In the Contrapuncti dodecaphonici , melodies from Gregorian chants and hymns in the local language are arranged in the following sequence of twelve tones, inversion, inversion of the inversion, in all possible transpositions. The individual pieces are suitable for liturgy as well as for a coherent concert performance. All pieces can be played on a single-manual organ. Most pieces can be easily played on a two-manual organ. Content: 6 chorale preludes for organ 1. Ihr Freunde Gottes allzugleich (All ye friends of God) 2. Wenn mein Stündlein vorhanden ist (When my hour is at hand) 3. Nun komm der Heiden Heiland (Now come, Saviour of the heathens) 4. Es ist ein Ros entsprungen (A rose has sprung up) 5. In Dir ist Freude (In you is joy) 6. Wie schön leucht' uns der Morgenstern (How beautifully the morning star shines upon us)

Seven epigrams on ‘Veni Creator Spiritus’ Contents: 1. Epigram: ‘Veni Creator Spiritus – Come, Creator Spirit’ 2. Epigram: ‘Qui diceris Paraclitud – You who are called the Comforter’ 3. Epigram: ‘Tu septiformis munere – O treasure that adorns sevenfold’ 4. Epigram: ‘Accende lumens sensibus – Kindle in us the light of your grace’ 5. Epigram: ‘Hostem repellas longius – Drive far from us the power of the enemy’ 6. Epigram: ‘Pacemque dones protimis – Preserve us in your peace’ 7th epigram: ‘Deo sit gloria – Glory be to God on the highest throne’

for organ and a melodic instrument The Regensburg composer, church musician and organist Eberhard Kraus (1931–2003) is one of the most important representatives of 20th-century Catholic church music in southern Germany. As cathedral organist at St. Peter's in Regensburg and as a lecturer and professor, he left his mark on the musical life of his hometown and far beyond for decades. These seven selected choral arrangements can be played individually, in any combination or in the order presented here. In addition to concert performances, they are also intended for use in liturgy. The parts are easy to moderately difficult and are also suitable as additions to programmes of brass and organ works for ensembles and soloists. Content: 1. Zieh an die Macht, du Arm des Herrn (Draw near to power, O arm of the Lord) 2. Die helle Sonn' leucht jetzt herfür (The bright sun now shines forth) 3. Schönster Herr Jesu (Most beautiful Lord Jesus) 4. Wachet auf, ruft uns die Stimme (Awake, the voice calls us) 5. Freu dich sehr o meine Seele (Rejoice greatly, O my soul) 6. In dieser Nacht (On this night) 7. Lobe den Herren, den mächtigen König (Praise the Lord, the mighty King)

This work by Eberhard Kraus was composed for Rolf Quinque, former principal trumpeter of the Munich Philharmonic Orchestra, and is primarily intended for high trumpet in combination with organ . In addition to concert performances, it is also intended for liturgical use in both Christian denominations. Depending on the character, compositional structure and content of the individual chorales, variable instrumentation is possible. Thus, depending on the musical requirements, other melody instruments can be used instead of the trumpet. The following instrumentation variations are intended: Instruments in F tuning Horn in F: Nos. 1, 4, 6 High trumpet in F: Nos. 1, 2, 3, 4, 5, 6, 7 Instruments tuned to B flat Clarinet in B flat: Nos. 1, 3, 5, 7 Trumpet in B flat: Nos. 2, 4, 6 Instruments in C tuning Sopranino: No. 4, 5, 6 Soprano recorder: No. 6 Alto recorder: No. 2, 5, 6 Transverse flute: No. 2, 3, 5 Oboe: No. 1, 2, 3, 4, 5, 6, 7 Clarinet in C: Nos. 1, 3, 5, 7 Content: 1. Draw near to power, arm of the Lord 2. The bright sun now shines forth 3. Most beautiful Lord Jesus 4. Awake, the voice calls us 5. Rejoice greatly, O my soul 6. On this night 7. Praise the Lord, the mighty King

Inhalt: 1. Zieh an die Macht, du Arm des Herrn 2. Die helle Sonn' leucht jetzt herfür 3. Schönster Herr Jesu 4. Wachet auf, ruft uns die Stimme 5. Freu dich sehr o meine Seele 6. In dieser Nacht 7. Lobe den Herren, den mächtigen König

In the Contrapuncti dodecaphonici, melodies from Gregorian chants and hymns in the local language are arranged in the following sequence of twelve tones, inversion, inversion of the inversion, in all possible transpositions. The individual pieces are suitable for liturgy as well as for a coherent concert performance. All pieces can be played on a single-manual organ. Most pieces can be easily played on a two-manual organ. Contents: 1. Variations "In Salutari Tuo" (Dominica XXI. post Pentecosten · Communio) 2. Chorale "Requiem Aeternam" (Missa pro Defunctis · Introitus) 3. Toccata "Te Deum" (Pro Gratiarum Actione · Hymnus Tonis Solemnis)

In the Contrapuncti dodecaphonici, melodies from Gregorian chants and hymns in the local language are arranged in the following sequence of twelve tones, inversion, inversion of the inversion, in all possible transpositions. The individual pieces are suitable for liturgy as well as for a coherent concert performance. All pieces can be played on a single-manual organ and most pieces can be easily played on a two-manual organ. Contents: 7 chorale preludes for organ 1. O we poor sinners (Passion · 14th century) 2. With tender joy (Easter · 15th century) 3. Ascended into heaven (Ascension · M. Franck 1627) 4. Now we pray to the Holy Spirit (Pentecost · 13th century) 5. Praise be to God the Father (Trinity · Munich 1586) 6. Tell us who this is (Mary · J. Khuen 1638) 7. Praise and bless God (Corpus Christi · 15th century)

SALVA SANCTA PARENS (Commune Festorum Beatea Mariae Virginis) 6 pieces for organ Contents: 1. Intonatio 2. Variatio ‘Salve sancta Parens’ (Introit) 3. Fantasia ‘Benedicta et venerabilis es’ (Graduale Alleluja) 4. Dialogue ‘Ave Maria’ (Offertorium) 5. Trio ‘Beata viscera’ (Communio) 6. Finale

Church hymns for organ In the Contrapuncti dodecaphonici , melodies from Gregorian chants and hymns in the local language are arranged in the following sequence of twelve tones, the inversion, the inversion of the inversion, and the inversion of the inversion, in all possible transpositions. The individual pieces are suitable for liturgical use as well as for a combined concert performance. All pieces can be played on a single-manual organ. Most pieces can be easily played on a two-manual organ. Contents: 1. Opening hymn: To you, O God, we lift our voices (Ulenberg · 1582) 2. Interlude: Dearest Jesus, we are here (Ahle · 1664) 3. Offering hymn: O God, accept these gifts (Teschner · 1613) 4. Communion hymn: O holy food for the soul (15th century) 5. Thanksgiving hymn: Now thank we all (Crüger · 1653)

The Twelve-Tone Organ Booklet contains a collection of organ music that can be used in the liturgies of both denominations. The appropriate length of the individual pieces, their degree of difficulty and their versatility are tailored to their intended purpose. The cycles can also be used in concert programmes. All pieces can be played on a single-manual organ. For a two-manual organ, registration suggestions are added in special notes in brackets. All registrations can be modified depending on the organ and location. Contents: I. 10 organ chorales manualiter II. Versets ‘Pange lingua’ (GL 543) III. 7 short pieces

The Twelve-Tone Organ Booklet contains a collection of organ music that can be used in the liturgies of both denominations. The appropriate length of the individual pieces, their degree of difficulty and their versatility are tailored to their intended purpose. The cycles can also be used in concert programmes. All pieces can be played on a single-manual organ. For a two-manual organ, registration suggestions are added in special notes in brackets. All registrations can be modified depending on the organ and location. Contents: IV. Versets for the 8th church mode in G V. Dr. Martin Luther's sacred songs for mass Chorale preludes for positive organ (organ manualiter) VI. Introit preludes for the main festivals of the church year