Der zweite Band des Fiddleclubs stellt eine Fülle von Spielstücken für die Triobesetzung zur Verfügung und schließt sich im Schwierigkeitsgrad nahtlos an Band 1 an. Stilistisch geht es von der Renaissance bis zur Romantik, von Folksongs aus verschiedenen Ländern bis zu Spirituals und Kompositionen in verschiedenen populären Stilarten. Inhalt: - Bagatelle - Amazing Grace - Der Winter ist vergangen - Malbrough - Rock My Soul - Mowing the Barley - Ay, linda amiga! - This Old Man - Weiche Pfoten schleichen nachts - Villanelle - A Happy Journey - Rigaudon - Der alte Schaukelstuhl - Der tropfende Wasserhahn - Shady Grove - Der Dreher - Unterwegs im Elfenland - Schattenspiele- - Flaschenpost - Allegretto - La digue digue don - China Strings - Andante cantabile - Por la noche - Allemande - Ostertalsmarsch - The Gospel Train - Al paño fino - Bunt sind schon die Wälder - Relaxin' - Präludium - What if a Day - Skateboard-Meeting Band 1: N 2707

Leichte Stücke für 3 Violinen in einer bunten Mischung verschiedener Stile von Renaissance bis Romantik, von Folksongs über Blues bis zum Jazz und Latin Style. Beginnend mit der 1. Griffart, erweitert sich der Tonumfang der Stücke schrittweise bis zur kompletten 1. Lage. Inhalt: - Fröhlich segeln wir dahin - Allemande - Unser Katz hat Katzerln g'habt - Atte katte nuwa - Donnerblitz und Flügelschlag - Little Brown Jug - ¿Donde vas, buen caballero? - Grün, Grün, Grün - Country Waltz - Polly Wolly Doodle - Bingo - Skip to My Lou - Michael Row the Boat Ashore - Lieber Bruder, tanz mit mir - Five Hundred Miles - Can the Circle Be Unbroken - She'll Be Coming 'round the Mountain - Vive l'amour - Abendlied - Bed on the Floor - Tanz - Die Wolken ziehn herbei - Chorea Anglica - Es klapperten die Klapperschlangen - Anglica - Bubble Gum Stomp - Going Down the Road Feeling Bad - Bahama Beach Dance - Fit For Fun Band 2: N 2708

Hook's role model, Johann Christian Bach, had a long-lasting effect on the English composer's work. He shares with him a strong melodic talent with an emphasised sense of form. Content: I. Allegro con spirito Andantino sempre piano Rondeau (Allegretto) II . Allegretto Siciliano (Andantino sempre piano) Menuetto (Spirituoso) III. Allegro con spirito Siciliano (Andantino sempre piano) Rondo (Allegro)

Hook's role model, Johann Christian Bach, had a long-lasting effect on the English composer's work. He shares with him a strong melodic talent with an emphasised sense of form. Content: IV. - Allegretto - Adagio sempre piano - Allegretto V. - Allegro moderato - Adagio sempre piano - Marcia VI. - Allegretto - Canone (Andante) - Rondo (Allegretto)

In four consecutive volumes, Willibald Lutz presents violin duets based on works by old masters (Series A), which can be used very well in lessons. In the first two volumes, the first ensemble playing on the D and A strings is practised. Volumes 3 and 4 deal with playing together on all strings. The level of difficulty develops from very easy to moderately difficult and thus expands the technical skills. Volume 1: The first ensemble playing on the D and A strings Volume 2: The first ensemble playing on the D, A and E strings Volume 3: Playing together for the first time on the G, D, A and E strings Volume 4: The first interplay of g-e‘’' and all half steps

In four consecutive volumes, Willibald Lutz presents violin duets based on works by old masters (Series A), which can be used very well in lessons. In the first two volumes, the first ensemble playing on the D and A strings is practised. Volumes 3 and 4 deal with playing together on all strings. The level of difficulty develops from very easy to moderately difficult and thus expands the technical skills. Volume 1: The first ensemble playing on the D and A strings Volume 2: The first ensemble playing on the D, A and E strings Volume 3: Playing together for the first time on the G, D, A and E strings Volume 4: The first interplay of g-e‘’' and all half steps

In four consecutive volumes, Willibald Lutz presents violin duets based on works by old masters (Series A), which can be used very well in lessons. In the first two volumes, the first ensemble playing on the D and A strings is practised. Volumes 3 and 4 deal with playing together on all strings. The level of difficulty develops from very easy to moderately difficult and thus expands the technical skills. Volume 1: The first ensemble playing on the D and A strings Volume 2: The first ensemble playing on the D, A and E strings Volume 3: Playing together for the first time on the G, D, A and E strings Volume 4: The first interplay of g-e‘’' and all half steps

In four consecutive volumes, Willibald Lutz presents violin duets based on works by old masters (Series A), which can be used very well in lessons. In the first two volumes, the first ensemble playing on the D and A strings is practised. Books 3 and 4 deal with playing together on all strings. The level of difficulty develops from very easy to moderately difficult and thus expands the technical skills. Volume 1: The first ensemble playing on the D and A strings Volume 2: The first ensemble playing on the D, A and E strings Volume 3: Playing together for the first time on the G, D, A and E strings Volume 4: The first interplay of g-e‘’' and all half steps

30 of the best-known Christmas carols with sophisticated upper parts and the additional option of accompaniment by guitar or other harmony instrument in the form of chord symbols.

Inhalt: Tempo giusto Molto lento Prestissimo possibilie Moderato Molto calmo Maestoso Vivace alla Giga Tempo di Valser

Inhalt: 1. Schreittanz mit Hoppelrei (Springtanz) um 1390 2. Springtanz (Lochamer Liederbuch um 1460) 3. Dreiher "Der Schäfer von der neuen Stadt" (um 1490) 4. Fastnachtstanz "Ein läppisch Mann, der narren kann" (1535) 5. Courante "Wie öchön blüht uns der Maien" (1619) 6. Allemande (1639) 7. Menuett (G. Ph. Telemann 1681-1767) 8. Sarabande (G. Fr. Händel 1685-1759) 9. Gavotte (G. Fr. Händel 1685-1759) 10. Ländler (F. Schubert 1797-1828) 11. Rheinländer