Partitur: N 2401

Partitur: N 2401

Partitur: N 2401

Partitur: N 2401

Partitur: N 2401

Partitur: N 2401

After children's songs, folkloristic compositions and works from the Baroque and Classical periods were arranged in the first two volumes of this series (N 2344 and N 2369), this third volume contains Advent and Christmas carols. The instrumentation - two identical or different melody instruments (recorders, violins, oboes, flutes etc.), piano, bass (cello or bassoon) and percussion - has not changed compared to the other two volumes; multiple instrumentation of the parts is also possible in this volume. The level of difficulty is roughly based on volume 2 and thus forms a transition to volume 4, which deals with works from the Romantic period.first and second parts are on an equal footing and alternate - together with the piano - in the melodic lead. The bass part has gained in independence compared to the first volume; the bass and percussion can be omitted without detracting from the musical sense, but nevertheless enrich the sound. Content: - Macht hoch die Tür - Morgen kommt der Weihnachtsmann - O du fröhliche - Fröhliche Weihnacht überall - Kommet, ihr Hirten - Leise rieselt der Schnee - Tochter Zion - Angels We Have Heard In High (Hört der Engel helle Lieder) - Joy To The World - Hark, The Herald's Angels Sing - Jingle Bells

After children's songs, folkloristic compositions and works from the Baroque and Classical periods were arranged in the first two volumes of this series (N 2344 and N 2369), this third volume contains Advent and Christmas carols. The instrumentation - two identical or different melody instruments (recorders, violins, oboes, flutes etc.), piano, bass (cello or bassoon) and percussion - has not changed compared to the other two volumes; multiple instrumentation of the parts is also possible in this volume. The level of difficulty is roughly based on volume 2 and thus forms a transition to volume 4, which deals with works from the Romantic period.first and second parts are on an equal footing and alternate - together with the piano - in the melodic lead. The bass part has gained in independence compared to the first volume; the bass and percussion can be omitted without detracting from the musical sense, but nevertheless enrich the sound. Content: - Macht hoch die Tür - Morgen kommt der Weihnachtsmann - O du fröhliche - Fröhliche Weihnacht überall - Kommet, ihr Hirten - Leise rieselt der Schnee - Tochter Zion - Angels We Have Heard In High (Hört der Engel helle Lieder) - Joy To The World - Hark, The Herald's Angels Sing - Jingle Bells

After children's songs, folkloristic compositions and works from the Baroque and Classical periods were arranged in the first two volumes of this series (N 2344 and N 2369), this third volume contains Advent and Christmas carols. The instrumentation - two identical or different melody instruments (recorders, violins, oboes, flutes etc.), piano, bass (cello or bassoon) and percussion - has not changed compared to the other two volumes; multiple instrumentation of the parts is also possible in this volume. The level of difficulty is roughly based on volume 2 and thus forms a transition to volume 4, which deals with works from the Romantic period.first and second parts are on an equal footing and alternate - together with the piano - in the melodic lead. The bass part has gained in independence compared to the first volume; the bass and percussion can be omitted without detracting from the musical sense, but nevertheless enrich the sound. Content: - Macht hoch die Tür - Morgen kommt der Weihnachtsmann - O du fröhliche - Fröhliche Weihnacht überall - Kommet, ihr Hirten - Leise rieselt der Schnee - Tochter Zion - Angels We Have Heard In High (Hört der Engel helle Lieder) - Joy To The World - Hark, The Herald's Angels Sing - Jingle Bells

After children's songs, folkloristic compositions and works from the Baroque and Classical periods were arranged in the first two volumes of this series (N 2344 and N 2369), this third volume contains Advent and Christmas carols. The instrumentation - two identical or different melody instruments (recorders, violins, oboes, flutes etc.), piano, bass (cello or bassoon) and percussion - has not changed compared to the other two volumes; multiple instrumentation of the parts is also possible in this volume. The level of difficulty is roughly the same as in volume 2 and thus forms a transition to volume 4, which deals with works from the Romantic period; the first and second parts are on an equal footing and alternate - together with the piano - in the melodic direction. The bass part has gained in independence compared to the first volume; the bass and percussion can be omitted without detracting from the musical sense, but nevertheless enrich the sound. Content: - Macht hoch die Tür - Morgen kommt der Weihnachtsmann - O du fröhliche - Fröhliche Weihnacht überall - Kommet, ihr Hirten - Leise rieselt der Schnee - Tochter Zion - Angels We Have Heard In High (Hört der Engel helle Lieder) - Joy To The World - Hark, The Herald's Angels Sing - Jingle Bells

The 4th volume of the series is dedicated to compositions from the Romantic period, including both popular works and little-known, interesting pieces. The level of difficulty in the 4th volume is somewhat higher than in the previous volumes. The piano part is based roughly on the level of difficulty of the respective original. Both melody parts have equal rights and alternate - together with the piano - in the melodic direction. The bass part has gained independence compared to volume 1. The bass and percussion enrich the sound and can be omitted without detracting from the musical sense. This piece of music, which treats piano and melody parts equally, also makes the same demands on them and offers an excellent opportunity to gain chamber music experience. Content: 1. Wilder Reiter (Robert Schumann) 2. Fröhlicher Landmann (Robert Schumann) 3. Nach dem Balle (Alexander Gretschaninoff) 4. Schnitterliedchen (Robert Schumann) 5. Ländler (Heinrich Hoffmann) 6. Deutsches Lied (Pjotr Iljitsch Tschaikowsky) 7. Die Zigeuner (Friedrich Burgmüller) 8. Tänzchen im Freien (Theodor Kullak) 9. Elfentanz (Edvard Grieg)

The 4th volume of the series is dedicated to compositions from the Romantic period, including both popular works and little-known, interesting pieces. The level of difficulty in the 4th volume is somewhat higher than in the previous volumes. The piano part is based roughly on the level of difficulty of the respective original. Both melody parts have equal rights and alternate - together with the piano - in the melodic direction. The bass part has gained independence compared to volume 1. The bass and percussion enrich the sound and can be omitted without detracting from the musical sense. This piece of music, which treats piano and melody parts equally, also makes the same demands on them and offers an excellent opportunity to gain chamber music experience. Content: 1. Wilder Reiter (Robert Schumann) 2. Fröhlicher Landmann (Robert Schumann) 3. Nach dem Balle (Alexander Gretschaninoff) 4. Schnitterliedchen (Robert Schumann) 5. Ländler (Heinrich Hoffmann) 6. Deutsches Lied (Pjotr Iljitsch Tschaikowsky) 7. Die Zigeuner (Friedrich Burgmüller) 8. Tänzchen im Freien (Theodor Kullak) 9. Elfentanz (Edvard Grieg)