SALVA SANCTA PARENS (Commune Festorum Beatea Mariae Virginis) 6 pieces for organ In the Contrapuncti dodecaphonici, melodies from Gregorian chants and hymns in the national language are compared with the following sequence of twelve tones, crab, inversion and crab inversion in all possible transpositions. The individual pieces are suitable for liturgy as well as for a combined concert presentation. All pieces can be played on a single-manual organ. Most pieces can be easily played on a two-manual organ. Contents: 1. Intonatio 2. Variatio ‘Salve sancta Parens’ (Introit) 3. Fantasia ‘Benedicta et venerabilis es’ (Graduale Alleluja) 4. Dialogue ‘Ave Maria’ (Offertorium) 5. Trio ‘Beata viscera’ (Communio) 6. Finale

Church hymns for organ In the Contrapuncti dodecaphonici , melodies from Gregorian chants and hymns in the local language are arranged in the following sequence of twelve tones, the inversion, the inversion of the inversion, and the inversion of the inversion, in all possible transpositions. The individual pieces are suitable for liturgical use as well as for a combined concert performance. All pieces can be played on a single-manual organ. Most pieces can be easily played on a two-manual organ. Contents: 1. Opening hymn: To you, O God, we lift our voices (Ulenberg · 1582) 2. Interlude: Dearest Jesus, we are here (Ahle · 1664) 3. Offering hymn: O God, accept these gifts (Teschner · 1613) 4. Communion hymn: O holy food for the soul (15th century) 5. Thanksgiving hymn: Now thank we all (Crüger · 1653)

The Twelve-Tone Organ Booklet contains a collection of organ music that can be used in the liturgies of both denominations. The appropriate length of the individual pieces, their degree of difficulty and their versatility are tailored to their intended purpose. The cycles can also be used in concert programmes. All pieces can be played on a single-manual organ. For a two-manual organ, registration suggestions are added in special notes in brackets. All registrations can be modified depending on the organ and location. Contents: I. 10 organ chorales manualiter II. Versets ‘Pange lingua’ (GL 543) III. 7 short pieces

The Twelve-Tone Organ Booklet contains a collection of organ music that can be used in the liturgies of both denominations. The appropriate length of the individual pieces, their degree of difficulty and their versatility are tailored to their intended purpose. The cycles can also be used in concert programmes. All pieces can be played on a single-manual organ. For a two-manual organ, registration suggestions are added in special notes in brackets. All registrations can be modified depending on the organ and location. Contents: IV. Versets for the 8th church mode in G V. Dr. Martin Luther's sacred songs for mass Chorale preludes for positive organ (organ manualiter) VI. Introit preludes for the main festivals of the church year

With these compositions, Ann-Helena Schlüter aims to capture the mood of Sweden: the vastness, the melancholy, long winters with lots of snow. The pieces are suitable for both concerts and teaching. The aim is to deepen musical imagination, creativity and musicality and to inspire students to compose their own music. Content: - Lugn (Ruhe - Snö (Schnee) - Längtan (Sehnsucht) - Nun. Panik! - Organ Afternoon - Stille 2.0 - Orgelmania - Silence - Making - Jeden Augenblick

The organ in the church year - Advent | Christmas The Organis Cantatibus series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the festive season of Christmas and is supplied in ring binding. Contents: - Creator alme siderum (JeanTitelouze) - Veni redemptor gentium (John Redford) - Veni redemptor gentium (Thomas Tallis) - Jerusalem plantabis (Orlando di Lasso) - Une vierge pucelle (Nicolas le Bègue) - Jesu redemptor omnium (Fra Giovanni Battista Fasolo) - A solis ortus cardine (Nicolas de Grigny) - A solis ortus cardine (Christian Erbach) - Puer nobis nascitur (Nicolas le Bègue) - Hodie Christus natus est (Giovanni Pierluigi da Palestrina) - Noel (Louis Claude d'Aquin) - Drei Pastorell-Arien (Frater Marianus Königsperger) - Pastorella (aus einer bayerischen Orgelhandschrift des 18. Jahrhunderts) - Zwei Pastorell-Dugen(Gottlieb Muffat) - Lapidabant Stephanum (Giovanni Pierluigi da Palestrina) - Exsultet caelum laudibus (Jean Francois Dandrieu) - Te Deum (John Redford) - Tribus Miraculis (Orlando di Lasso) - Hostis Herodes (Fra Giovanni Battista Fasolo) - Senex puerum (Giovanni Pierluigi da Palestrina)

This collection consists of a small selection of French manual organ works from the 17th century and the first half of the 18th century. This selection has been created in the course of many years of practice in church services. However, many of the pieces in this selection can also be played successfully on the harpsichord or today's piano. The pieces are also available individually as pdf files. Click on the drop-down menu under 'ISSUE (please select)' Content: - Magnificat (Jean François Dandrieu) - Suite du Premier Ton (Louis-Nicolas Clérembault) - Livre 5 (Louis Marchand) - Magnificat, Secundi Toni (Jean Titelouze) - Mass pour les convents, Kyrie (François Couperin)

A new issue of the Praestant series presents organ works by Edouard Batiste. Edouard Batiste lived from 1820-1876 and was an organist in Paris. In this edition, Günter Kaluza has compiled a collection of shorter organ works by the French Romantic composer, which are ideally suited for use in church services due to their effect and ease of playing. The pieces are also available individually as pdf files. Click on the drop-down menu under 'ISSUE (please select)'

Pearls of classical music arranged for organ by Hans-Dieter Karras In 2021, the organ was named ‘Instrument of the Year’. To mark the occasion, Hans-Dieter Karras selected a compilation that is now being released as ‘Festliches für Orgel’ (Festive Music for Organ). It is deliberately not scientific or performance-oriented literature. Rather, it consists of arrangements of classical music masterpieces that are well suited to the organ. The selection covers a wide range, from Pierre de la Rue's ‘Tous les regres’ to Johann S. Bach's ‘Sinfonia zur Ratswahl-Kantate’, Charles Gounod's ‘March Nuptiale’ and Erkki Melartin's ‘Festmarsch aus der Ballettmusik zu Dornröschen’. A great addition to the repertoire for organists in concerts, occasional services and church services. The pieces are also available individually as PDF files. Click on the drop-down menu under ‘Issue (please select)’. Contents: - Sinfonia from the cantata ‘Wir danken dir, Gott’ (We thank thee, God) BWV 29 (J. S. Bach) - Symphony No. 3 (1. Allegro) (W. Boyce) - Chaconne (A. Durand) - March Nuptiale (Wedding March, composed in 1869) (Ch. Gounod) - Alla Hornpipe from ‘Water Music’, Suite No. 1 (G. Fr. Handel) - Festive March from the ballet music for ‘Sleeping Beauty’ op. 22 No. 30 (E. Melartin) - Intrada (Fanfare) (C. Monteverdi) - Tous les regres. Motet for four voices (P. de la Rue) - A Ground (In Gamut) (H. Purcell) - March in D major from the Piano Pieces, Op. 5, and the Méloplastiques for piano (W. I. Rebikov) - Overture to ‘Drottningsholmsmusiken’ (J. H. Roman) - Tarantelle (L. J. A. Lefébure-Wély) - Perpetuum mobile (Toccatina). Extract from the 3rd movement of the 1st Piano Sonata in C major, Op. 24 (C.-M. von Weber)