The collection includes traditional and well-known Advent and Christmas carols such as ‘Auf, auf! Die rechte Zeit ist hier’ (Arise, arise! The right time is here), ‘Leise rieselt der Schnee’ (Silently falls the snow), ‘Es flog ein Täublein weiße’ (A little white dove flew), ‘Macht hoch die Tür’ (Lift up the door), ‘Maria durch ein Dornwald ging’ (Mary walked through a thorn forest) and many more. The pieces are classified as very easy to easy and are therefore particularly suitable for children and beginners . They are arranged for two soprano recorders. The sheet music edition was developed for playing together in groups and ensembles , especially for use during the Advent and Christmas season in schools, music schools or at home . The songs are easy to play and offer an uncomplicated introduction to recorder playing with well-known melodies from the Advent season. The pieces are also available individually as pdf files. Click on the drop-down menu under ‘Issue (please select)’ Contents: • Auf, auf! Die rechte Zeit ist hier • Leise rieselt der Schnee • Es flog ein Täublein weiße • Es kommt ein Schiff geladen • Guten Abend, schön' Abend • Ihr lieben Christen, freut euch nun • Knecht Rupprecht aus dem Walde • Der Morgenstern ist aufgedrungen • Lasst uns froh und munter sein • Macht hoch die Tür • Maria durch ein Dornwald ging • Nun kommt der heiden heiland • O Heiland, reiß die Himmel auf • Und unsrer lieben Frauen • Nun jauchzet, all ihr Frommen • Wie soll ich dich empfangen

‘ Zieh, Schimmel ... ’ is a collection of simple pieces based on traditional children's songs, rhymes and games. The individual compositions have titles such as ‘Winter Song’, ‘Counting Rhyme’, ‘Children's Game’ and ‘Children's Round Dance’ and were specifically designed for musical adaptation for recorder duets. This is an educationally oriented sheet music edition for beginner s, inspired by children's games and verses, which aims to encourage children and beginners to make music together . Content: 1. Zieh, Schimmel 2. Winterlied 3. In der Nacht 4. Abzählreim 5. Schneck im Haus 6. Reigen am Johannisfest 7. Dornröschen 8. Ein Schneider 9. Meine Blümchen 10. Pferdchen, lauf Galopp 11. Spannenlanger Hansel 12. Abzählreim 13. Schuster und Maurer 14. Kirschbaum 15. Das Taubenhaus 16. Katz und Spätzelein 17. Kinderreigen 18. Kinderspiel 19. Konstanz 20. Die Schneider 21. Kranzbinden 22. Frühlingslied 23. Die Gärtnerin 24. Musekätzchen 25. Der Bibabutzemann

From G. Chr. Schemelli's Musical Hymnal The collection Advent and Christmas Carols from Schemelli's Hymnal , edited by Ilse Hechler, comprises Christmas chorales and songs from Johann Sebastian Bach's circle, originally published in Schemelli's Hymnal (Leipzig, 1736). In this edition, they are arranged for variable instrumentation such as recorders, strings, voice, and piano in three-part settings. Contents: 1. Dir, dir, Jehova, will ich singen 2. Auf, auf, die rechte Zeit ist hier 3. Ich freue mich in dir 4. Ermuntere dich, mein schwacher Geist 5. Liebes Herz bedenke doch 6. Ich steh an deiner Krippen hier 7. O Jesulein süß 8. Ihr Gestirn, ihr hohen Lüfte

Lotte Backes (1901–1990) was an important German pianist, organist and composer of sacred music and organ works. She lost many of her works during the war, recomposed after 1945 and was active in Berlin. This composition in the form of a litany is a liturgical organ work for organists and church musicians.

Lotte Backes (1901–1990) was an important German pianist, organist and composer of sacred music and organ works. She lost many of her works during the war, recomposed after 1945 and was active in Berlin. This composition consists of two pieces from a liturgical organ work for organists and church musicians.

De profundis Hans Fleischer (1896–1981) was a German composer and pianist of the late Romantic period, influenced by Max Reger and Hans Pfitzner. He studied composition with Carl Kittel and Johanna Senfter. In addition to his freelance work, he was a music teacher and deputy director of the Luxembourg State Music School during the Second World War. His oeuvre includes symphonies, concertos, chamber music, piano works and songs. The present work is part of his extensive compositional oeuvre. It consists of three movements. Contents: 1st movement – very slow 2nd movement – in calm motion 3rd movement – slow

Inhalt: - Aus dem Nordosten Brasiliens - A Rosa vermelha - Acordai Concela - Como pode o peixe - A canoa virou - Embolada - Nesta Rua - Graciana (Fandango) - Viva o Carnaval - Cai, cai, balao - Samba Lelê - A casinha pequenina - O Cego - Batuque - Faz hoje um Ano - Estela - Chula Paroara - Gesto da Negra - Canto Antigo - Mineiro Pau - Xô Sabiá - Olha a Laranja Pêra - Romance Sertanejo - Ma Maria (Lundú) - Frêvo - Yongo - Zé pum - Bumba meu boi - Ma Maria (Lundú)

New edition based on the first Paris print (1708) Pierre Du Mage was born in Beauvais around 1676. He received his first music lessons from his father, who was organist at the cathedral. The young man then completed his organ and composition studies with the famous Louis Marchand in Paris. By 1703, he was already titular organist at the royal collegiate church in Saint-Quentin, where the new giant organ had just been completed. In 1708, the Livre d'Orgue was published, the composer's only known work: a kind of suite of eight pieces in the elegant, brilliant style of his teacher Louis Marchand, which, however, as Du Mage modestly states in the dedication, were not worthy of ‘one of the most perfect instruments in the world’. Du Mage died on 2 October 1751. Content: 1. Plein Jeu 2. Fugue 3. Trio 4. Tierce en Taille 5. Trompete Bass 6. Récit 7. Duo 8. Grand Jeu

During a visit to Coutances Cathedral in Normandy: the babble of other visitors, a guest organist trying out different registrations, the resulting introspection. In the three extremely contrasting sections of the ‘Triptych’, Alois Bröder captures this experience musically on the same day. In its extreme restraint, the third and by far longest part in particular represents the experience of connecting the sensually perceptible world with one's own inner self.

Choral Fantasy for Organ First critical edition of the only contemporary manuscript from Bach's circle Johann Adam Reincken (1643–1722), organist at St. Catherine's Church in Hamburg, was one of the most outstanding North German organists of the 17th century. Compared to the oeuvre of his friend Dieterich Buxtehude, very few of Reincken's works have survived. These include only two chorale-based organ pieces, both of which belong to the genre of the chorale fantasia, but are among the most important of their kind. The only surviving copy of Reincken's famous chorale fantasia, made by Bach's son-in-law Johann Christoph Altnikol, had been lost since 1945 and is now being presented in a critical edition for the first time after its return from Russia to Berlin. Content: - Choral An Wasserflüssen Babylon (By the Rivers of Babylon) - Encouragement to register - Disposition of the Hamburg Catharinenorgel 1720 - Johann Adam Reincken: ‘An Waßer Flüßen Babylon’ | Choral Fantasy - Critical Report

2 Fantasies for Organ In the Contrapuncti dodecaphonici , melodies from Gregorian chants and hymns in the local language are arranged in the following sequence of twelve tones, inversion, inversion of the inversion, in all possible transpositions. The individual pieces are suitable for liturgy as well as for a coherent concert performance. All pieces can be played on a single-manual organ. Most pieces can be easily played on a two-manual organ. Content: I. ‘Credo in unum deum’ II. ‘Discipulis flammas infundens’