Die Ausgabe dieses Flötenkonzertes D-Dur erfolgt nach dem Erstdruck im Urtext.

Eine Sonate im klassischen Stil der 2. Hälfte des 18. Jahrhunderts? Als diese Idee an Matthias Maute herangetragen wurde, entwickelte er schnell eine Begeisterung für die großen musikalischen Möglichkeiten dieser speziellen Musiksprache. Es entstand das vorliegende dreisätzige Werk, das mit seinen virtuosen Spielfiguren, der verfeinerten Dynamik, seiner detaillierten Artikulation und Phrasierung hohe Ansprüche an den Solisten stellt.

30 two-part Christmas carols. Content: 1. Alle Jahre wieder 2. Als ich bei meinen Schafen wacht' 3. Am Weihnachtsbaum 4. Auf, ihr Hirten von dem Schlaf 5. Es ist ein Ros' entsprungen 6. Es ist für uns eine Zeit angekommen 7. Es kommt ein Schiff 8. Fröhliche Weihnacht 9. Ich steh' an deiner Krippe hier 10. Ihr Kinderlein kommet 11. In dulci jubilo 12. Jingle Bells 13. Joseph, lieber Joseph mein 14. Kling, Glöckchen, klingelingeling 15. Kommet, ihr Hirten 16. Lasst uns froh und munter sein 17. Leise rieselt der Schnee 18. Les anges dans nos campagnes 19. Lieb' Nachtigall, wach' auf 20. Macht hoch die Tür 21. Morgen kommt der Weihnachtsmann 22. O du fröhliche 23. O Tannenbaum 24. Stille Nacht! Heilige Nacht! 25. Süßer die Glocken 26. Tochter Zion 27. Vom Himmel hoch 28. Was soll das bedeuten 29. Wie wish you a Merry Christmas 30. Wie soll ich dich empfangen

Thirty of the best-known Christmas carols from Germany, France, England, America and Switzerland are provided here with skilful upper parts. The less advanced flautist will enjoy playing the well-known melodies; the more technically adept will find their challenge in the sophisticated second parts. These lively duets could be accompanied by a harmony instrument (guitar, keyboard or piano). The additionally inserted part with the extracted chord symbols offers a rich palette of Christmas music-making.

Inhalt: - A la venue de Noël - Joseph est bien marié - Laissez paistre vos bestes - Le petit nouveau né

Old French Christmas dances - Laissez paistre vos bestes - Le petit nouveau né - Une vierge pucelle I - Une vierge pucelle II - Chantons je vous prie - Voyé le jour solemnel

Die vorliegenden sechs Trios stehen in vier verschiedenen, auch für Anfänger leicht zu spielenden Tonarten. Kleine Vor- und Nachspiele umrahmen die Arrangements.

Giuseppe Maria Gioacchino Cambini (1746-1825) was an Italian composer and violinist who was very successful in Paris at the end of the 18th century. Only fragments of his life and biography are known. Giuseppe Maria Gioacchino Cambini's numerous flute compositions include two collections of six sonatas each for flute and basso continuo. The first (1er Livre de Sonate) was published by Mussard (Paris) in 1782, the second (2e Livre des Sonates de Flûte) followed around 1787 by Sieber. The sonata in C major presented here is the fourth of the first volume, which the Ecole Nationale de Musique et d'Art Dramatique in Dijon has kindly made available. Content: - Allegro - Adagio - Tempo di Minuetto (6 variations)

Content: V. - Moderato - Menuet / Allegretto - Adagio - Finale Presto VI. - Presto - Menuet - Largo - Finale Allegro

Content: III. - Andante grazioso - Menuet / Allegretto - Adagio - Allegro di molto IV. - Moderato - Menuet / Allegretto - Adagio cantabile - Finale Allegro

Mozart's favourite instrument was not the flute. This is generally known and can be seen from the fact that he only dedicated four chamber music works to it, namely the four quartets for flute, violin, viola and cello. Even the ‘flute sonatas’ - the early sonatas Opus 10, 11, 12 and 13 - which have been available in print for some time, are merely arrangements of sonatas for piano and violin. At that time, the term ‘piano’ meant the harpsichord. It was not until around 1780 that ‘piano’ generally meant the fortepiano. In the manuscript of the Sonata in B flat major K. 378, composed in 1779, Mozart still explicitly specified the harpsichord. It was published in 1781 as part of the second series of 6 sonatas for piano and violin, whereby the order of the instruments mentioned is typical for this period: The piano is the main carrier of the musical action and is accompanied by the melody instrument. Mozart composed 35 sonatas for this instrumentation, but not a single one for flute! In order to give flute players the opportunity to play works by Mozart with piano, this violin sonata was chosen for an arrangement. The work is well suited to the flute, so that no major changes had to be made to adapt the violin part to the technical requirements of the flute. Even the original key (B flat major) could be retained. All the dynamic markings and articulation indications contained in the original text were retained, only the legato slurs in the violin part were altered in some places for the flute. Both dots and wedges as well as intermediate forms indicate the staccato in Mozart. For the facilitate reading, standardised dots have been used in this edition. The dynamic indications in the piano part are not given for each hand individually, as is the case in Mozart's manuscript, but for both hands together, provided they are the same for both hands.This edition enriches the repertoire of flautists with a valuable musical work and brings joy to all players. Content: - Allegro moderato - Andantino sostenuto e cantabile - Rondeau / Allegro

Content: I. - Moderato - Menuet (Menuetto-Op.101) - Adagio - Presto II. - Moderato - Menuet (poco allegretto) - Adagio - Allegro di molto