Facsimile edition Lotte Backes (1901 - 1990), recipient of the Federal Cross of Merit for her lifetime achievement in composition, was a pianist, organist and composer. She composed many organ works and chamber music pieces, including toccatas, partitas, passacaglias, improvisations, etc.

Facsimile edition Lotte Backes (1901 - 1990), recipient of the Federal Cross of Merit for her lifetime achievement in composition, was a pianist, organist and composer. She composed many organ works and chamber music pieces, including toccatas, partitas, passacaglias, improvisations, etc.

Facsimile edition Lotte Backes (1901–1990), recipient of the Federal Cross of Merit for her lifetime achievement in composition, was a pianist, organist, and composer. She composed many organ works and chamber music pieces, including toccatas, partitas, passacaglias, improvisations, and more. Content: I. Allegro II. Vivace

Lotte Backes (1901–1990), recipient of the Federal Cross of Merit for her lifetime achievement in composition, was a pianist, organist, and composer. She composed many organ works and chamber music pieces and created numerous works, including toccatas, partitas, passacaglias, improvisations, etc.

Lotte Backes (1901 - 1990), Trägerin des Bundesverdienstkreuzes für ihr kompositorisches Lebenswerk, war Pianistin, Organistin und Komponistin. Sie komponierte viele Orgelwerke und Kammermusik und schuf zahlreiche Stücke, darunter Toccaten, Partiten, Passacaglias, Improvisationen etc.

Facsimile edition Lotte Backes (1901–1990), recipient of the Federal Cross of Merit for her lifetime achievement in composition, was a pianist, organist and composer. She composed many organ works and chamber music pieces and created numerous works, including toccatas, partitas, passacaglias, improvisations, etc.

Facsimile edition Lotte Backes (1901–1990), recipient of the Federal Cross of Merit for her lifetime achievement in composition, was a pianist, organist and composer. She composed many organ works and chamber music pieces and created numerous works, including toccatas, partitas, passacaglias, improvisations, etc.

In the Contrapuncti dodecaphonici , melodies from Gregorian chants and hymns in the local language are arranged in the following sequence of twelve tones, inversion, inversion of the inversion, in all possible transpositions. The individual pieces are suitable for liturgy as well as for a coherent concert performance. All pieces can be played on a single-manual organ. Most pieces can be easily played on a two-manual organ. Content: 6 chorale preludes for organ 1. Ihr Freunde Gottes allzugleich (All ye friends of God) 2. Wenn mein Stündlein vorhanden ist (When my hour is at hand) 3. Nun komm der Heiden Heiland (Now come, Saviour of the heathens) 4. Es ist ein Ros entsprungen (A rose has sprung up) 5. In Dir ist Freude (In you is joy) 6. Wie schön leucht' uns der Morgenstern (How beautifully the morning star shines upon us)

Seven epigrams on ‘Veni Creator Spiritus’ Contents: 1. Epigram: ‘Veni Creator Spiritus – Come, Creator Spirit’ 2. Epigram: ‘Qui diceris Paraclitud – You who are called the Comforter’ 3. Epigram: ‘Tu septiformis munere – O treasure that adorns sevenfold’ 4. Epigram: ‘Accende lumens sensibus – Kindle in us the light of your grace’ 5. Epigram: ‘Hostem repellas longius – Drive far from us the power of the enemy’ 6. Epigram: ‘Pacemque dones protimis – Preserve us in your peace’ 7th epigram: ‘Deo sit gloria – Glory be to God on the highest throne’

In the Contrapuncti dodecaphonici, melodies from Gregorian chants and hymns in the local language are arranged in the following sequence of twelve tones, inversion, inversion of the inversion, in all possible transpositions. The individual pieces are suitable for liturgy as well as for a coherent concert performance. All pieces can be played on a single-manual organ. Most pieces can be easily played on a two-manual organ. Contents: 1. Variations "In Salutari Tuo" (Dominica XXI. post Pentecosten · Communio) 2. Chorale "Requiem Aeternam" (Missa pro Defunctis · Introitus) 3. Toccata "Te Deum" (Pro Gratiarum Actione · Hymnus Tonis Solemnis)

In the Contrapuncti dodecaphonici, melodies from Gregorian chants and hymns in the local language are arranged in the following sequence of twelve tones, inversion, inversion of the inversion, in all possible transpositions. The individual pieces are suitable for liturgy as well as for a coherent concert performance. All pieces can be played on a single-manual organ and most pieces can be easily played on a two-manual organ. Contents: 7 chorale preludes for organ 1. O we poor sinners (Passion · 14th century) 2. With tender joy (Easter · 15th century) 3. Ascended into heaven (Ascension · M. Franck 1627) 4. Now we pray to the Holy Spirit (Pentecost · 13th century) 5. Praise be to God the Father (Trinity · Munich 1586) 6. Tell us who this is (Mary · J. Khuen 1638) 7. Praise and bless God (Corpus Christi · 15th century)