Die festliche Jahreszeit ist eine wunderbare Gelegenheit, die zeitlose Schönheit klassischer Musik zu genießen. In dieser Sammlung finden Sie ausgewählte Werke von Meisterkomponisten wie J. S. Bach, A. Corelli, W. A. Mozart, Fr. X.A. Murschhauser, R. Schumann und P. I. Tschaikowsky. Diese Stücke fangen den Geist der Weihnacht ein und laden dazu ein, die festliche Stimmung durch das Spiel auf dem Klavier zu verbreiten. J.S. Bach - Siciliano Der Siciliano aus Bachs Werk strahlt eine sanfte, beruhigende Melodie aus, die die Vorfreude auf das Weihnachtsfest widerspiegelt. Die geschmeidigen Linien und der elegante Rhythmus laden dazu ein, in die besinnliche Stimmung der Feiertage einzutauchen. A. Corelli - Pastorale aus dem Concerto grosso Nr. 8 Corellis Pastorale ist ein wunderschönes Stück, das die ländliche Idylle und die Freude der Weihnachtszeit einfängt. Die harmonischen Klänge und der fließende Charakter machen es zu einem idealen Stück für festliche Anlässe. W.A. Mozart - KV 265 Variationen über "Morgen kommt der Weihnachtsmann" Mozarts Variationen bringen eine fröhliche und lebendige Note in die Weihnachtsmusik. Die spielerische Interpretation des bekannten Weihnachtsliedes sorgt für gute Laune und lädt zum Mitsingen ein. Fr.X.A. Murschhauser - Aria pastoralis variata Diese Arie von Murschhauser ist eine wunderbare Hommage an die Weihnachtszeit. Mit ihren lyrischen Melodien und der warmen Harmonik schafft sie eine einladende Atmosphäre, die zum Träumen anregt. R. Schumann - op. 68 Nr. 12 Knecht Ruprecht Schumanns "Knecht Ruprecht" ist ein lebhaftes und ausdrucksstarkes Stück, das die Vorfreude und den Zauber der Weihnachtszeit verkörpert. Die dynamischen Kontraste und die gefühlvollen Passagen machen es zu einem Höhepunkt jeder Aufführung. P.I. Tschaikowsky - op. 37 Nr. 12 Weihnachten Dieses Stück aus Tschaikowskys "Der Nussknacker" fängt die zauberhafte Atmosphäre der Weihnachtszeit ein. Die sanften Melodien und harmonischen Klänge laden dazu ein, in die festliche Stimmung einzutauchen und die Freude des Weihnachtsfestes zu erleben.

First edition This edition is based on a manuscript from the Staatsbibliothek Berlin, Preußischer Kulturbesitz, Musikabteilung. It comes from the estate of Telemann, who gave it to his grandson Georg Michael Telemann (1748-1831). G. Poelchau acquired the manuscript in 1834 with a pack of music stored in a church tower in Riga. From Poelchau's estate († 1836) the sonata work came to the Royal Library in Berlin. The sonatas are dedicated to the brothers Rudolf, Hieronymus and Johannes Wilhelm Burmester of a Hamburg patrician family dated 1 March 1734, with the note that they follow the ‘12 methodical sonatas’, which were also dedicated to the first two brothers. The close connection between the two large sonata works can be found in their valuable musical content, in the sequence of movements (slow, fast, slow, fast), and in the succession of keys (C-a-D-h-E-F-d-G-e-A-f sharp-g). The bass lines are often involved in the theme. Occasionally we are reminded of J.S. Bach's inventions. In the title, the violin is named as the solo instrument before the flute, as several sonatas are unmistakably written “violinistically” without this hindering their playability for flute. The present edition adheres strictly to the manuscript. Suggestions for dynamics are indicated as such by brackets, as are those for articulation (by dotted lines), which may differ for violinists from those intended for flute. Experienced players should use the original figured bass for their own interpretation. The 12 sonatas made available to the public here for the first time are among the best compositions of this kind by Telemann, who dedicated them to 'connoisseurs and lovers' with the wish '...faire une bonne partie de Vos amusements'. The sonatas will fulfill this purpose today just as they did at that time.

First edition This edition is based on a manuscript from the Staatsbibliothek Berlin, Preußischer Kulturbesitz, Musikabteilung. It comes from the estate of Telemann, who gave it to his grandson Georg Michael Telemann (1748-1831). G. Poelchau acquired the manuscript in 1834 with a pack of music stored in a church tower in Riga. From Poelchau's estate († 1836) the sonata work came to the Royal Library in Berlin. The sonatas are dedicated to the brothers of a Hamburg patrician family (Rudolf, Hieronymus and Johannes Wilhelm Burmester) dated 1 March 1734, with the note that they follow the ‘12 methodical sonatas’, which were also dedicated to the first two brothers. The close connection between the two large sonata works can be found in their valuable musical content, in the sequence of movements (slow, fast, slow, fast), and in the succession of keys (C-a-D-h-E-F-d-G-e-A-f sharp-g). The bass lines are often involved in the theme. Occasionally we are reminded of J.S. Bach's inventions. In the title, the violin is named as the solo instrument before the flute, as several sonatas are unmistakably written “violinistically” without this hindering their playability for flute. The present edition adheres strictly to the manuscript. Suggestions for dynamics are indicated as such by brackets, as are those for articulation (by dotted lines), which may differ for violinists from those intended for flute. Experienced players should use the original figured bass for their own interpretation. The 12 sonatas made available to the public here for the first time are among the best compositions of this kind by Telemann, who dedicated them to ' connoisseurs and lovers' with the wish '. ..faire une bonne partie de Vos amusements' . The sonatas will fulfill this purpose today just as they did at that time. Content: IV. Largo Allegro Andante Vivace V. Largo Allegro Grave Vivace VI. Andante Presto Cantabile Vivace

First edition This edition is based on a manuscript from the Staatsbibliothek Berlin, Preußischer Kulturbesitz, Musikabteilung. It comes from the estate of Telemann, who gave it to his grandson Georg Michael Telemann (1748-1831). G. Poelchau acquired the manuscript in 1834 with a pack of music stored in a church tower in Riga. From Poelchau's estate († 1836) the sonata work came to the Royal Library in Berlin. The sonatas are dedicated to the brothers Rudolf, Hieronymus and Johannes Wilhelm Burmester of a Hamburg patrician family dated 1 March 1734, with the note that they follow the ‘12 methodical sonatas’, which were also dedicated to the first two brothers. The close connection between the two large sonata works can be found in their valuable musical content, in the sequence of movements (slow, fast, slow, fast), and in the succession of keys (C-a-D-h-E-F-d-G-e-A-f sharp-g). The bass lines are often involved in the theme. Occasionally we are reminded of J.S. Bach's inventions. In the title, the violin is named as the solo instrument before the flute, as several sonatas are unmistakably written “violinistically” without this hindering their playability for flute. The present edition adheres strictly to the manuscript. Suggestions for dynamics are indicated as such by brackets, as are those for articulation (by dotted lines), which may differ for violinists from those intended for flute. Experienced players should use the original figured bass for their own interpretation. The 12 sonatas made available to the public here for the first time are among the best compositions of this kind by Telemann, who dedicated them to 'connoisseurs and lovers' with the wish '...faire une bonne partie de Vos amusements'. The sonatas will fulfill this purpose today just as they did at that time.

A special edition to expand the repertoire of German carillon music: For decades, only the "Little Suite for Carillon" by Wilhelm Bender (1911-1944) was known. Thorough research by Dr. Ulrich Bender led to the discovery of many more pieces and in 2007 they were published for the first time in a series of three volumes by Diplom-Carilloneur Wilhelm Ritter. Now a revised and newly typeset edition is available, in which special attention was paid to player-friendly readability. It summarizes the three volumes: Compositions for Carillon, Choral Arrangements as well as Song Arrangements. Contents: 1. Compositions for Carillon Fünf Glockentänze Kanon Fanfarenstück Ostinato Glockenspiel Suite für Glockenspiel 2. Chorals for the Automatic O Haupt voll Blut und Wunden Herzliebster Jesu, was hast du verbrochen Erschienen ist der herrlich Tag Christ ist erstanden Wie schön leuchtet der Morgenstern Nun bitten wir den heiligen Geist Ich singe dir mit Herz und Mund Geh aus, mein Herz Wer nur den lieben Gott lässt walten O dass ich tausend Zungen hätte Nun lob, mein Seel’, den Herren Jesu, meine Freude Lobe den Herren, den mächtigen König Wir pflügen und wir streuen Ein feste Burg ist unser Gott Erhalt uns, Herr, bei deinem Wort Macht hoch die Tür O du fröhliche Nun komm, der Heiden Heiland Vom Himmel hoch da komm ich her 3. Edited Songs for Carillon Nichts kann uns rauben (Variationen über ein eigenes Lied) Lied des Türmers Nun danket alle Gott (Vorspiel und Choralvariationen) Lobe den Herren O dass ich tausend Zungen hätte Jesu, meine Freude Ich singe dir mit Herz und Mund Sollt ich meinem Gott nicht singen? Du, o schönes Weltgebäude Der Mond ist aufgegangen Kommt, ihr G’spielen Durch Wald und Feld Wem Gott will rechte Gunst erweisen Wie schön blüht uns der Maien Mädel, schau mir ins Gesicht Bunt sind schon die Wälder Einigkeit und Recht und Freiheit Drei Liedsätze (I. Wilhelmus van Nassouwe, Wenn alle untreu werden; II. Heilig Vaterland; III. Kein schöner Land)

Die Stücke werden vierhändig mit Keyboardbegleitung vorgespielt.

The 26 pieces make a little story. They are not arranged in order of difficulty. Although largely based on simple melodies, the tonal language does not shy away from dissonance. Technically, many pieces have a simple pattern that is repeated and developed to serve as a study. Pedal has been inserted only in a few places - of course, it can still be used in other places. Fingerings have been deliberately omitted. Although written for children, these are not just "children's pieces". They also appeal to adults who still carry their children's world within them.

Inhalt: - Rauchfangkehrer - Daumen neig dich - Da kommt die Maus - Eisenbahn von nah und fern - Ringel-Ringel-Reihe - Der Bauer fuhr ins Holz - Schustertanz - Bim-bam Glockenstrang - Wer geht mit nach Rommelskirchen? - Dornröschen - Wollt ihr wissen wie der Bauer - Guten Abend, Herr Spielmann - Ei so wolln wir amal - Tanz mit mir - Fuchs beiß mich nicht - Der Postillion - Die Schneckenpost - Hoppe, hoppe, Reiter - Der Gänsedieb - Das faule Gretdchen - Hippel, happel Reiter - Wem soll ich die Rosen schicken - Maikäfer flieg - Der Winter ist da - Wer sitzt auf unsrer Mauer - Das Männleim im Walde - Die Feuerwehr kommt da - Barbiertanz - Die schöne Ziege - Alle meiner Kleider - Das Nikolauslied - Susani

Inhalt: - Aufrichtigkeit - Arabeske - Hirtenweise - Kindergesellschaft - Unschuld - Fortschritt - Rieselnder Bach - Die Anmutige - Die Jagd - Zartes Blümlein - Die Bachstelze - Abschied - Trost - Steirischer Tanz - Ballade - Sanfte Klage - Plappermäulchen - Unruhe - Ave Maria - Tarantella - Engelsstimmen - Gondellied - Heimkehr - Die Schwalbe - Ritterlichkeit

Inhalt: Kuhlau, Sonatine G-Dur, op. 88 Nr. 2 Diabelli, Sonatine F-Dur, op. 151 Nr. 3 Diabelli, Sonatine D-Dur, op. 168 Nr. 5 Kuhlau, Rondo A-Dur, op. 40 Nr. 2 Kuhlau, Sonatine D-Dur, op. 55 Nr. 5 Kuhlau, Sonatine F-Dur, op. 88 Nr. 4 Kuhlau, Sonatine a-Moll, op. 88 Nr. 3 Dussek, Rondo F-Dur aus op. 20 Nr. 3 Mozart, Sonate facile C-Dur Beethoven, Sonatine G-Dur, op. 49 Nr. 2