Johann Friedrich Fasch (1688–1758) was a German composer of the late Baroque and early galant style, who is particularly appreciated for his orchestral and church music. His Concerto in C major for bassoon, strings and basso continuo is one of the most important solo works in the Baroque repertoire for bassoon. Content: Allegro Largo Allegro

Johann Friedrich Fasch (1688–1758) was a German composer of the late Baroque and early galant style, who is particularly appreciated for his orchestral and church music. His Concerto in C major for bassoon, strings and basso continuo is one of the most important solo works in the Baroque repertoire for bassoon. Content: Allegro Largo Allegro

Johann Friedrich Fasch (1688-1758), a pupil of Johann Kuhnau, Thomaskantor in Leipzig, and (later, after initial success as an opera composer) of Christoph Graupner, court conductor in Darmstadt, moved to Zerbst in 1722 to take up the post of court conductor, where he remained until the end of his life. Numerous church cantatas, several masses, but above all the impressive number of his highly remarkable instrumental compositions (orchestral suites, symphonies, concertos, quartets and trios) prove Fasch to be one of the truly significant and progressive composers of his time. Johann Sebastian Bach's high regard for the instrumental composer Fasch is documented on several occasions. The title of the work published here for the first time is: Concerto / Flauto Traverso / Violino / Fagotto / Basso Dei Sig. Pasch Content: Allegro Largo Allegro

Inhalt: La Baussan, C-Dur La d'Agut, c-Moll La Dubois, C-Dur

Inhalt: - La Beaumont C-Dur - La Persan G-Dur - La Simianne" G-Dur

Eine Ausführung des Soloparts mit Fagott ist ohne weiteres möglich.

Für die Ausführung dieser gekonnt gearbeiteten und hervorragend klingenden Duette sind nicht unbedingt zwei gleiche Bassinstrumente erforderlich. Sehr gut eignen sich auch die Besetzungen Fagott/Violoncello und Fagott/Viola da gamba.

The aim of Let's rag... is to make ragtime music available to a large number of instrumentalists. The choice of easy-to-play keys and the shortening of the original length to a manageable two piano pages per ragtime enables players to realise these arrangements without time-consuming preparation. An accompanying CD is available for this sheet music, which offers musicians a practical supplement (N 4900). Content: - The Easy Winners - Peacherine Rag - Maria's Rag - The Entertainer - The Sycamore - Dickie's Rag - Sunflower Slow Drag - The Strenuous Life - Little Annie's Swing Rag - The Ragtime Dance

Let's play Classic and Folk offers almost all instrumentalists a collection of well-known old pieces from several epochs, summarised here with the popular term Classic, as well as well-known folk songs. For each solo instrument there is the possibility to play these interesting as well as clever and lively arrangements of popular tunes with traditional piano accompaniment or to be accompanied by a CD. Content: 1. Jacques Offenbach: Can-Can 2 Edward Elgar: Land Of Hope And Glory 3 Luigi Boccherini: Minuet 4. Tomaso Albinoni: Adagio 5 Wolfgang Amadeus Mozart: Turkish March 6. Johannes Brahms: Waltz 7. Edvard Grieg: Solveig's Song 8. Greensleeves 9. The Last Rose Of Summer 10. Henry Martin 11. Puff, The Magic Dragon 12. Scarborough Fair 13. Amazing Grace 14. The House Of The Rising Sun 15. Loch Lomond