The present quartet dates from the Viennese period before 1804: it is the first and most charming of a group of three flute quartets first printed in 1795, and with its pleasing melodicism and concertante treatment of all four parts, it belongs entirely to the Viennese classical style.

This composition is one of three compositions for viola, a rather neglected instrument at the time, which Bruch created towards the end of his life. The edition contains QR codes to playalongs in various tempi with the original piano setting. Level of difficulty 3: Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘ISSUE (please select)’.

The series ‘dumb it down’ offers simplified piano accompaniments by Philip Lehmann to works for violin, viola, violoncello, flute, clarinet and other instruments. Level of difficulty 3: Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘ISSUE (please select)’.

The ‘Meditation’ is only a very short piece in the opera ‘Thais’, which is originally scored for violin and orchestra. The original key is D major. In order to do justice to the ambitus of the viola, G major was chosen. From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc. Level of difficulty 2: must be looked at before the lesson, practised before the concert The edition is also available as a pdf file. Click on the drop-down menu under ‘Edition (please select)’.

Simplified piano accompaniments by Philip Lehmann from practice for practice to standard works for various instruments enable pianists without a degree to accompany their students, children, friends etc. Level of difficulty 2: must be looked at before the lesson, practised before the concert * For the most part, it is sufficient to play the left hand (during lessons).

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments by Philip Lehmann to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc.. The edition includes QR codes to playalongs in various tempi with the original piano setting. Level of difficulty 4: Compared to the original, the piano setting has been greatly simplified, but can still be practised by amateurs The edition is also available as a pdf file. Click on the drop-down menu under ‘ISSUE (please select)’.

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends, etc. Often only the first movement of this standard work of violin literature is used in lessons. We have therefore decided to indicate the level of difficulty as ‘3’. Despite the simplifications, the last movement is rather more difficult. On the other hand, the accompaniment with the left hand only is attractive from a musical point of view. Some of the repeated quavers/sixteenth notes have been notated with abbreviations. These repetitions can, but do not have to be played. The edition contains QR codes to playalongs in various tempi with the original piano setting. Level of difficulty 3: Fingerings may need to be entered and practised * For the most part, it is sufficient to play the left hand (in lessons). The edition is also available as a pdf file. Click on the drop-down menu under ‘ISSUE (please select)’.

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments by Philip Lehmann to standard works for various instruments, which also offer pianists without a degree the opportunity to accompany their pupils, children, friends etc.. In keeping with the intention of this series of editions to provide simplified piano accompaniments, no pedagogical entries are added to the part of the solo instrument. The aim is to simplify the piano part as much as possible. The arrangements therefore do not claim to be original or musicological. The editor and publisher feel the need to clearly point this out, especially in the case of this concerto by Telemann. Here, an examination of the performance practice of the Baroque period is required in order to be able to appropriately organise and embellish the basic structure of the solo part offered here. The edition contains QR codes for play-alongs in various tempi with the original piano setting. Level of difficulty 3: Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Edition (please select)’.

Rieding works a great deal with pedalling. To simplify matters, these entries have been completely omitted. Level of difficulty 3: Fingerings may have to be entered and practised

The giga of this sonata is taken from the ‘12 Sonate accademiche’ for violin and bc. Level of difficulty 2*: must be looked at before the lesson, practised before the concert * for the most part it is sufficient to play the left hand (in the lesson)

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments by Philip Lehmann to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc.. This ‘Cantabile’ is the only composition that Paganini wrote for violin and piano. The markings and execution are his own. Level of difficulty 2: must be looked at before the lesson, practised before the concert * it is mostly sufficient to play the left hand (in lessons)