Neue und alte Lieder für 1 oder 2 Sopranblockflöten Ein kunterbuntes Spielbuch für junge Blockflötist*innen Wo der Flötenvogel zwitschert, da wird musiziert! Mit Flötenvogels Spielwiese erscheint eine liebevoll gestaltete Sammlung von Kinder- und Volksliedern, die das Blockflötenspiel für die Jüngsten zu einem musikalischen Erlebnis macht. Die Edition knüpft an die beliebte Blockflötenschule Der Flötenvogel an – ein Klassiker, der seit Jahrzehnten Kinder beim Einstieg in die Welt der Musik begleitet. Ob als Ergänzung zu Teil 2 der Schule oder als eigenständiges Spielheft: Diese Ausgabe fördert spielerisch musikalische Fähigkeiten wie Rhythmusgefühl, Tonartwechsel und Zusammenspiel. Dank der größer gesetzten Noten behalten auch noch ungeübte Augen den Überblick – ein echter Pluspunkt im frühen Instrumentalunterricht. Mitreißende Arrangements, kleine Bewegungsideen und die Einladung zum freien Musizieren machen die „Spielwiese“ zu einem Ort voller Klang und Kreativität. Und wenn dann das Sommerfest, die Schulaufführung oder das Familienkonzert anstehen, haben junge Flötist*innen garantiert etwas in petto, das begeistert! Ein Heft für alle, die Musik mit Freude, Bewegung und Fantasie erleben wollen.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB, recorder octet SATB TBGbSb, viol consort and basso continuo ad libitum, which can be freely combined. Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments , the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

Not only at Christmas time… Marc-Antoine Charpentier’s instrumental “Noëls” from the time of Louis XIV enchant listeners with their elegant dance movements throughout the year. Dagmar Scherschmidt has combined the Noëls sur les instruments, the Noëls pour les instruments and the Agnus Dei from the Messe de Minuit and arranged them for recorder quartet SATB , recorder octet SATB TBGbSb , viol consort and basso continuo ad libitum, which can be freely combined . Especially through the alternation of high and low choirs, Charpentier’s characteristic sound colours are vividly conveyed.

- based on a theme from the 16th century. Julian Schlitzer enriches the ukulele repertoire with virtuoso ‘Folia Variations’, which combine baroque tradition and modern playing techniques. The folia, originally a wild dance from Portugal, has become an integral part of music history over the centuries. Schlitzer makes full use of the tonal possibilities of re-entrant tuning - from strumming and tremolo to tapping. This edition is part of the ‘Elisabeth Pfeiffer presents Ukulele’ series published by Heinrichshofen Verlag, which establishes the ukulele as a versatile solo instrument. The ‘Folia Variations’ are both a demanding concert piece and a didactic etude - ideal for advanced players who want to expand their technical repertoire. The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: "dumb it down" is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc. Level of difficulty 3*: Fingerings may need to be entered and practised * For the most part, it is sufficient to play the left hand (during lessons) The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc. Max Bruch is one of the composers of the Romantic period. The Romance is one of three works he wrote for viola - an instrument that only played a minor role in the concert repertoire at the time. Bruch created these compositions in the last years of his life. The original scoring of the Romance op. 85 was for viola and piano. The version presented here is an arrangement for clarinet and piano. Level of difficulty 3 : Fingerings may need to be entered and practised The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc. Level of difficulty 2: must be looked at before the lesson, practised before the concert The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’

From practice for practice: ‘dumb it down’ is a series of simplified piano accompaniments to standard works for various instruments, which also offer piano players without a degree the opportunity to accompany their pupils, children, friends etc. Bohm composed the 'Adagietto religioso' originally for violin in F major. Level of difficulty 2: must be looked at before the lesson, practised before the concert The edition is also available as a pdf file. Click on the drop-down menu under ‘Issue (please select)’