Vereinfachte Klavierbegleitung

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer pianists without a degree the opportunity to accompany their pupils, children, friends, etc. Level of difficulty 2 : must be looked at before the lesson, practised before the concert The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends, etc. Level of difficulty 4 : Compared to the original, the piano writing has been greatly simplified, but can still be practised by amateurs The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

The ‘dumb it down’ series offers simplified piano accompaniments to works for violin, viola, violoncello, flute, clarinet and other instruments. This bourrée is from the Sonata op. 1, no. 5 for flute, violin (or oboe) and basso continuo. The original key is G major. Level of difficulty 2*: must be looked at before the lesson, practised before the concert * For the most part, it is sufficient to play the left hand (during lessons) The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

The series ‘dumb it down’ offers simplified piano accompaniments to works for violin, viola, violoncello, flute, clarinet and other instruments. The original is arranged for violin and piano. Level of difficulty 2: must be looked at before the lesson, practised before the concert The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer pianists without a degree the opportunity to accompany their pupils, children, friends, etc. Johann Sebastian Bach originally composed this arioso for voice, choir and chamber ensemble. Level of difficulty 1 * : Beginner, can play at sight * For the most part, it is sufficient to play the left hand (during lessons) The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

The Meditation is only a very short piece in the opera ‘Thais’, which is originally scored for violin and orchestra. The original key is D major. In order to do justice to the ambitus of the violoncello, G major was chosen. Because of the many rubati, we have decided against providing play-alongs. From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc. Level of difficulty 2 : must be looked at before the lesson, practised before the concert The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends, etc. Level of difficulty 4 : Compared to the original, the piano writing has been greatly simplified, but can still be practised by amateurs The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

Simplified piano accompaniments by Philip Lehmann from practice for practice. ‘Dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer pianists without a degree the opportunity to accompany their pupils, children, friends etc. Johann Sebastian Bach originally composed this arioso for voice, choir and chamber ensemble. Difficulty level 1* : Beginner, can be played at sight *for the most part it is sufficient to play the left hand in class The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments by Philip Lehmann to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc. Seitz wrote the original of this student concerto for violin and piano. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments by Philip Lehmann to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

In the copy by Johannes Sperger, which must serve as the source today, the double bass is in D major, but the parts are in E flat major. In the meantime, D major has established itself as the key for the double bass part. Accordingly, the key was chosen for the tuning of the double bass used in each case. Dynamic and articulation indications are taken from the first edition by Franz Tischer-Zeitz (B. Schott's Söhne, Mainz 1938), but should only be understood as suggestions. The playalongs offered only contain the respective main parts of the solo: 1st movement T17 - T106 2nd movement T13 with upbeat - T53 3rd movement T29 with upbeat - ending Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their students, children, friends, etc. Brahms originally composed this waltz for piano four hands and later arranged it for piano two hands. In this case, therefore, there is no original piano setting for the accompaniment of a melody instrument. The ‘original’ piano setting used by Philip Lehmann as a model is a self-created essence of various sheet music editions available on the market. Difficulty level 1 : beginner, can be sight-read The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’