundlage einer fundierten Satztechnik komponiert, dabei nicht schwer auszuführen. Inhalt: - Auf der Weide - Die Botschaft des Engels - Aufbruch nach Bethlehem - Anbetung des Kindes - Dank Mariens - Heimkehr

Als Quelle für diese Stücke diente eine Handschrift aus dem Besitz der Staatsbibliothek Preußischer Kulturbesitz.

Die Suite oder Partita BWV 997 ist unbestritten ein Werk Johann Sebastian Bachs. Die hier vorgelegte Fassung wird zum ersten Mal für Blockflöte und Basso continuo (Cembalo und Violoncello) vorgelegt, wobei die Partie des Cembalo besonders in der Fuge anspruchsvoll ist.

Das vorliegende Werk wurde 1987 für die Sonntäglichen Orgelstunden im Museum der Stadt Regensburg geschrieben. Für die Bearbeitung wurden originale Querflötenpartien aus dem reichen Kantatenschaffen J. B. Bachs ausgewählt. Inhalt: - Das Blut, das meine Schuld durchstreicht - Jesus, der ins Fleisch gekommen - Was Gott tut, das ist wohlgetan - Herzlich tut mich verlangen

Johann Joachim Quantz (1697-1773) was a German composer and flautist. Orphaned at an early age, he was apprenticed to a related town musician in Merseburg. He then studied counterpoint with Zelenka and Fuchs in Vienna in 1717. He joined the Royal Polish Chapel in Dresden and Warsaw in 1718, first as an oboist and then as a flautist. From 1724-1727, he travelled to Italy, Paris and London on an electoral scholarship. Returning to his old position in Dresden, he played for Crown Prince Frederick of Prussia in 1728, who chose him as his teacher and appointed him as his musical confidant in Berlin after his accession to the throne in 1741. Quantz wrote the first German flute school ‘Versuch einer Anweisung die Flöte traversiere zu spielen’, which was authoritative until the 19th century and is particularly valuable to us today as a source for the performance practice of early music. Among other things, he composed flute concertos, chamber music with flute, solo and trio sonatas for flute and basso continuo, flute duets and trios. The present edition is based on the manuscripts of two trios in D major for 3 transverse flutes, which are kept in Det Kongelige Bibliotek in Copenhagen. Additions and embellishments are indicated by small engravings, bracketing and dashes. Content: Trio I - Aria - Rigaudon - Menuet - Sarabande - Plaisanterie Trio II - Adagio - Vivace - Largo - Allegro

Benoît Tranquille Berbiguier (1782-1832) received flute lessons from J.G. Wunderlich at the Paris Conservatoire. He himself claimed that he was the first in France to recommend a fully rounded tone in the lower register. Although he never claimed a position with one of the Paris orchestras, Berbiguier enjoyed a reputation as a soloist and important composer. Berbiguier's œuvre includes a MÉTHODE COMPLÈTE POUR la FLÛTE and no fewer than 150 flute duets, a whole series of which were composed especially for use by beginners and pupils. Among them are the 36 Petit Duos op. 72 , of which a selection of the most beautiful pieces are included in this edition. Players will discover the wide range of articulations, dynamics, forms, keys and time signatures in these pieces. At the same time, the quality of the ‘Chantant’ promised in the title is fulfilled. Dotted indications of dynamics and articulation in this edition are suggestions by the editor. Content: 1.Allegro poco vivo 2.Allegro 3.Allegretto 4.Poco Presto 5.Allegro Pastorale 6.Maestoso 7.Allegretto Vilanella 8.Allegro non troppo 9.Tempo di Cosaca 10.Tempo di Valse 11.Fanfare Moderato 12.Andante non tanto 13.Tempo di Marcia 14.Moderato 15.Allegretto 16.Allegro poco vivo 17.Marcia Moderato 18.Moderato 19.Allegro assai 20.Moderato 21.Tempo di Polacca 22.Andante 23.Allegretto 24.Romanza a la Troubadour 25.Allegretto

Inhalt: Trio I C-Dur Trio II G-Dur

Inhalt: Trio C-Dur Trio D-Dur

Content: I. - Moderato - Menuet (Menuetto-Op.101) - Adagio - Presto II. - Moderato - Menuet (poco allegretto) - Adagio - Allegro di molto

Content: III. - Andante grazioso - Menuet / Allegretto - Adagio - Allegro di molto IV. - Moderato - Menuet / Allegretto - Adagio cantabile - Finale Allegro

Content: V. - Moderato - Menuet / Allegretto - Adagio - Finale Presto VI. - Presto - Menuet - Largo - Finale Allegro