Mendelssohns Violinkonzert op. 64 ist ein großer Pfeiler in der Reihe von Violinkonzerten des 19. Jahrhunderts. Doch wie auch seine Zeitgenossen Beethoven, Brahms und Tschaikowsky, schreibt auch Mendelssohn wenig Musik für die Flöte als Soloinstrument. Jean Cassignol schafft es nun, das weltberühmte Finale aus dem Violinkonzert op. 64 für Querflöte bzw. Altblockflöte einzurichten, sodass es dem Original in nichts nachsteht und dennoch auf die Ansprüche der Flöte eingeht.

Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

Evaristo Felice Dall'Abaco (1675-1742) was a contemporary of Johann Sebastian Bach. He published 66 instrumental works in which influences from Italian concerto grosso, French and German Baroque music form an interesting musical combination. His 6 Concerti à più istrumenti - opera quinta - libro primo with 2 violins and viola as well as bassoon and organ as continuo instruments were published in 1717. In the present arrangement, this concerto was arranged for five recorders and transposed from D major to F major. Typical string passages have been carefully adapted to the possibilities of the recorder and can also be played by less experienced recorder players. This concerto is suitable for interpretation by a five-part recorder consort AATBGb as well as for a larger recorder ensemble. The continuo part can be played on a great bass recorder and/or a contrabass recorder.

https://www.heinrichshofen.de/de/instrumental/blockfloete/sopranblockfloete/1633/floetenspielbuch