Content: - Marche op. 46 Nr. 5 - Méditation - Prière op. 90 Nr. 4 - Scherzo Symphonique op. 55 Nr. 2 - Grand Choeur Triomphal op. 47 Nr. 2 - Prière op. 56 Nr. 2 - Légende et Final Symphonique op. 71

César Franck's works have been enjoying growing popularity for several years and are increasingly finding their way into organ concert programmes. Günter Kaluza's edition makes lesser-known pieces from César Franck's oeuvre available in a practical edition. The works were probably composed before 1860, but bear Franck's unmistakable compositional signature. Content: - Communion - Offertoire - Offertoire - Andantino - Pièce Symphonique

Beflügelt is a progressive collection of piano music with short, easy to moderately difficult, very well-known or less well-known songs and piano works. The Advent and Christmas season is a welcome opportunity, especially for those returning to the piano, to simply open up the piano or grand piano to begin a long-cherished endeavour and to reawaken and rediscover dormant pianistic skills and abilities. Gloria in Excelsis Deo is designed to be progressive. This means that all the Christmas carols in this collection can be creatively integrated into everyday piano playing. The selection of songs is stylistically varied, with internationally known Christmas carols finding their special echo in this collection. When selecting the keys, care was taken to find a compromise between a pleasant singability and a melody part that can be played spontaneously on C instruments. Content: - Schneeflöckchen, Weißröckchen - Bajuschki Baju (aus Russland) - O Heiland, reiß die Himmel auf - Lasst uns froh und munter sein (aus Frankreich) - Kommet, ihr Hirten (aus Böhmen) - Ihr Kinderlein kommet - Joy to the World (G. Fr. Händel) - Kling, Glöckchen, klingeling - Süßer die Glocken nie klingen - Es kommt ein Schiff geladen - Alle Jahre wieder - Oh Tannenbaum, oh Tannenbaum (sehr alte Volksweise) - Morgen, Kinder, wird's was geben - O Tannenbaum (bekanntes Volkslied) - Leise rieselt der Schnee - We Wish You a Merry Christmas (aus England) - Es ist für uns eine Zeit angekommen (aus der Schweiz) - Jingle Bells (aus den USA) - Quem Pastores Laudavere (aus Prag) - Freu dich, Erd und Sternenzelt (aus Böhmen) - Zu Bethlehem geboren (aus Köln) - O du fröhliche - Stille Nacht, heilige Nacht - In dulci jubilo - Maria durch ein' Dornwald ging (aus dem Eichsfeld) - Morgen kommt der Weihnachtsmann (aus Frankreich) - Es ist ein Ros' entsprungen - Les anges dans nos campagnes ("Gloria", aus Frankreich) - Go Tell It On the Mountain (Spiritual) - Amen (Spiritual) - Nun freut euch, ihr Christen (Adeste, Fideles) - Ich steh an deiner Krippen hier (J. S. Bach - Weihnachtsoratorium) - Tochter Zion (G. Fr. Händel - A. Guilmant) - Fröhliche Weihnacht überall (aus England) - Hark! The Herald Angels sing (nach F. Mendelssohn-Bartholdy) - Vom Himmel hoch, da komm ich her (J. S. Bach - Weihnachtsoratorium)

The ‘Beflügelt’ series supports the joy of making music, regardless of whether someone wants to get back into active music-making on the piano, switch from another instrument to the piano or simply start from the beginning. The edition contains popular melodies from orchestral, operatic and choral works, arranged for piano. Content: - Rule Britannia (Thomas Augustin Arne | 1710 - 1778) The piece from the musical comedy ‘The Masque of Alfred’ is a very well-known British theme, transcription for piano or organ. - ‘Air’ from the Orchestral Suite No. 3 (Johann Sebastian Bach | 1685 - 1750) - Aria ‘Bist du bei mir’ from BWV 508 (Johann Sebastian Bach | 1685 - 1750) - Badinerie from the Suite in B minor (Johann Sebastian Bach | 1685 - 1750) Transcriptions for piano or organ, All three pieces are among the world-famous works world-famous works by J.S. Bach. - Gladiator theme from the opera ‘Carmen’ (Georges Bizet | 1838 - 1875) The title is one of the world's most famous opera melodies. - Minuet and Trio from the String Quartet in E major op. 13 (Luigi Boccherini | 1743 - 1825) The titles are among Boccherini's best-known works worldwide. - Prelude from the ‘Te Deum’ (Marc-Antoine Charpentier | 1643 - 1704) Transcription for piano or organ, The work has become known throughout Europe through TV ‘ Eurovision’. Europe. - Largamente from ‘Pomp and Circumstance’ March No. 1 (Edward Elgar | 1857 - 1934) Transcription for piano or organ, known worldwide - ‘Hornpipe’ from the Water Music (George Frideric Handel | 1685 - 1759) - Minuet from the ‘Water Music’ (George Frideric Handel | 1685 - 1759) - Largo, theme from the opera ‘Xerxes’ (George Frideric Handel | 1685 - 1759) Transcriptions for piano or organ- Coeli ennarant (‘The heavens tell’) (Josef Haydn | 1732 - 1809) This world-famous piece comes from the oratorio ‘The Creation’. Transcription for piano or organ, - Danube Wave (Josif Ivanovici | 1845 - 1902) - Maple Leaf Rag (Scott Joplin | 1867-1917) - Fascination (Filippo D. Marchetti | 1831 - 1902) - Wedding March from ‘A Midsummer Night's Dream’ (Felix Mendelssohn-Bartoldy | 1809 - 1847) Transcription for piano or organ - Aria of Papageno from the musical comedy ‘The Magic Flute’ (Wolfgang Amadeus Mozart | 1756 - 1791), - Romance, Theme from the Piano Concerto No. 20 in D minor (Wolfgang Amadeus Mozart | 1756 - 1791) - March of the Priests from the musical comedy ‘The Magic Flute’ (Wolfgang Amadeus Mozart | 1756 - 1791), Transcription for piano or organ - Over the Waves (Juvento Rosas | 1868 - 1894) - The Swan from ‘Carnival of the Animals’ (Camille Saint-Saens |1835 - 1921) - Stars and Stripes (John Philip de Sousa |1854 - 1932) - Viennese Blood (Johann Strauss |1825 - 1899) - Radetzky March (Johann Strauss |1825 - 1899) - Aria theme from ‘Rigoletto’ (Giuseppe Verdi | 1813 - 1901) - Triumphal march from the opera ‘Aida’ (Giuseppe Verdi | 1813 - 1901) Transcription for piano or organ - Wedding March from the opera ‘Lohengrin (Richard Wagner | 1813 - 1883) Transcription for piano or organ - Huntsman's Chorus from the opera ‘Der Freischütz’ (Carl Maria von Weber | 1786 - 1826)

The ‘Beflügelt’ series supports the joy of making music, regardless of whether someone wants to get back into active music-making on the piano, switch from another instrument to the piano or simply start from the beginning. Amazing Joy is a folk song book with internationally known and popular songs. As a companion to ‘Intermezzo’, it helps to inspire players with a wide range of life experiences and interests. Content: - Lonesome Road (Traditional) - Anicka (From Moravia) - Malaguena (From Spain) - Und in dem Schneegebirge (From Silesia) - Es waren zwei Königskinder (Traditional, around 1800) - Bella Bimba (Traditional) - Clementine (Traditional) - Póljusko, Pólja (From Russia) - O Juana (From Spain) - Shalom (From Israel) - Kum By Ya (Traditional) - Banks of the Ohio (Traditional, Ballad) - Japanische Melodie (Traditional) - Billy the Kid (Traditional) - Scarborough Fair (Traditional from Northern England) - Ännchen von Tharau (Friedrich Silcher / 1789-1860) - Der Mond ist aufgegangen (Johann Abraham Peter Schulz / 1747-1800) - Little Brown Jug (Traditional) - Santa Lucia (From Napels, 19th century) - Ciao, Ciao, Ciao (Traditional) - Tom Dooley (Traditional) - Sur le pont d'Avignon (From France) - Morning Has Broken (Old Gäilic melody) - Nun ruhen alle Wälder (J. S. Bach / 1586-1750) - Chevalier de la table ronde (From France) - Cielito Lindo (From South America) - Janos (From Hungary) - Greensleeves (Traditional) - Camptown Races (Stephen Collins Foster / 1826-1864) - Casatschok (Traditional from Russia) - Whiskey in the Jar (Traditional from Ireland) - Hava Nagila (From Israel) - Tiritomba (From Italy) - Ej, uchnjem (Song of the Volga Tractors from Russia) - The Gospel Train (Traditional) - Careless Love ((Traditional) - Wade in the Water (Spiritual) - The Rising of the Moon (Traditional from Ireland) - Winde wehn (From Finland) - Cockles and Mussels (From Ireland) - Vem kan segla (From Norway) - Sténjka Rázin (From Russia) - Amazing Grace (From England) - Io mi sono un poveretto (From Napels) - John B. Sails (Shanty) - My Bonnie Is Over the Ocean (Traditional) - Beautiful Dreamer (Stephen Collins Foster / 1826-1864) - Ballade (Traditional) - Üsküdara Gideriken (From Turkey) - Hevenu Shalom Alechem (From Israel) - The Three Ravens (Ballad from England) - Maciel (From Poland) - When Johnny comes Marching Home (Traditional) - Go Down, Moses (Traditional) - I'll Overcome Some Day (Traditional US-Southern States) - Kalinka (From Russia) - The House of the Rising Sun (Traditional) - Backwater Blues (Traditional) - Petruschka (From the Ukraine) - Sometimes I Feel Like a Motherless Chils (Spiritual) - Vive l'amour (From England) - He's got the Whole World (spiritual) - Banana Boat Song (From Jamaica) - Als die Römer frech geworden (Traditional) - Should Auld Acquaintance (From Scotland) - The Animals Went in Two by Two (From England) - Glory, Glory, Hallelujah (Traditional) - Swanee River (Stephen Collins Foster / 1826-1864) - Plaisir d'amour (J. P. E. Martini / 1741-1816) - Kol dodi (From Israel) - Oh Happy Day (spiritual) - Guantanamera (From Cuba)

The ‘Beflügelt’ series supports the joy of making music, regardless of whether someone wants to get back into active music-making on the piano, switch from another instrument to the piano or simply start from the beginning.The three volumes Ouverture, Intermezzo (N 2682) and Finale (N 2683) are presented in progressive order under the title ‘Piano & forte’. The selection of pieces inspires young people and those who are young at heart with works by internationally respected composers. Ouverture is aimed at those who are starting to play the piano without any previous knowledge. In addition to original works by classical composers, the edition contains arrangements of well-known melodies and folk songs. Finale continues the path of Intermezzo with pieces of intermediate difficulty. Content: - Allemande op. 4 No 2 (Carl Maria von Weber) - Ländler (Ludwig van Beethoven) - Sonatina a-Moll (Georg Jiri Antonin Benda) - Danse Galante (Georg Philipp Telemann) - Marcia (Carl Czerny) - Invention 1 (BWV 772) (Johann Sebastian Bach) - Allegro (Johann Hässler) - Tanz mit mir (Robert Volkmann) - Trumpet Tune (Henry Purcell) - Menuett in B-Dur (Ignaz Joseph Pleyel) - Allegro (Liopold Mozart) - Walzer op. 39 Nr. 9 (Johannes Brahms) - Prélude op. 28 No 4 (Frédéric Chopin) - Walzer op. 12 No 2 from 'Lyric Pieces' (Evard Hagerup Grieg) - Aria (Domenico Scarlatti) - Tendre Fleur aus op. 100 (Johann Friedrich Franz Burgmüller) - L'Hirondelle (Johann Friedrich Franz Burgmüller) - Menuetto (KV 355) (Wolfgang Amadeus Mozart) - Fantasia über ein Thema von Georg Philipp Telemann (from the music book for Wolfgang) (Leopold Mozart) - De Grand Matin (Günter Kaluza) - Invention 13 (BWV 784) (Johann Sebastian Bach) - Allegro (aus 'Twelve little pieces') (Joseph Haydn) - Prélude (Georg Friedrich Händel) - Prélude (Frédéric Chopin) - Peur de l'enfer aus op. 149 (Benjamin Louis Paul Godard) - Walzer op. 39 No 15 (Johannes Brahms) - Menuet-Rondeau (Jean-Baptiste Loeillet) - Andante (from 'Twelve little pieces') (Joseph Haydn) - Sehnsuchtswalzer op. 51 (John Field) - Albumblatt No 2 (Theodor Kirchner) - Walzer in C op. 77 No 1 (Franz Schubert) - Allegro in G-Dur (for an Organwork in a clock) (Ludwig van Beethoven) - Sonatine in C-dur op. 20 No 2 (Johann Ladislaus Dussek) - Prelude (George Gershwin) - Allegro Vivace (De Siete piezas facilisimas) (Gonzalo Saavedra)

The ‘Beflügelt’ series supports the joy of making music, regardless of whether someone wants to get back into active music-making on the piano, switch from another instrument to the piano or simply start from the beginning.The three volumes Ouverture, Intermezzo (N 2682) and Finale (N 2683) are presented in progressive order under the title ‘Piano & forte’. The selection of pieces inspires young people and those who are young at heart with works by internationally respected composers. Ouverture is aimed at those who are starting to play the piano without any previous knowledge. In addition to original works by classical composers, the edition contains arrangements of well-known melodies and folk songs. Content: - Le Chant guerrier du Roi Haricots (Erik Satie / 1866-1925) - Kleines Spiel (Anonymus / 17. Jh.) - Melodie (Louis Köhler / 1820-1886) - Menuett (Jean Henri d'Anglebert / 1629-1691) - Babiole (Jacques Christophe Naudot/ ca. 1690-1762) - Dialogue (Johann Nepomuk Hummel / 1778-1827) - Andante op. 101 Nr. 60 (Ferdinand Beyer / 1803-1863) - Scherzo op. 55 Nr. 1 (Ignaz Moscheles / 1794-1870) - Menuett (Leopold Mozart / 1719-1787) - Wiegenlied op. 66 Nr. 7 (Edvard Hagerup Grieg / 1843-1907) - Musette (J. S. Bach / 1685-1750) - Melodie (Félix Le Couppey ( 1811-1887) - Menuett (Ludwig van Beethoven / 1770-1827) - Studie in C op. 125 Nr. 3 (Stephen Heller / 1813-1888) - Andante (J. S. Bach / 1685-1750) - Bourrée (Leopold Mozart / 1719-1787) - Wiegenlied (Charles Villiers Stanford / 1852-1924) - Menuett (Leopold Mozart / 1719-1787) - Menuett (J. S. Bach / 1685-1750) - Menuett aus "Tanzfolge I" (Georg Philipp Telemann / 1681-1767) - Andante (Johann Christian Bach / 1735-1782) - Gavotta (Benjamin Carr / 1768-1831) - La Pernette Chanson Française (Vincent D'Indy / 1851-1931) - Prélude (Matteo Carcassi /1792-1853) - Scherzettino (Félix Alexandre Guilmant / 1837-1911) - Menuett (Franz Joseph Haydn / 1732-1809) - Studie in D op. 137 Nr. 9 (Henri Bertini / 1798-1876) - Ecossaise (Carl Maria von Weber / 1786-1826) - Air (Wilhelm Friedemann Bach / 1710-1784) - Menuett (Henry Purcell / 1659-1695) - Mazurka (Maria Szymanowska / 1789-1831) - Langsamer Walzer (Cornelius Gurlitt / 1820-1901) - Impromptu (Les Pifferari) (Charles Gounod / 1818-1893) - Menuett (Franz Joseph Haydn / 1732-1809) - Wirbelwind (Cornelius Gurlitt / 1820-1901) - Gavotte (Arcangelo Corelli / 1653-1713) - Bourrée aus der Lauten-Suite e-Moll (J. S. Bach / 1685-1750) - Verfolgung (Gustave Sandré / 1843-1916) - Zinnsoldaten (Vladimir Rebikow / 1866-1920) - Stolzer Reiter op. 47 Nr. 2 (Robert Fuchs / 1847-1927) - Menuett (Carl Philipp Emanuel Bach / 1714-1788) - Polonaise (Carl Philipp Emanuel Bach / 1714-1788) - Der Bär (Vladimir Rebikov / 1866-1920) - Am Bach (Génari Karganow / 1858-1890) - Adagio für eine Glasharmonika (KV 356) (W. A. Mozart / 1756-1791)

The ‘Beflügelt’ series supports the joy of making music, regardless of whether someone wants to get back into active music-making on the piano, switch from another instrument to the piano or simply start from the beginning.The three volumes Ouverture, Intermezzo (N 2682) and Finale (N 2683) are presented in progressive order under the title ‘Piano & forte’. The selection of pieces inspires young people and those who are young at heart with works by internationally respected composers. Ouverture is aimed at those who are starting to play the piano without any previous knowledge. In addition to original works by classical composers, the edition contains arrangements of well-known melodies and folk songs. Content: - Auf und ab - First Enterprise - Kleine Träumerei - Erster Walzer - Last Night - Alla Marcia - Harfenklang - Barcarolle (Theme from The Tales of Hoffmann) - Kirchenglocken - Rosenholz - Mittagspause - Peer-Gynt-Suite - Abend wird es wieder - Verlassenes Kloster in der Provence - Dialog - Angel of Love (theme) - Con Moto - Frage und Antwort - Land of the Silverbirch - Forte & Piano - Nun wollen wir singen das Abendlied - Fanfare - Ein Loch ist im Eimer - Sekundstudie - Taktvoll - Das alte Haus am Meer - Terzstudie - Clock Rock - When the Saints Go Marchin In - Again - Big Ben - Après Son - Thine Eyes (Your Eyes) - Feierabend - Alouette - Im Märzen der Bauer - Mary-Ann - Es war ein König in Thule - In einem alten Whiskeykeller - Thema aus Karneval in Venedig - Merrily We Roll Along - The Frozen Logger - 3 x 8 - Menuetto Pastorale - Pride of Kildar - Old Blue - lang, lang ist's her - Menuet (around 1750) - Pavana "La Bataille" - Abendglocken - Andante - The Bard of Shamrock - Lavander's Blue - Attention - Melodie - I'm Goin' to Leave Old Texas - Kein schöner Land in dieser Zeit - Guter Mond, du gehst so stille - Gavotte - Hörnerklang - Zum Gali Gali - Thema aus IX. Symphonie (4th movememnt) - Carillon - Barbara Ellen - So ein Kreuz - ... und jetzt ein Be - Ich werd' wahnsinnig - Springbrunnen - Die Jagd - Ach, bittrer Winter - If You're Happy - Winter Tune - Balla Ciao - Hulla Balo Balay - Old Smokey - In einen Harung - Hey, Ho, Nobody at Home - Der Abschied fällt schwer - My Lord, What a Morning - Le coq est mort - Kuckuck-Walzer - Farandole (Theme from L'Arlésienne) - Allegretto - Symphonie Nr. 1 (e. movement) - Winterlied (quintorganum) - Nachtreise - Gavotte - Thema aus Die Moldau - Vétille - East Virginia - come and go to That Land - Sredi Daliny - Rondo - what Shall We Do - Ci-Ju - Wilhelm Tell - Nobody Knows - Die Affen rasen durch den Wald (Joke Song) - Yellow Field - Old British Sea Song

Old Bavarian organ music II, Upper Palatinate II The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are, for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music from old Bavaria and Upper Palatinate. Content: 1.Oberpfälzer Orgelbuch (18. Jh.): Suite sexti toni 2.Sebastian Prixner (1744-1799): Versetten A-Dur 3.Theodor Grünberger (1756-1820): Pastorell – Orgelstücke 4.Simon Mayr (1763-1845): Preaeludium As-Dur 5.Simon Mayr (1763-1845): Preaeludium Es-Dur 6.Joseph Hanisch (1812-1892): Magnificat Initium II. et VIII. Toni 7.Michael Haller (1840-1915): Offertorium „Sacerdotes Domini“ 8.Joseph Renner (1868-1934): „Asperges me“ 9.Joseph Renner (1868-1934): „Ite missa est“. In Festis Solemnibus

Organ music for German hymns II, Christmas festive season I The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to the festive season of Christmas,including an insert with hymn texts. Content: Gelobet seist du, Jesu Christ (GL 130 ö, EL 23, EKG 15) 1. Balthasar Resinarius (1486-1544), song movement 2. Joachim Decker (†1611), song movement 3. Johann Sebastian Bach (1685-1750), song movement 4. Johann Georg Herzog (1822-1909), song composition 5 Caspar Othmayr (1515-1553), chorale bicinium 6 Elias Nikolaus Ammerbach (around 1530-1597), chorale arrangement 7th Lüneburg organ tablature (17th century), 2 chorale arrangements 8. Johann Friedrich Alberti (1642-1710), chorale prelude 9.Johann Sebastian Bach (1685-1750), chorale prelude 10.Gottfried August Homilius (1714-1785), chorale trio 11.Johann Christian Kittel (1732-1809), chorale prelude 12.Johann Georg Herzog (1822-1909), chorale prelude Es ist ein Ros entsprungen (GL 132, EL 21, EKG 23) 13.Michael Praetorius (1571-1621), song movement 14.Peter Piel (1835-1904), song movement 15.Johannes Brahms (1833-1897), chorale prelude 16.Peter Piel (1835-1904), chorale intonations 17.Emanuel Adler (1843-?), chorale prelude 18.Vinzenz Goller (1873-1953), chorale intonations Praise God, all ye Christians alike (GL 134 ö, EKG 21) 19.Johann Pachelbel (1653-1706), song movement 20.Johann Sebastian Bach (1685-1750), song movement 21.Johannes Zahn (1817-1895), song movement 22.Dietrich Buxtehude (1637-1707), chorale prelude 23.Andreas Nicolaus Vetter (1666-1734), Choral fughette 24.Johann Christoph Oley (1738-1789), chorale prelude 25.Johann Samuel Harsow (18th century), chorale trio 26.Hieronymus Florentinus Quehl (18th century), Fugue and chorale 27.Wilhelm Volckmar (1812-1887), chorale prelude

Old Bavarian organ music I - Upper Palatinate I The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music from the old Bavarian and Upper Palatinate. Content: 1.Hermann Erdelauer (before 1450): Three organ pieces 2.Urbanus Kungsprung (before 1450): Kyrie magnae Deus potnetiae 3.Sebastian Virdung (around 1465-around 1511): O heilge, unbefleckte, zart innige Jungfrau Maria. Song of Mary 4.Georg Forster (around 1510-1568): Timete Dominum omnes Sancti eius. Fuga in Omophonia 5.Georg Forster (around 1510-1568): O weh der Zeit. Bizinium 6.Caspar Othmayr (1515-1553): Vater unser im Himmelreich. Choralbizinium 7.Caspar Othmayr (1515-1553): Ach Gott, vom Himmel sieh darein. Choralbizinium 8.Caspar Othmayr (1515-1553): Wo Gott zum Haus nicht gibt sein Gunst. Choralbizinium 9.Caspar Othmayr (1515-1553): Nun freut euch, lieben Christen g'mein. Choralbizinium 10.Caspar Othmayr (1515-1553): Mit Fried und Freud fahr ich dahin. Choralbizinium 11.Caspar Othmayr (1515-1553): Wo Gott der Herr nit bei uns wär. Choralbizinium 12.Jobst vom Brandt (1517-1570): Oppressit reducem. Motet 13.Mathias Gastritz (†1596): Non es bonum, hominem esse solum.Motet for five voices 14.Paul Homberger (1560-1634): Wenn mich Sünd, Schmerz und Tod. Eight-part motet for double choir 15.Andreas Raselius (um 1562-1602): Christum wir sollen loben schon. Hymn setting 16.Andreas Raselius (um 1562-1602): Jesus Christus unser Heiland, der den Tod überwand. Hymn setting 17.Andreas Raselius (um 1562-1602): Nun freut euch lieben Christen g'mein. Hymn setting 18.Gregor Aichinger (1564-1628): Praesul Sancte Dei Udalrice. Fünfstimmige Motette 19.Marianus Königsperger (1708-1769): Praeambulum und Versetten vierter Ton 20.Marianus Königsperger (1708-1769): Aria quarti toni 21.Marianus Königsperger (1708-1769): Praeambulum et Fuga quarti toni

The organ in the church year IV - Marian feasts The Cantantibus organis series presents organ pieces in several booklets, one group of which is selected according to the festive circles and special themes of the church year; other groups with free preludes, interludes and postludes are arranged according to musical points of view. The level of difficulty of the selected pieces ranges from ‘easy’ to ‘quite difficult’. No special pedalling skills are required. Numerous pieces are for historical reasons, to be played entirely without pedal. The main emphasis of the selected pieces in this collection is on manual technique. Many of the works are ideal for church music festivals and concerts. The pieces without pedal also sound excellent on the harpsichord. This volume is dedicated to organ music for Marian feasts. Content: 1. Buxheim Organ Book (15th century): Rorate coeli desuper. Introit: Marian mass Advent season 2. Philip ap Rhys (16th century): Felix namque es. Offertory: Marian Mass Christmas and Lent 3. Neresheim Organ Book (16th century): Salve sancta Parens. Introit: Marian Mass 4. Tablature by Fridolin Sicher (16th century): Ave Maria gratia plena. Offertory: Marian Mass 5. Hermann Erdelauer (15th century): Beata viscera Mariae. Communio: Marian Mass 6. Codex Nikolaus Apel (15th century): Quem terra pontus - Ave maris stella. Hymn: Matins on Marian feasts - Hymn: Vespers on Marian feasts 7. Buxheim Organ Book (15th century): O gloriosa Domina. Hymn: Lauds on Marian feasts 8. Manuel Rodrigues Coelho (before 1583-after 1623): Ave maris stella. Hymn: Vespers on Marian feasts 9. Christian Erbach (1570-1635): Ave maris stella 10. Jean François Dandrieu (1682-1738): Ave maris stella 11. Codex Nikolaus Apel (15th century): Alma redemptoris mater. Marian antiphon: Advent/Christmas 12. Tablature by Fridolin Sicher (16th century): Ave regina coelorum. Marian antiphon: Lent 13. Codex of St Emmeram (14th/15th century): Regina coeli. Marian antiphon: Easter/Pentecost 14. Giovanni Battista Fasolo (17th century): Salve Regina. Marian antiphon: Rest of the year 15. Buxheim Organ Book (15th century): Salve regina16th Neresheim Organ Book (16th century): Tota pulchra es amica. Alleluia verse: Immaculate Conception of Mary (8 December) 17 Codex Nikolaus Apel (15th century): Quod chorus vatum. Hymn: Maria Lichtmeß (2 February) 18 Glogau Songbook (15th century): Ecce concipes. Responsory: Annunciation of Mary (25 March) 19 Codex Nikolaus Apel (15th century): Assunt festa iubilae. Hymn: Visitation of Mary (2 July) 20.Hans Buchner (1483-1538): Quae est ista, quae ascendit. Responsorium: Assumption of Mary (15 August) 21. Glogau Songbook (15th century): Regina regnatium. Cantio: Mary Queen (22 August) 22. Adam of Fulda (around 1445-1505): Regali ex progenie. Antiphon: Birth of Mary (8 September) 23. Tablature by Fridolin Sicher (16th century): Virgo Dei Genitrix: Gradual verse: Seven Sorrows of Mary (15 September) 24. Buxheim Organ Book (15th century): O florens rosa. Antiphon: Feast of the Rosary (7 October)