In the copy by Johannes Sperger, which must serve as the source today, the double bass is in D major, but the parts are in E flat major. In the meantime, D major has established itself as the key for the double bass part. Accordingly, the key was chosen for the tuning of the double bass used. Dynamic and articulation indications are taken from the first edition by Franz Tischer-Zeitz (B. Schott's Söhne, Mainz 1938), but should only be understood as suggestions. The playalongs offered only contain the respective main parts of the solo: 1st movement T17 - T106 2nd movement T13 with upbeat - T53 3rd movement T29 with upbeat - ending Level of difficulty 3 : Fingerings may need to be entered and practised. The edition is also available as a pdf file. Click on the drop-down menu under ‘ISSUE (please select)’.

Eine Musik für Blockflötenquartett in verschiedenen Besetzungen, die mit viel Witz, Charme und Virtuosität Jahrmarkts- und Varieté-Stimmungen aus längst vergangenen Tagen einfängt: Die insgesamt 19 Stücke der „Flötenorgel“ in 5 Bänden bewegen sich zwischen Klassik, Jazz und neuzeitlicher Unterhaltungsmusik. Alle Stücke können einzeln gespielt werden, eignen sich aber auch als 75-minütiges Konzertprogramm mit dramaturgisch spannendem Aufbau. "Träumereien" bildet den letzten Band der Reihe und führt die ZuhörerInnen in nächtliche Zirkusstimmungen mit 4 Stücken für verschiedene Besetzunegn (von Sopranino-Blockflöte bis Subbass). Inhalt: - Romanze (ATBSb oder SinoSAB) - Mitternachts-Tango (BBGbSb/Lotusflöte oder AATB) - Nocturne (T(S)TBSb) - Adieu (ATTB oder BGbGbSb) Gesamtausgabe zum Vorzugspreis: N 2961 Die Hefte sind auch einzeln erhältlich: Band 1: Hereinspaziert N 2516 Band 2: Zauber der Manege N 2953 Band 3: Das grosse Vergnügen N 2954 Band 4: Imaginarium N 2955 Band 5: Träumereien N 2956

Another volume from the Elisabeth Pfeiffer presents series: What would it have been like if Franz Schubert had written for ukulele? Sebastian Krämer asked himself this question and composed five variations on his own ‘Theme Viennese Style’ for Elisabeth Pfeiffer. She writes about this work: ‘Sebastian Krämer has shown that the ukulele is capable of complex, polyphonic music. Not only does he utilise the characteristics of the ukulele; he also brings them to full expression. These variations are among the most beautiful and some of the most technically demanding pieces in my repertoire.’

The series ‘dumb it down’ offers simplified piano accompaniments by Philip Lehmann to standard works for violin, viola, violoncello, flute, clarinet and other instruments. The level of difficulty is strongly dependent on the tempo. The notation clearly differentiates which quavers should be played and which are optional by indicating the repetition marks (see the notation from bar 11 in the 3rd movement in particular). This additional possibility of simplification as well as a low tempo (realistic in a teaching context) justify the rating of the piano movement as 2. The faster the music is played, the closer one gets to difficulty level 4. The edition contains QR codes for play-alongs in various tempi with the original piano setting. Level of difficulty 2 : Must be looked at before the lesson, practised before the concert Level of difficulty 3 : Fingerings may need to be entered and practised Level of difficulty 4 : Compared to the original, the piano writing has been greatly simplified, but can still be practised by amateurs The edition is also available as a pdf file. Click on the drop-down menu under ‘ISSUE (please select)’.

The ‘dumb it down’ series offers simplified piano accompaniments to works for violin, viola, violoncello, flute, clarinet and other instruments. The edition includes QR codes to playalongs in various tempi with original piano settings. Level of difficulty 1 : Beginners, can be sight-read The edition is also available as a pdf file. Click on the drop-down menu under ‘ISSUE (please select)’.

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments by Philip Lehmann to standard works for various instruments, which also offer pianists without a degree the opportunity to accompany their pupils, children, friends etc.. In keeping with the intention of this series of editions to provide simplified piano accompaniments, no pedagogical entries are added to the part of the solo instrument. The aim is to simplify the piano part as much as possible. The arrangements therefore do not claim to be original or musicological. The editor and publisher feel the need to clearly point this out, especially in the case of this concerto by Telemann. Here, an examination of the performance practice of the Baroque period is required in order to be able to appropriately organise and embellish the basic structure of the solo part offered here. The edition contains QR codes for play-alongs in various tempi with the original piano setting. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’.

Eine Musik für Blockflötenquartett in verschiedenen Besetzungen, die mit viel Witz, Charme und Virtuosität Jahrmarkts- und Varieté-Stimmungen aus längst vergangenen Tagen einfängt: Die insgesamt 19 Stücke der „Flötenorgel“ in 5 Bänden bewegen sich zwischen Klassik, Jazz und neuzeitlicher Unterhaltungsmusik. Alle Stücke können einzeln gespielt werden, eignen sich aber auch als 75-minütiges Konzertprogramm mit dramaturgisch spannendem Aufbau. Im "Imaginarium" wird die Fantasie angeregt mit 3 Stücken für verschiedene Besetzungen (von Sopranino-Blockflöte bis Subbass). Inhalt: Der fliegende Teppich (STBGb) Schießbude (ATGbSb oder SinoSTB) Funk (B(A/Sino)B(A)Gb(T)Sb) Gesamtausgabe zum Vorzugspreis: N 2961 Die Hefte sind auch einzeln erhältlich: Band 1: Hereinspaziert N 2516 Band 2: Zauber der Manege N 2953 Band 3: Das grosse Vergnügen N 2954 Band 4: Imaginarium N 2955 Band 5: Träumereien N 2956

The series ‘dumb it down’ offers simplified piano accompaniments to works for violin, viola, violoncello, flute, clarinet and other instruments. Original for violin and piano. The edition includes QR codes to playalongs in various tempi with original piano parts. Level of difficulty 2 : Must be looked at before the lesson, practised before the concert The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

Often a common thread is missing in a student concert, one piece is strung together incoherently with the next. Ute Bihler does things differently: she ties all of her piano students' pieces into a story that makes the student concert an exciting and entertaining experience for little pianists and their listeners. Adventures Under Water tells in 17 short chapters how Felix and Sonja attend a diving course during their summer vacation and experience exciting adventures. The piano pieces in the album are offered in different difficulty levels. There are two- and four-hand, works, some with optional teacher accompaniment. Thus, the book can be used in individual lessons or by several students who can then perform a concert together. A list of alternative pieces from the classical piano repertoire offers the opportunity to incorporate other pieces into the story, so that current lesson content can be easily integrated into the story. With many color illustrations.

According to the encyclopaedia ‘Musik in Geschichte und Gegenwart’, the ‘Sicilienne’ became famous through the arrangement for violin and piano by Samuel Dushkin. The key he used is E flat major. The edition contains QR codes to playalongs in various tempi with the original piano setting. Level of difficulty 2 : must be looked at before the lesson, practised before the concert The edition is also available as a pdf file. Click on the drop-down menu under ‘ISSUE (please select)’.

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends, etc. Often only the first movement of this standard work of violin literature is used in lessons. We have therefore decided to indicate the level of difficulty as ‘3’. Despite the simplifications, the last movement is rather more difficult. On the other hand, the accompaniment with the left hand only is attractive from a musical point of view. Some of the repeated quavers/sixteenth notes have been notated with abbreviations. These repetitions can, but do not have to be played. The edition contains QR codes to playalongs in various tempi with the original piano setting. Level of difficulty 3* : Fingerings may need to be entered and practised * For the most part, it is sufficient to play the left hand (in lessons). The edition is also available as a pdf file. Click on the drop-down menu under ‘ISSUE (please select)’.

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments by Philip Lehmann to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends, etc. This ‘Chanson triste’ is the second movement of the cycle ‘12 Piano Pieces op. 40’, which Tchaikovsky composed for piano two hands. The edition contains QR codes to playalongs in various tempi with the original piano setting. Level of difficulty 2* : Must be looked at before the lesson, practised before the concert * For the most part, it is sufficient to play the left hand (during lessons) The edition is also available as a pdf file. Click on the drop-down menu under ‘ISSUE (please select)’.