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In the Contrapuncti dodecaphonici, melodies from Gregorian chants and hymns in the local language are arranged in the following sequence of twelve tones, inversion, inversion of the inversion, in all possible transpositions.
The individual pieces are suitable for liturgy as well as for a coherent concert performance. All pieces can be played on a single-manual organ. Most pieces can be easily played on a two-manual organ.
Content: I. ‘Credo in unum deum’ II. ‘Discipulis flammas infundens’
