Content: Schlitz, opus 132: - Tempo di marcia - Allegro - Allegro risoluto - Belore Victor Cornette (1795-1868) - Allegro moderato - Andantino poco allegretto - Alla polacca - Maestoso - Allegretto - Tempo di marcia Napoléon Grubert: - Allegro moderato - Allegretto - Moderato - Andantino - Andante - Andantino Niessel: - Maestoso -Tempo di valse - Andante - Allegretto

According to oral sources, the 6 Aufzugsmusiken, which are presented here for the first time as a complete practical edition, originate from the church of Schnaitsee in Upper Bavaria; the composer is anonymous. They are easy, two-part pieces which were played by the town pipers at secular or religious festivals until the last century. The arrangements are unique in the old trumpet literature, as they contain both the trumpet tuning and instrumentation instructions.

‘’The Gardener's Longing‘’ is an introductory piece for anyone just starting to familiarise themselves with jazz. Typical jazz phrasing, jazzy tone and rhythm come together here to make music. Recognising the essential musical sequences encourages ensemble playing.

Samuel Scheidt (1587-1654) composed this early Baroque instrumental piece, which was published in 1621 and describes a war situation, for 4 to 5 wind instruments (2 cornetts and 3 trombones) and basso continuo. This arrangement transposes the composition and changes the part-writing in the lower parts, making the Battaglia very easy to play.

A large collection of small pieces for 3-5 and more (natural) trumpets and timpani ad libitum. Content: 1. Toccata (Claudio Monteverdi) 2. Aufzug (Georg Daniel Speer) 3. Zwei Aufzüge (Georg Daniel Speer) 4. Drei Intraden (Johann Christoph Pezel) 5. Marcia-'Für die Arche' (C. Ph. E. Bach) 6. Tricinium / Polonaise (Johann Ernst Altenburg) 7. Quatricinium (Johann Ernst Altenburg) 8. Drei Märsche (John Hyde) 9. Fanfaren-Tusch (1806) (C. M. von Weber) 10. Drei Fanfaren (Sigismund Ritter von Neukomm) 11. Galop Nr. 4 (H. Schiltz) 12. Trio Nr. 5 (Francois George Auguste Dauverné) 13. Quartett Nr. 4 (Francois Georg Auguste Dauverné) 14. Fanfare for St. Edmundsbury (1959) 'Edward Benjamin Britten)

Ragtimes for 4 trumpets | French horns | Tenor horns | Clarinets Scott Joplin's ‘The Entertainer’ and ‘The Ragtime Dance’ appear here in full length; a piccolo trumpet can be added to the ‘Entertainer’ and the ‘Ragtime Dance’ includes the players' foot stomping in the final section. ‘Little Annie's Swing Rag’ by Uwe Heger offers the unusual possibility of playing a ragtime in swing style and using mutes. Contents: The Entertainer - Scott Joplin Little Annie`s Swing rag - Uwe Heger The Ragtime Dance - Scott Joplin

Regelmäßige Eintragungen von Schülern und Lehrern sichern ein umfangreiches Nachschlagewerk: MEIN TROMPETENBUCH gestaltet den Unterricht effektiver, indem es allen Beteiligten Nachweise der erbrachten Leistungen an die Hand gibt und gleichzeitig Ansporn bietet zu gezieltem Umfang mit dem eigenen Instrument.

Die Sonata da chiesa greift die alte vierteilige Form der Kirchensonate auf.

The aim of Let's rag... is to make ragtime music accessible to a large number of instrumentalists. The choice of easy-to-play keys and the shortening of the original length to a manageable two piano pages per ragtime allows players to realise these arrangements without time-consuming preparation. The advantages of the Let's rag arrangements include the simplification of the rhythmic notation by doubling the note values from 2/4 time to alla breve 4/4 time. This means that even instrumentalists with less playing experience can enjoy this lively music. Content: - The Easy Winners - Peacherine Rag - Maria's Rag - The Entertainer - The Sycamore - Dickie's Rag - Sunflower Slow Drag - The Strenuous Life - Little Annie's Swing Rag - The Ragtime Dance An accompanying CD is available for this sheet music, which offers musicians a practical supplement (N 4800).

This quartet composition represents an attempt to combine different musical stylistic elements - including various jazz styles, atonality, motivic-thematic work and improvisational approaches - in a coherent musical context.